Norbert Lenz Art

American School, Artist Unknown

Joel creates these contemporary pieces by adding lots of tiny images of the female form to make up the larger image. Stunning figurative art inspired by The Kiss by Gustav Klimt Th...

Katharyn Gwendoln Truesdell - (American; 1909-1996) This colorful painting depicts a Southern California valley, likely near Sun City, over the mountains from Los Angeles and San Di...

Mixed media signed and hand embellished with inks and paint, print on paper. Edition 1/1 Fantastic bright red pop art featuring James McQueen's most loved quote. Expertly framed an...

Oil, acrylic, gesso on panel. One of a series. The UFO image has a compelling way of summing up or reflecting these norm-breaking times. These are also about composition, color, and ...

'Elegance, Good taste, and Confiding love' Original Artwork, Triptych. Framed ready to hang _________________________ Pendulums of fuschia flowers, dancing to rhythms of the afterno...

The Orchestra, 1950, oil on canvas, 21 ½ x 25 3/4 inches, signed and dated lower left, labeled verso “Brown University, Trustee, The Walter Feldman Trus...

This mandala thangka is hand painted on canvas with 24k gold. Different hues of gray,dark green ,Black and peach colors blend seamlessly with the shimmering of real gold. The measure...

Original mixed media on wood. The artist creates puppet-like figures in sketchy, minimalistic gestures which she integrates with whimsical and plain-spoken narrative fragments. ZUT...

This mandala thangka is hand painted on canvas with 24k gold. Different hues of gray,green and peach colors blend seamlessly with the shimmering of rea...

"Tools" is a 25 x 30 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a earth-tone color palette. The work is e...

Energy Manifestation #4, 1933, oil on canvas, 24 x 30 inches, signed and dated lower left. Likely exhibited at Nicolaides’ solo show at the Wadsworth Atheneum (Morgan Memorial Building), Hartford, Connecticut, in April, 1933 (see Memorial Opens Varied Display of Nicolaides Work, Originality Distinguishes Creations of New York City Artist, Hartford Courant, April 5, 1933) About the Painting This rare work comes from Nicolaides’ energy series, which draws on a unique combination of machine- age aesthetics, Italian-influenced Futurism and French-inspired Surrealism. But, this is a uniquely American work produced in the melting pot of the 1930s metropolis, New York City. Nicolaides uses the ray lines of the American precisionists to frame a pulsating apparatus that unites man and machine as one. The cogs and gears of the fantasy machine seamlessly blend with the hand of its operator. We are left to wonder whether the two are working together in harmony or whether the worker has been absorbed into the machine, like a Depression era robot. In reviewing the 1933 Wadsworth Atheneum show, where works from Nicolaides’ energy series were exhibited, a critic described these paintings as “combining . . . highly imaginative form aspects of machinery and flashes of color which seem to represent light and heat.” The same critic praised the artist, “Mr. Nicolaides here achieves powerful effects with line, mass and color. These pictures are striking for the solidity of the objects portrayed, for their composition and for their delicate orchestration of tones.” Commenting on the same exhibition, Frederick Hynd, the director of the Hartford Art School, noted that “Mr. Nicolaides’ work was noteworthy for its extremely personal sense of color and for its imagination” and that the artist achieved decorative effects “based on emotional ideas.” About the Artist Kimon Nicolaides...