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Painted and carved sculpture of "Joan of Arc in full armor on horseback

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  • 18th Century Rococo German Painted and Gilt Wine Cooler in the Form of a Swan
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    Extraordinary wine-cooler in the form of a beautifully sculpted, gilt and polychromed Swan of impressive stature, makes certainly the conversation-piece of the party. The white paint...
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  • Pair of early 18th century German Baroque Polychrome Sculptures of Musicians
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  • 17th century Louis XIV Stone Sculpture of Playing Children
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  • Italian Marble Statue of Livia or Pudicity, 19th Century after the Antique
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  • 19th Century Gothic Revival Center Table in the manner of Pugin
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  • A 19 Century Bronze Statue of St Joan of Arc in full body armour on horseback
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    An small but exquisitely cast and highly detailed bronze statue of St Joan of Arc in full body battle armour including the horse with one hand holding ...
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  • Stunning Antique Bronze Sculpture of a Sword Holding Joan of Arc in Chainmail
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  • Man on Horseback Sculpture
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  • Unique Hand Painted Porcelain Figure of Joan of Arc Riding a Horse
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  • Sculpture of Persian Warrior in Bronze on Horseback with Sword
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  • French 19th Century Bronze and White Marble Bust of Marianne in Full Armor
    Located in Los Angeles, CA
    A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...
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    Antique 19th Century French Baroque Revival Figurative Sculptures

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