Dietz Edzard Art

Lyne SEYBEL (1919-2009) Tempête à Honfleur Oil on canvas Size: 65 x 92 cm Signed lower left. In perfect state of conservation. With beautiful frame Provenance: Family of the artist...

The painting (oil on canvas, 44.5 x 35 cm; with wood frame 64 x 54,5 cm) represents a moment on deception. It's signed Maccari on the bottom left, and it's dated 1956 and titled "ins...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Rafael Duran Benet (1931-2015) - Woman - Oil on canvas Oil measurements 92x65 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of th...

Jordi Curós Ventura (1930-2007) - Woman Oil on canvas. Work measurements 77x79 cm. Frame size 81x83 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He t...

A beautiful early 20th century oil on canvas portrait of a well presented lady in a landscape, by the Scottish artist, illustrator and cartoonist Arthur Ferrier...

Suchitra Bhosle's "Dappled Light" is an original, hand made oil painting that depicts a man napping in the sun while leaning against a tree with sun streaming through the foliage. ...

ARTIST: Beatrice Huntington (1889-1988) Scottish TITLE: "Portrait Of A Red Haired Lady" SIGNED: lower left and with provenance from The Scottish Gallery Edinburgh and James Bourlet exhibition label also MEDIUM: oil on canvas SIZE: 68cm x 60cm inc frame CONDITION: very good DETAIL: The Scottish artist Beatrice M. L. Huntington (1889–1988) enjoyed a long and varied career as a painter and is best known for her insightful portraits, characterised by a strong sense of design and an intuitive use of colour. Her approach to painting was ever-evolving: throughout her long and fascinating life, which spanned a century and bore witness to the advent of the modern era, she remained indefatigably committed to her development as an artist and to 'containing and realising the big-ness of it all', as she herself described it in a letter to a friend in 1977, when at the age of 88 she was still refining her approach to form and colour. The daughter of an eminent St Andrews doctor, Beatrice grew up in affluent surroundings – an imposing townhouse on St Andrews South Street both her father's surgery and the family home. A precocious talent for both music and art led her, perhaps unusually for a girl at that time, to pursue her studies abroad. In 1906, the year she turned 17, she went to Paris to study drawing and painting and in 1911, after an evidently successful formative period in Paris, she continued her studies in Munich, attending a private art school where she apparently flourished. By the 1920s, Beatrice's own identity and path as an artist were clearly defined. Her marriage to the painter William Macdonald in 1925 created a unique artistic partnership and cemented her place within the Scottish art scene of the 1920s and 1930s, particularly in Edinburgh where Macdonald was already well established and a close friend of Scottish Colourists F. C. B. Cadell and Samuel Peploe. This is illustrated by surviving correspondence and in particular by a characterful portrait of a debonair William Macdonald by Cadell, dating from the mid-1920s. Macdonald's particular affinity for the arid landscapes of southern Spain had earned him the nickname William 'Spanish' Macdonald. Beatrice shared his love of travel and together they explored the Continent, returning frequently to the French Riviera and to southern Spain, taking as their base, for a time at least, the picturesque Mediterranean fishing village of Cassis in the South of France, a favoured haunt of the Colourists. The couple moved in artistic milieux both at home and abroad, also spending time in Kirkcudbright in Galloway. Their time painting together in Spain culminated with a joint exhibition in 1928 at Messrs Watt and Sons, Dundee, entitled 'Pictures of Spain...

Josep Serrasanta (1916-1998) - Gypsy woman - Oil on canvas Oil measures 65x50 cm. Frame measures 88x73 cm. Josep Serrasanta was born in Buenos Aires (Argentina) in 1916 - 1998 Valdo...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Seine by the Hotel de Paris. The streets of Paris are portrayed in the distan...

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

The Flamenco Dancer by Georges Regnault (French 1898-1979) signed oil on board, framed framed: 16 x 13 inches board: 11 x 9 inches provenance: private...