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Item Ships From: South of France
Chinese Coromandel Lacquer Six-Fold Screen with Gilded Background
Located in NICE, FR
This exquisite six-fold screen in Chinese coromandel lacquer from the early 20th century depicts vivid scenes of children playing in a traditional village landscape. The richness and...
Category

Early 20th Century Unknown Chinese Export South of France - Asian Art and Furniture

Materials

Lacquer

19th Century Chinese Lacquer Secretary Desk in Louis XV Style
By Faubourg
Located in NICE, FR
This unique Louis XV-style Chinese lacquer secretary desk from the late 19th century boasts a rich brown background, decorated with scenes of...
Category

Late 19th Century French Louis XV Antique South of France - Asian Art and Furniture

Materials

Lacquer

Large Square Chinese Art Deco Style Coffee Table, circa 1940s
Located in Isle Sur La Sorgue, Vaucluse
Chic and sleek black-lacquered Art Deco style low square table with a gold geometric motif in the center of the table top. Raised and outward-curving edges on two sides of the top....
Category

Mid-20th Century Art Deco South of France - Asian Art and Furniture

Large Elaborately Carved Chinese Style Frame, France, 19th Century
Located in Isle Sur La Sorgue, Vaucluse
An unusual and beautifully-carved wood frame. The carvings are in relief, so that the frame is quite deep. Original, ochre-yellow color. The piece has acquired a nice patina.
Category

19th Century French Antique South of France - Asian Art and Furniture

Materials

Wood

One-of-a-kind Carved Chinese Style Tableaux, 19th Century
Located in Isle Sur La Sorgue, Vaucluse
Gorgeous and unusual pair of wood carvings in the Chinese taste, set in beautiful, gold-colored, faux-bamboo frames.
Category

19th Century Unknown Chinese Export Antique South of France - Asian Art and Furniture

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Chinese Paktong Basin, 19th Century
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Late 19th Century Large Chinese Daybed
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Late 19th Century Large Chinese Daybed
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Antique Chinese Peach wood Coffee Table
Antique Chinese Peach wood Coffee Table
H 19.69 in W 63.39 in D 27.96 in
Chinese Export Lacquered Six Panel Coromandel Landscape Screen
Located in Rio Vista, CA
Beautifully weathered patina Chinese export lacquered coromandel screen with six double sided panels. The screen features a mountain landscape on one si...
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20th Century Chinese Chinese Export South of France - Asian Art and Furniture

Materials

Brass

Antique Chinese Lacquer Tray With Dragons
Located in Houston, TX
Antique Chinese Lacquer Tray With Dragons. Our stunning Chinese lacquer tray is rectangular with two handles and hand decorated with gold ...
Category

1920s Chinese Chinoiserie Vintage South of France - Asian Art and Furniture

Materials

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Antique Chinese Lacquer Tray With Dragons
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H 2 in W 22.25 in D 11.25 in
Chinese Mother of Pearl Inlaid Lacquered Box
Located in New York, NY
Chinese mother of pearl inlaid lacquered rectangular box, depicting in landscape, circa late 19th-early 20th century. Measures: 3.5" H x 9.75" ...
Category

Late 19th Century Chinese Chinese Export Antique South of France - Asian Art and Furniture

