Pair of Venetian ( Italian ) Oils in Carved Giltwood Frames

Probably a variation of ‘Spring’ After Boucher’s Four Seasons. Highly decorative. Typical rococo frivolity and color palette. Garlands and festoons of flowers with intertwined ribbon...

Probably circa 1910, decorative painting with craquelure throughout. Old dark varnish. The sky near frame edge has thicker paint suggesting some later in painting. Stretcher marks sh...

Possibly late 18th century but most likely 19th century painted arched painted panel. Either a panel intended for a trumeau or to be inset into wall boiserie as a trumeau. The upper ...

Pair of Venetian (Italian) Solomonic form columnar fragments (probably stair spindles ) now mounted as lamps on later marble bases . Typical grape & vin...

A commode in transitional from rococo to neoclassical style. Most likely custom made to order early to mid 20th century..Presents well and has strong presence. Highly decorative. Hea...

Probably Mdme. Pompadour and Mdme. DuBarry caricatures, popular motif in the 19th century. On coral colored marble bases, and probably of architectural origin. Great color contrast b...

Pair of Renaissance style enamel plaques in giltwood frames French, 19th Century Dimensions: Frames: Height 24cm, width 18cm, depth 3cm Plaques: Height 13cm, width 10cm Held in ornately carved neoclassical giltwood frames, these Limoges enamel plaques depict two men rendered in the historicised Renaissance style. The frames feature oval openings, with laurel wreath carvings and bows to the top. Both plaques depict bust-length portraits of men, shown in three-quarter profile with laurel wreaths adorning their heads. They are both painted in a style that evokes the portraiture of the 16th century, with great care taken to render the details of each sitter’s face, and expressive brushstrokes for the background and clothing. The younger of the men wears a deep orange shirt...

An attractive pair of colonial American mid-18th century oil on canvas portraits. The detail and rendering of the paintings is of extremely fine quality. Highly contrasted figures against the dark backgrounds references the earlier work of Caravaggio and Rembrandt. One such American artist who particularly employed this technique in the late 1760s and early 1770s was John Singleton Copley...

This pair of portraits are of oval form and depict the half-length figures of a young boy and girl. The boy has fair, shoulder-length hair and wears a white shirt and green-lined bro...

Reverse glass floral paintings in giltwood frames Continental, 19th Century Frame: Height 55.5cm, width 58.5cm, depth 7cm Glass: Height 4...

Fine and rare pair of antique Dutch Verre Églomisé reverse oil paintings on glass panels - featuring moody landscapes with a castle and church, having ...

Views of the Veneto Venetian school of the XVll century with original frames. Not relining. Inventory labels on the rack.