Chinese Sui Dynasty Painted and Glazed Pottery Model of a Warrior

A powerfully sculpted Chinese Tang Dynasty pottery model of a camel. The camel is portrayed in a walking stance, long neck extended, with head held high, mouth askew chewing cud. The...

An unusually large Chinese Ming Dynasty glazed pottery architectural model of a shrine or cabinet, Ming Dynasty (1368 - 1644), circa 16th century, China. The shrine model crafted o...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

A well modelled pair of Tang dynasty painted pottery soldiers. The warriors portrayed standing, dressed in form fitting, elaborate layered Armor with fitted helmets. The breastplate...

A magnificent and large early Tang dynasty (618-906 AD) model of a prancing or dancing horse, circa 7th century. The majestic animal is caught mid-motion, one leg raised, head grace...

A fine pottery model of an ox and cart. Realistically molded, the ox displays Fine musculature and elements of a harness system. With one fore and one rear...

A pair of Chinese Ming Dynasty glazed earthenware figure of Attendant The condition of these 5 century old glazed pottery tomb figures is outstand...

Tang Dynasty (618 - 907) Sancai glazed pottery horse The cream-glazed horse is naturalistically modelled standing on a rectangular base, with the mane, tail and hooves highlighted in amber glaze. The head is gracefully curved to the left, with a green and amber glazed saddle and blanket and foliate-shaped plaques detailed with moulded toads suspending from the trappings. Measures: Height: 14.24 Inches (36.2 cm) Width: 15.5 Inches (39.35 cm) Depth: 6 Inches (15.2 cm) Provenance: An English private collection, acquired in Hong Kong in the 1980s A Certificate of Authenticity will accompany this item along with a lucite base. Condition; Excellent with one repair to right side saddle blanket. Some remaining frustrations throughout with areas of oxidation and a fine craquelure throughout. A formidable piece that presents beautifully. Notes: The present sancai horse...

True in all its elements to the original examples which date from the early Chinese Tang period. The black glazed horse is naturalistically modelled. It stands on a rectangular base ...

Tang Dynasty polychromed fat lady with child in arm. Terracotta, pottery Tang Dynasty (618- 907AD)) Measures: Height: 20.2 inches (51cm) Width: 9.45 inches (24cm) Guaranteed Authentic with COA Condition: Excellent with loss to pinky and wear commensurate of age. This rare and outstanding ceramic court attendant was made during what many consider to be China’s Golden Age, the T’ang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The T’ang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best-known painters and artists. The T’ang Dynasty took control in 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early T’ang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The T’ang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well-established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

A pair of Ming dynasty sancai blue glazed pottery figures. Circa 1500 AD Ming Dynasty I have owned over 250 ming tomb figures including over 80...