Sofas

Twins Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins curved couch and day bed sha...

Originally designed in 2005 by Jean-Marie Massuad, the Aspen sofa is a sleek and sophisticated piece of modern design. Upholstered in red leather, the so...

Set/2 Modern Thea Armchair Natural and Blue Leather Handmade in Italy by Fendi Your beautifully designed outdoors call for equally sophisticated seating arrangements. The Thea colle...

Originally designed by Roldolfo Dordoni in 2015 and manufactured by Minotti, the Seymour low sofa is a fantastic example of modern Italian design. With a curvaceous silhouette, the ...

Caramulo Swivel Armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Experience the epitome of unparalleled comfort and unrivaled elegance with the Caramulo a...

Uffo Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Uffo Sofa Material Codes FI007 Black lacquer; satin finish M105238 Fabric Nobilis Bouclé Handcra...

Originally designed in 2001 by Antonio Citterio for B&B Italia, this George four-seat sofa offers both comfort and style. The sofa features a slim tubular steel frame with protec...

Collectible Vintage Italian armchair designed by Gio Ponti for the Casa e Giardino manufacturing company in the late 1930s. This iconic design piece has been completely restored fro...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture...

Twins sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins cu...

Florence Knoll for Knoll International, sofa, model '67A', steel, fabric, United States, design 1958, production 1960s/70s This sofa model 67A is designed by Florence Knoll for Knol...

Twins sofa, contemporary collection, handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the contemporary collection, the Twins curved sofa and day bed shar...

This classic camelback sofa with a dramatic, swept-out, flared arm and a flared solid oak leg. The solitary seat and back cushion create a seamless and clean look. The piece is const...

Designed by Naoto Fukasawa for B&B Italia, the Papilio collection is named after the Latin word for butterfly and draws inspiration from the silhouette. Taking the same form as the iconic grande Papilio...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Originally designed by Jean-Marie Massaud for Poltrona Frau in 2006, the Kennedee sofa is a fantastic example of modern Italian design. Constructed fr...

Black leather sofa on rosewood legs, 3 seater. The sofa is attributed to Georg Thams and produced by Vejen møbelfabrik. A nice and stylish sofa with very good sitting comfort.

Twins Chaise Lounge, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, t...

Minho Chaise Longue, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

Capelinhos Swivel Lounge Chair with foot rest, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Capelinhos lea...

Twins Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins day bed and curved sofa s...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This two-piece set can be configured into one large sofa or used a...

Sofa designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1934. Relaunched by Cassina in 2014. Manufactured by Cassina in Italy. Contemporary and comfortable lines fo...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture piece that personifies the organic shape of a cashew. Upholstered in Dedar white velvet, the design of the lounge chair ensures unparalleled comfort and a modern touch in the living space. Caju combines fine craftsmanship and timeless design, becoming a Greenapple’s best-seller and a favorite piece among designers. Caju armchair...

Yngve Ekström was one of the most important figures in the evolution of the Scandinavian Modernism movement and co-founder of the furniture design company Swedese. This living room ...

Minho Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Minho day bed with a wooden sid...

Halden armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Halden armchair is inspired by the Norwegian border town of the same name at the mouth of the ...

19th-early 20th century settee / canape or loveseat in Rococo style having a fine Fabric. This is simply the finest find of wonderfully covered and carved oversized settee...

Gio sofa is the result of a long design process and a synergistic collaboration between the architect Luca Erba and company Cornelio Cappellini. This sofa amazes for its soft and def...

A timeless Mid-Century Modern style Sofa in the manner of Finn Juhl ( Danish 1912- 1989). The sofa features sculptural shape inspired by the Modern free art. The seat and back of the...

Hans J. Wegner for Getama, sofa 'Century 2000', metal, fabric, Denmark 1990s. Modern three-seather sofa in beige fabric. Nicely designed round brushed steel legs which are delicate ...

Grass Armchair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Grass armchair takes its shape from nature’s own dewdrop on grass, promising a comfortab...

