Amedeo Simonetti

19th century French oil on wood orientalist painting with frame. Dimensions with frame: 47 x 34 x 5.

Late 19th century painting of St. Jerome with halo and skull. A well painted canvas in original gilt frame generally in good condition. Some losses to the frame and small nic...

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...

Painting, Duomo in Firenze, signed P.K, 19th century.

An Orientalist school 19th century painting depicting a street scene in Cairo with a man and a young woman riding a white donkey. Signed lower right: T. Merlin. Housed in an antique ...

Oil on Canvas by Maria Polo Signed MARIA POLO and dated 1968 Maria Polo (Venice, Italy, 1937 – Rio de Janeiro, Brazil, 1983). Painter, designer, engraver and vitralista. Studied at...

An Orientalist Moorish Man portrait, 19th century. Ready to hang no visible damage. The Frame has some minor loss to the gilding Consistent with age. Size 6.25" x 9.75" D...

An Orientalist Moorish Man portrait, 19th century. Ready to hang no visible damage. The Frame has some minor loss to the gilding Consistent with age. Size 6.25" x 9.75" D...

Charming 19th Century nautical painting of a British merchant steamship at sea. In the painting, the Red Ensign flag or "Red Duster" can be seen flying on the back of the boat along ...

Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on the verso in the artist's hand. Measures: 12" H x 9" W inches. Frame measures: 24" H x 21" W The painting is in good condition. Henry Stanier (1831-1894) Stanier was born in Birmingham, England (1831-1894) but lived also in Spain, where he passed away in Granada in 1894. During the 1880s and 1890s Stanier often painted the view from the Mirador de San Nicolas. Inspired by the rich cultural legacy of Granada’s Moorish past, he also produced a number of carefully observed architectural subjects, sometimes incorporating picturesque or exotic figures in an Orientalist vein. Such scenes were occasionally exhibited in London at the Royal Society of British Artists, although it appears that Stanier found a ready market for his work amongst Granada’s passing foreign tourists. As a young artist in his home city of Birmingham, Stanier had been an active exhibitor of flower pieces and historical genre scenes. Later, in the 1860s and 1870s, he painted Egyptian landscapes...

Architectural rendering in watercolor, gouache, and pencil on paper by Luiz Olivieri Italy/Brazil, circa 1900. Unsigned. Unframed, age toning, edge losses.

Francesco Ballesio (Italian, 1860-1923). A fine orientalist pencil and watercolor heightened with gum Arabic on paper figure of "A Middle-Eastern Beauty at Rest" depicting a young maiden resting on a Persian rug laid down as a bed while holding a tambourine and next to a Moroccan ivory-inlaid octagonal table with a tea pot on top. Signed and inscribed 'Ballesio Roma Tivoli' (upper right). All within an ornate rococo gilt wood and gesso carved frame with a protective glass, Rome, circa 1890-1900, Frame height: 23 inches (58.4 cm). Frame width: 30 1/2 inches (30.5 cm). Frame depth: 2 1/4 inches (5.7 cm). Paper height: 15 inches (38.1 cm). Paper width: 21 1/2 inches (54.7 cm). Literature: A similar subject matter watercolor is catalogued and illustrated in Caroline Juler, "Les Orientalistes...