Floating Danish Modern Teak Lounge Chairs

A beautiful lounge chair original from Denmark, circa 1960-1969. Features completely exposed teak framework reupholstered in off-white linen. Other designers from this period inc...

A meticulously restored Bent Teak Lounge Chair, an authentic piece of Swedish design from the 1950s. The teak wood frame exudes mid-century charm, showcasing its natural grain patter...

A set of Scandinavian Modern lounge chairs original from Norway, circa 1950-1959. Teak legs have been entirely restored; reupholstered in an off-white Italian bouclé.

A stunning set of lounge chairs, original from Denmark, circa 1950-1959. Completely restored and reupholstered in heavy wool by Kravet, walnut supports, redone in our dark walnut fin...

Set of Scandinavian-Modern lounge chairs, original from Denmark, circa 1950-1959. Completely restored with all insides including spring system, foam, and dacron fully updated. Reupholstered in "Teddy...

Introducing a truly stunning vintage walnut chair, featuring a unique organic form with caning on the arms, now fully restored by the skilled craf...

Clean Lined Danish Modern "Moduline" model slipper chair, designed by Torben Lind and Ole Gjerlov-Knudsen for France and Sons, Denmark, circa 1960s. This chair is currently being ref...

An extraordinary pair of midcentury lounge chairs that are handcrafted out of a steel with a lacquered maple wood in dark red mahogany color. These club chairs are upholstered in th...

W. Andersag, lounge chair, teak, saddle leather, Italy, 1960s This chair is very dynamic due it's design and shapes. The teak frame shows beautiful lines. The frame and construction...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...

A fabulous pair of clean-lined sculptural lounge chairs, circa 1950s. Expertly crafted, a fresh take on a classic slipper chair featuring low-slug Klismos form that envelops and hugs...

Larissa Batista began designing the Jolly Seats Collection as an artistic depiction of early-20th-century’s Cubism movement. Eventually evolving into its own language, the Jolly Seat...