Materials

Mother-of-Pearl, Wood

A pair of 19th Century carved Foo temple dogs or Chinese guardian Lions
Located in London, GB
Chinese guardian lions, or imperial guardian lions, are a traditional Chinese architectural ornament. Typically made of stone, they are also known as stone lions or shishi (石獅; shíshī). They are known in colloquial English as lion dogs or foo dogs / fu dogs. The concept, which originated and became popular in Chinese Buddhism, features a pair of highly stylized lions—often one male with a ball and one female with a cub—which were thought to protect the building from harmful spiritual influences and harmful people that might be a threat. Used in imperial Chinese palaces and tombs, the lions subsequently spread to other parts of Asia including Japan (see komainu), Korea, Philippines, Tibet, Thailand, Myanmar, Vietnam, Sri Lanka, Nepal, Cambodia, Laos, and Malaysia. There has been extensive interaction between Chinese mythology and Confucianism, Taoism, and Buddhism. Elements of pre-Han dynasty mythology such as those in Classic of Mountains and Seas were adapted into these belief systems as they developed (in the case of Taoism), or were assimilated into Chinese culture (in the case of Buddhism). Elements from the teachings and beliefs of these systems became incorporated into Chinese mythology. For example, the Taoist belief of a spiritual Paradise became incorporated into mythology as the place where immortals and deities used to dwell. Sometimes mythological and religious ideas have become widespread across China's many regions and diverse ethnic societies. In other cases, beliefs are more limited to certain social groups, for example, the veneration of white stones by the Qiang. One mythological theme that has a long history and many variations involves a shamanic world view, for example in the cases of Mongolian shamanism among the Mongols, Hmong shamanism among the Miao people, and the shamanic beliefs of the Qing dynasty from 1643 to 1912, derived from the Manchus. Politically, mythology was often used to legitimize the dynasties of China, with the founding house of a dynasty claiming a divine descent. Mythology and philosophy. Further information: Chinese philosophy True mythology is distinguished from philosophical treatises and theories. Elaborations on the Wu Xing are not really part of mythology, although belief in five elements could appear. The Hundred Schools of Thought is a phrase suggesting the diversity of philosophical thought that developed during the Warring States of China. Then, and subsequently, philosophical movements had a complicated relationship with mythology. However, as far as they influence or are influenced by mythology, divides the philosophical camps into two rough halves, a Liberal group and a Conservative group. The liberal group being associated with the idea of individuality and change, for example as seen in the mythology of divination in China, such as the mythology of the dragon horse that delivered the eight bagua diagrams to Fu Xi, and methods of individual empowerment as seen in the Yi Jing (Book of Changes). The Liberal tendency is towards individual freedom, Daoism, and Nature. The relationship of the Conservative philosophies to mythology is seen in the legendary Nine Tripod Cauldrons, mythology about the emperors and central bureaucratic governance, Confucianism, written histories, ceremonial observances, subordination of the individual to the social groups of family and state, and a fixation on stability and enduring institutions. The distinction between the Liberal and Conservative is very general, but important in Chinese thought. Contradictions can be found in the details, however these are often traditional, such as the embrace by Confucius of the philosophical aspects of the Yi Jing, and the back-and-forth about the Mandate of Heaven wherein one dynasty ends and another begins based according to accounts (some of heavily mythological) where the Way of Heaven results in change, but then a new ethical stable dynasty becomes established. Examples of this include the stories of Yi Yin, Tang of Shang and Jie of Xia or the similar fantastic stories around Duke of Zhou and King Zhou of Shang. Mythology exists in relationship with other aspects of society and culture, such as ritual. Various rituals are explained by mythology. For example, the ritual burning of mortuary banknotes (Hell Money), lighting fireworks, and so on. A good example of the relationship of Chinese mythology and ritual is the Yubu, also known as the Steps or Paces of Yu. During the course of his activities in controlling the Great Flood, Yu was supposed to have so fatigued himself that he lost all the hair from his legs and developed a serious limp. Daoist practitioners sometimes incorporate a curiously choreographed pedal locomotion into various rituals. Mythology and practice, one explains the other: in these rituals, the sacred time of Yu merges with the sacral practice of the present. Various ideas about the nature of the earth, the universe, and their relationship to each other have historically existed as either a background or a focus of mythologies. One typical view is of a square earth separated from a round sky by sky pillars (mountains, trees, or undefined). Above the sky is the realm of Heaven, often viewed of as a vast area, with many inhabitants. Often the heavenly inhabitants are thought to be of an "as above so below" nature, their lives and social arrangements being parallel to those on earth, with a hierarchical government run by a supreme emperor, many palaces and lesser dwellings, a vast bureaucracy of many functions, clerks, guards, and servants. Below was a vast under ground land, also known as Diyu, Yellow Springs, Hell, and other terms. As time progressed, the idea of an underground land in which the souls of the departed were punished for their misdeeds during life became explicit, related to developments in Daoism and Buddhism. The underground world also came to be conceived of as inhabited by a vast bureaucracy, with kings, judges, torturers, conductors of souls, minor bureaucrats, recording secretaries, similar to the structure of society in the Middle Kingdom (earthly China). Chinese temple Dogs...
Category

1860s Chinese Chinese Export Antique South of France - Asian Art and Furniture

Materials

Hardwood

19th Century Indonesian Single Carved Wood Temple Panel with Scrolling Foliage
Located in Yonkers, NY
An antique 19th century Indonesian carved wooden panel from a temple entrance, with scrolling foliage. Only one of the panels in the photo is no...
Category

19th Century Indonesian Antique South of France - Asian Art and Furniture

Materials

Wood

Large Chinese Famille Verte Vase, 19th Century
Located in Ottawa, Ontario
A Large Chinese Famille Verte 19th century. Colorfully enameled with elegant gathering of the literati in the rock garden, The neck applied with twin gilded mythical beast ha...
Category

Late 19th Century Chinese Chinese Export Antique South of France - Asian Art and Furniture

Materials

Porcelain

Antique 19th Century Small Chinese Lacquer Sewing Table
Located in Brea, CA
Antique 19th century small Chinese lacquer sewing table with hand painted scenes and beautiful legs. Gilt export black lacquer all-over th...
Category

Mid-19th Century Chinese Qing Antique South of France - Asian Art and Furniture

Materials

Lacquer

Chinese Wood Coffee Table with Chinoiserie Painted Decoration
Located in Locust Valley, NY
Black Chinese wood coffee table with chinoiserie painted decoration. A glass top sits on top to protect the table and provides a flat surface.
Category

Early 20th Century Chinese Chinoiserie South of France - Asian Art and Furniture

Materials

Lacquer

Beautiful Chinese fan of Canton of the 19th Century
Located in Saint-Ouen, FR
Beautiful Chinese fan of Canton of the 19th century in Bone, Paper and Silk. Dimensions: H: 49cm, W: 28cm, D: 2cm.  
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19th Century Chinese Chinese Export Antique South of France - Asian Art and Furniture

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Bone, Silk

Previously Available Items
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Large fiberglass panel with a bronze-coloured paint finish, representing a dancing Indian deity. Possibly originally made as part of a theatre decor. An...
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Mid-20th Century French South of France - Asian Art and Furniture

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Large Pair of Oriental Copper Pots, circa 1930s
Located in Isle Sur La Sorgue, Vaucluse
Lovely pair of large oriental copper planters (cache-pots) embossed with decor of arabic calligraphy, animals and foliate friezes.
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Large Polychrome Statues of Vishnu, India, 19th Century or Earlier
Located in Isle Sur La Sorgue, Vaucluse
A pair of facing deities representing the Hindu god Vishnu. Made of exotic wood, coated with gesso and painted in soft brown, green and gold tones. The statues are raised on stepped ...
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Elegant Set of 8 "Japonisme" Dining Chairs - France, Circa 1890s
Located in Isle Sur La Sorgue, Vaucluse
Very unusual set of Napoleon III era Japonisme-style dining room chairs (six chairs and two carvers). The spindle backs fan upwards and outwards. Faux-bamboo structure (some...
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