Tiffany Studios "Dragonfly" Chandelier

An American Art Nouveau gilt bronze and mosaic inlaid TIffany Favrile "Swirl Paperweight" by, Tiffany Studios decorated with an organic swirl pattern...

A fine and rare American Art Nouveau blown Tiffany Favrile "Agate" vase decorated with a brown and lime green zipper decoration against a streaky yellow-greenish background. The vase...

An early 20th century American Art Nouveau Abalone pattern picture frame by, Tiffany Studios decorated in the 'Abalone" desk set pattern decorated with inlaid abalone and finished in...

An American Nineteenth Century "Eastlake" chandelier with three arms decorated with flower and leaf decoration further decorated with three matching etched and carved glass shades.

A period, rare and very impressive 19th century American Victorian gilt bronze Rococo Revival six-arm gas chandelier by, Cornelius & Baker, Philadelphia, PA which has been electrifie...

An American Studio Craft woven glass handkerchief sculptural form by, Carole Perry made up of thousands of woven individual glass threads of varying color...

Rippling undulations in gold iridescence and soft, organic lines dominate this ethereal but weighty composition, an exceptional example of a Tiffany Studios New York "Turtleback Tile" chandelier. Three tiers of vertically oriented rectangular Turtleback tiles with rounded corners graduate in size, with substantially sized tiles decorating the bottom-most tier and the apex of the domed shade featuring tightly clustered tiles in miniature. Sumptuous and romantically uneven borders frame each tile, accentuating their unique silhouettes and adding a dark, matte element to contrast the bright, shimmering gold that dominates the shade. Item #: L-20333 Artist: Tiffany Studios New York Country: United States Circa: 1900 Size: 18.5" diameter Materials: Patinated Bronze, Leaded Glass Signed: "Tiffany Studios" Literature: A similar chandelier is pictured in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors' Club, 1988, p. 281, plate 109 Macklowe Gallery Curators notes: he same model was on display at the Cooper Hewitt Museum's Passion for the Exotic: Louis Comfort Tiffany and Lockwood De Forest...

The "Belted Turtleback" Chandelier by Tiffany Studios New York is a refined study in monochromatic expression. Separated into three distinct tiers, the conical lamp shade offers a ma...

Tiffany Studios A 'Curtain Border' leaded glass and bronze chandelier, circa 1910 Measures: 24 in. (61 cm.) diameter stamped Tiffany Studios Proven...

This enchanting pair of Tiffany Studios New York "hanging globe" chandeliers are composed of two reticulated glass shades. Tiffany’s idea of blowing glass through openwork bronze had evolved in the 1890s with a series of Byzantine revival fuel lamps. The technique was popularized by 19th-century Muranese Glassmakers Salvati as a derivation of the Ancient Roman cage cup (vasa diatreta). In the 4th century, Roman glassmakers encased blown glass vessels in a delicate cage of glass. In Tiffany’s version, glass is blown through an ogival pattern cage. Originating in 11th-century Byzantine textiles, the ogival pattern became established in Italy, Ottoman Turkey, North Africa, and as far west as the Balkans. Product Details: Item #: L-20851 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 7.5” length, 18" length (with chain) Materials: Favrile Glass, bronze Literature: A similar example is pictured in Tiffany Lamps and Metalware by Alastair Duncan, pg 290, illustration number 135. Macklowe Gallery Curator's Notes: Tiffany’s globe...

Tiffany Studios Leaded Glass and Gilt Bronze Jeweled Drophead Dragonfly Table Lamp, circa 1910. At the turn of the century, Clara Driscoll, head of the women’s glass cutting department and the brains behind some of Tiffany’s most iconic shades introduced the “Drophead Dragonfly” to the world. Unable to cut the pieces of glass small enough to give the desired lacy effect to the wings of the dragonfly, Driscoll came up with the idea of using a brass filigree overlay that would be soldered over top of the glass wings, giving a much more intricate appearance. These filigrees had previously been used on smaller decorative items but were a new concept in lamp design. The Dragonfly became one of Tiffany’s first recorded leaded shades, shown as early as 1899 by Art Nouveau tastemaker Siegfried Bing at Grafton Galleries in London The design won her the bronze medal at the 1900 world's fair a year later. As the son of Tiffany & Co-founder Charles Lewis Tiffany, jewels to Louis Comfort Tiffany were as water is to a fish. It is no wonder with this background that Tiffany made the bold decision to employ Leo Popper & Sons of New York City as its producer of glass jewels Popper was founded in 1880 to produce imitation stones for costume jewelry, and Tiffany’s entrepreneurial prowess saw the possibility of using jewels in leaded glass shades. On the subject, Tiffany wrote: “Anyone who has seen the great rose windows of Chartres has, intuitively or otherwise, understood the relationship between glass and jewels. Designed to refract light prismatically, and placed to raise heads beatifically, they resemble nothing so much as magnificent celestial jewels.” It was likely for this reason that model no. 1507 was Tiffany’s favorite. More than any of its variants, the shade was spangled with a wide assortment of cabochon topaz glass jewels. This lamp features a unique example of Tiffany Studios' iconic Drophead Dragonfly shade depicting a swarm of nine descending dragonflies, each with a distinct combination of body and eye color. Dragonflies, each with wings of strikingly mottled apple green and deep red and a unique combination of eye and body color. The ground is a warm saffron yellow shaded up to rich butter yellow, punctuated by twinkling amber cabochons jewels and topped by geometric bands of purple mauve and mint green. The vibrancy and variation in the dragonfly glass...

Beautiful large tiffany style glass has been forged in a black iron chandelier. These beautiful colors of rose, peach and green tones make a scrump...