Italian wall light sculpture

French glass wall-mounted mirror light by Maison Perzel with two interior light sources. The glass is extremely thick and precisely formed. Meant to be recessed into the wall but can...

Monumental Boccia wall sconce designed by Luigi Caccia Dominioni for Azucena, Italy, 1969. This lamp has an original black enameled iron wall mount and monumental and impressive tra...

Lorenzo Burchiellaro cast and etched aluminum square sculpture. Patinaed black and natural etched aluminum composes this open cube with a dish depressed center for either holding va...

Mouth blown sculptural object, using the battuto technique of cutting and grinding a matte finished surface by Italian artist Massimo Micheluzzi. Born in Venice in 1957. He studied a...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Monumental, gigantic and colossal wall-mounted light representing a carved and sculpted white tiger's head emerging from a hoop of light (E14 Light bulbs). Outstanding, brilliant and...

Rare and original bronze wall bracket sconce. If children and flowers bring joy to your life then this antique wall sconce could be perfect for you. This sculptural bronze wall ligh...

Since the origin of Radar Interiors the founder, designer Bastien Taillard, has chosen to work on essential lines and a meticulous re-visitation of shap...

Daniel Dhaeseleer (1947- ), large illuminated brass and copper wall light sculpture, circa 1970.  

A beautiful sculptural wall lamp designed by Angelo Brotto, manufactured by Esperia in Italy circa 1970. This impressive piece is made of high quality, partially brushed stainless steel, which creates a frame-like effect within the material. The designer's signature is carved in the steel plate. It has a beautiful brass with glass artwork attached to the plate, with very nice use op depth. This artwork is made of high quality brass in a nice golden color. The light bulb is behind a glass circle shape with purple lines going through it, beautifully diffusing the light. It has exceptional brass details, which is very rare for a Brotto...

French Sconce or Butterfly sculpture by Honoré Daumier. With 4 agates. US wired and in working condition.