***Ask About Reduced In-House Delivery Rates - Reliable Professional Service & Fully Insured*** Antique Chippendale Camelback Sofa with Scroll Arms, Blue, C1930 Measures - 35.5"H x ...

Johannes Spalt for Wittmann, sofa or settee, leather, chromed steel, Austria, 1960s This subtle and modest sofa is designed by the talented Austrian furniture designer Johannes Spal...

Almourol Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Almourol leather sofa draws inspiration from the distinctive...

Antonio Citterio for Moroso, sofas model 'Cricket', leather, Italy, 1988 Interestingly shaped blue leather settee by Italian designer Anto...

First presented at the Salone del Mobile in 2014, the Vico seating collection was designed by Jaime Hayon for Cassina and named after his son. Inspired by the Cassina archives, Ha...

Twins Sofa Outdoors, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the...

Aurora Sofa, Lusitanus Home Collection, Handcrafted in Europe. An Italian furniture piece and a limited edition of only one unit, this 2-seat sofa comes from Asian craftsmanship wit...

Twins Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins cu...

Capelinhos Swivel Lounge Chair with foot rest, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Capelinhos lea...

Designed by Bruce Hannah and Andrew Ivar Morrison for Knoll, this Sling sofa is a fantastic example of 1970s design. Inspired by sail boats, the Sling sofa features an industrial ...

Twins Sofa Outdoors, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Twins outdoors sofa and day bed share the same genes, ye...

Discover the timeless Organic Modern elegance of the original 1970s Le Bambole Italian sofa set with beige woven wool upholstery in superb condition. A Mid-Century Modern Italian masterpiece by the renowned Italian designer Mario Bellini and manufactured by B&B Italia. It was an instant success on launch in 1971. Today, it commands an extreme desirability as it's timeless playful aesthetic fits so well with both period and contemporary interiors. This vintage collection combines luxurious comfort, captivating aesthetics, and a rich history. Crafted with utmost precision, the set consists of three armchairs, one corner armchair, and one ottoman...

Almourol Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Almourol leather sofa draws inspiration from the distinctive...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This four-piece modular set is incredibly versatile and can be con...

Barão Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Barão leather lounge chair draws inspiration from the meticulous craftsmanship of sh...

Mid-Century teak daybed and matching headboard with storage cabinets and shelves. The headboard is detached, bed can easily be pushed in as a sofa o...

Mario Bellini "Le Bambole" three-seater sofa for B&B Italia, faux-fur, foam and metal, Italy, 1972. The search for a new shape for upholstered furniture: all parts are shaped like a...

Settee, ash, cane, leatherette, metal, Spain, 1950s. Joyful Spanish two-seater sofa with soft organic lines. This settee features a stained ash frame of which a dynamic grain patte...

Capelinhos Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Capelinhos leather lounge chair stands as a testament to timeless comfor...

Il divano Maralunga di Cassina, disegnato da Vico Magistretti, è ormai un simbolo nella collezione del design Cassina Vincitore del Compasso d’Oro nel 1979, Maralunga è la materializ...

Launched in 1972, DS-600 is an indestructible, variable modular system of upholstered furniture consisting of individual, addable armchair elements. These consist of an L-shaped hard...

Kurt Olsen for A. Andersen & Bohm, love seat, wood, fabric, Denmark, 1951. Stunning Danish loveseat designed by Kurt Olsen. This settee has a sculptural quality and light feeling. T...

Curved sofa, upholstery, Italy, 1960s This sofa bears multiple dynamic features. The shape of the sofa is slightly curved. Four loose seat cushions structure the sofa. Elegant legs ...

Chic and playful Mid-Century Modern loveseat / sofa made in Switzerland by master leather ateliers De Sede.

A miracle of brilliant technical inspiration Designer Thomas Althaus updated the original developed by Reto Frigg in 1985, lovingly perfecting it with sophisticated technology, down ...

19th-early 20th century settees / canapes or loveseats in Rococo style having a fine Fabric. This is simply the finest pair of wonderfully covered and carved oversized settees...