Anglo Indian Watercolour Study of a Cobra

This group of three miniatures are of outstanding quality. He is clearly an important noble shown in richly embroidered clothes with a dagger and pearl necklace. He is probably Akbar...

Enchanting vintage Anglo Indian Pishhwai gouache painting on cloth mounted on board, steeped in alagorical context, depicting Krishna dancing with villagers in a background of birds ...

Painting measures 16.75" height x 15" width, framed. 0.5" height x 9.3" width within mat. Introduced to China during the Han Dynasty (206 BC–220 AD), the pomegranate (Chinese: ?...

Vintage pair of Anglo Indian watercolors depicting men on horseback decorated with gold leaf floral and geometric designs. Presented in wood frames with gold leaf under glass.

Watercolor advertising study for the optical company Zeiss, from 1920s. The picture is signed: "Juranka" and is now framed.

Antique Original Drawing A very well-executed and attractive study of a palm tree in ink and wash on watermarked brown paper. Inscribed by Flaxman’s hand ‘In the Garden of Convent of St. Bonaventura. Palatine Hill.’ John Flaxman RA (1755-1826), was born in York and studied sculpture at the Royal Academy School where he met and became great friends with William Blake and Thomas Stothard, he was obsessed with classical myth and his work exemplified British Neoclassicism. renowned sculptor and draughtsman, I would date this to somewhere between 1787-1794 when Flaxman was in Italy, a trip that was financed by Wedgwood for whom he was commissioned to design figures for their famous Jasperware pottery...