Donald Knorr Modernist Chair for Knoll

A pair of Classic Edward Wormley for Dunbar slipper chairs. Frames redone in high gloss black lacquer finish. New upholstery. ...

Stylish and elegant slipper chairs by Edward Wormley for Dunbar ca' 1950's. Upholstered in Fret custom Italian silk velvet, luxurious to the touch, (samples available). Chocolate bra...

A pair of stylish, asian style, tall back chairs with black laquered handles. Upholstered in cotton, black/white abstract print.

A pair of unusual slipper chairs with scissor design. Elegant style with brass stretchers.

A great pair of slipper chairs ca' early 1950's. Dark brown frames, reupholstered in period green/brown fabric.

A pair of elegant Tomlinson lounge chairs. Caned back with loose seat cushion. Sculptural, wrap around back support.

For your consideration to of six Knorr chairs. Comprised of sheet metal bolted to steel rod legs. This chair is exceptionally rare (a set of six in simply unheard of) Model #132 cha...

Extremely rare pair slipper / lounge chairs designed by Donald Deskey for Deskey-Vollmer. Originally out of major dept store in new York City, Retain original mohair upholstery. Hand...

Donald Knorr for Knoll, signed. 132U chair whose seat and back are made of a metal curved and galvanized ribbon in steel and forming an cone drilled in its center and maintened in s...

Lounge chair and ottoman by Donald Knorr for Vista of California. While most pieces in this line typically have tubular metal frames, this example has the less common square metal fr...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...

One mid-century modern armless lounge chair designed by Jens Risom for Knoll originally in 1946. This early design has a hard maple frame with new linen upholstery.