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1920's Art Deco Mint Green Silk Asymmetrical Beaded Tea Dress

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    Early 1980s Adolfo sequined and beaded gold lace 3/4 sleeve mini dress with pouf shoulder. Gold bead banding at hem, collar and cuff. Back zipper. Unlined.
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  • 1960 Mr. Blackwell Fluorescent Yellow Embroidered Floral Net Trapeze Dress
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  • 1970 Saz Deep Navy Silk Boho Midi Dress W/ Colorful Embroidery & Beadwork
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  • 1960 Harold Levine Olive Silk Satin & Peach Silk Chiffon Empire Corset Gown
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    James Galanos 1980s silk devore cocktail dress embellished with a universe of crystals, beads and bling! A bold 80s high-syle shoulder silhouette with a draped bodice and fitted wai...
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  • 1970 Forest Green Silk Chiffon Accordion Pleated Halter Dress W/ Full Sweep Hem
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    With the original hand-sewn off-white unbranded rectangular label of Paris-based Maison Martin Margiela, this asymmetrical plunging v-neck black jersey pullover gown was designed in 1994 by Belgium fashion-designer-cum-artist Martin Margiela. In his early deconstruction style, it partly appears to be a ruched halter dress that is positioned on a bias to add curves to shape the waist, while its open overlapping wrap skirt enables ample draping on one side that conceals a high slit from the waist down. Recalling the construction found in two of Martin Margiela's seminal collections--both the upcycled-split 1950s ballgowns of Spring/Summer 1991 and the draped "Stockman" garments of Spring/Summer 1997--this stretch-viscose dress is likewise a bodice with a split skirt, while its 3/4-length sleeves can recall Margiela's famous "shouldered arm bands" if worn with protruding breasts fully exposed. The top has a wide deep gapping chest or back, along with the option to position the looped "halter" cord that hangs from the torso in one of several ways by pulling over the head. For example, if the dress is worn "backwards" with the brand label resting on the upper chest, the cord from the ruching that is positioned in back can be pulled overhead and under the arms, which can secure the front shoulders of the top by pulling the loop overhead again in the other direction to rest on the back of the neck--like the Martin Margiela Spring/Summer 1997 "Stockman evening dress" in the museum collection of TheMet (see our pic of its smaller open-front black halter and half skirt with the neck strap worn this way.) No doubt the buyer will try more creative ways, too! You may be inspired by our other listing for arguably one of Martin Margiela's best Artisanal Line 0 pieces--a couture body harness--that, like his fashion manifesto, enables endless repurposing of button-down tops to create a plunging v-neckline with a distinct rolled collar. The Italian-size 42 dress...
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