Art by Medium: Graphite

A pair of original cut paper collages by Venezuelan American artist Ricardo Morin. Each of these works measure 7" x 5" unframed and come housed in a...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Traces mixed media on canvas 40x40 cm 2017 Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the Academy of Fine Arts in Bologna in 20...

Blizzard in Woods Graphite on paper, c. 1945-1963 Unsigned Provenance: Sid Deutsch Gallery, New York Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...

Waves is a unique graphite drawing on linen canvas by contemporary artist Franco Salas Borquez, dimensions are 118 × 91 cm (46.5 × 35.8 in). Dimensions of the framed artwork are 120 ...

Astre is a unique graphite drawing on linen canvas by contemporary artist Franco Salas Borquez, dimensions are 118 × 91 cm (46.5 × 35.8 in). Dimensions of the framed artwork are 120 ...

Baobab N3 is a unique graphite on paper mounted on a wood frame drawing by contemporary artist Calo Carratalá, dimensions are 65 × 46 cm (25.6 × 18.1 in). Dimensions of the framed ar...

Baobab N5 is a unique graphite on paper mounted on a wood frame drawing by contemporary artist Calo Carratalá, dimensions are 65 × 46 cm (25.6 × 18.1 in). Dimensions of the framed ar...

John Singer Sargent Study off Newport, Rhode Island, 1876 Signed in pencil "JS265A" lower left Pencil on paper 5 x 10 inches Provenance: Estate of the artist Grand Central Art Galleries, New York, 1959 Mr. William H. Bender Jr Sotheby's New York, September 19, 1987 Private Collection 1987-2000 Mark Borghi Fine Art Inc., circa 2002 Private Collection (acquired from the above), New York Recognized as the leading portraitist in England and the United States at the turn of the century, John Singer Sargent was acclaimed for his elegant and very stylish depictions of high society. Known for his technical precocity, he shunned traditional academic precepts in favor of a modern approach towards technique, color and form, thereby making his own special contribution to the history of grand manner portraiture. A true cosmopolite, he was also a painter of plein air landscapes and genre scenes, drawing his subjects from such diverse locales as England, France, Italy and Switzerland. In so doing, Sargent also played a vital role in the history of British and American Impressionism. Sargent was born in Florence in 1856. He was the first child of Dr. Fitzwilliam Sargent, a surgeon from an old New England family, and Mary Newbold Singer, the daughter of a Philadelphia merchant. His parents were among the many prosperous Americans who adopted an expatriate lifestyle during the later nineteenth century. Indeed, Sargent's family traveled constantly throughout the Continent and in England, a mode of living that enriched Sargent both culturally and socially. He ultimately became fluent in French, Italian and German, in addition to English. Having developed an interest in drawing as a boy, Sargent received his earliest formal instruction in Rome in 1869, where he was taught by the German-American landscape painter Carl Welsch. Following this, he attended the Accademia di Belle Arti in Florence during 1873-74. In the spring of 1874, Sargent's family moved to Paris, enabling him to continue his training there. He soon entered the studio of Charles-Emile-Auguste Carolus-Duran. In contrast to most French academic painters, Carolus-Duran taught his students to paint directly on the canvas, capturing the essence of his subject through relaxed brushwork, a tonal palette and strong chiaroscuro. Although Sargent also spent four years studying drawing under Léon Bonnat at the Ecole des Beaux-Arts, it was Carolus-Duran's approach that would form the aesthetic basis of his style. Upon his teacher's advice, Sargent also traveled to Spain and Holland to study the work of old master painters such as Diego Velázquez and Frans Hals, both of whom also employed deft, fluid techniques. In 1876, Sargent made his first visit to the United States, claiming his American citizenship and visiting the Philadelphia Centennial Exposition. One year later, he spent the summer in Cancale, in France's Brittany region, where he painted outdoors, applying Carolus-Duran's strategies to portrayals of fishing folk on sunlit beaches. His reputation in Paris was established in 1878 when his Oyster Gatherers of Cancale (1878; Corcoran Gallery of Art, Washington, D.C.) won an Honorable Mention at that year's Salon. During the early 1880s, Sargent began making painting trips abroad, working in Venice in 1880 and 1882, where he painted street scenes and interiors notable for their brilliant play of light and shadow. He also embarked on what would be a lucrative career as a portraitist, producing such well known works as The Daughters of Edward Darley Boit (1882; Museum of Fine Arts, Boston). His early commissions also included an image of Madame Pierre Gautreau. A renowned beauty and member of Parisian society, Madame Gautreau was known for her bold, unorthodox approach towards fashion. In her portrait, entitled "Madame X" (1884; Metropolitan Museum of Art, New York), Sargent effectively captured her distinctive aura. However, his daring realism, coupled with fact that he portrayed a diamond shoulder strap falling off one of her shoulders, caused such an uproar that his career in France was seriously compromised. As a result of the controversy surrounding "Madame X,"Sargent left Paris in 1886, settling permanently in London. He subsequently flourished in the English capital, becoming the leading portrait painter to the upper classes. Those who shared Sargent's sense of refinement and sophistication, as well as his international viewpoint, were especially drawn to his fashionable French style. In addition to patronage from such prominent British families as the Wertheimers and the Marlboroughs, Sargent received an equal number of American commissions, many of them secured by artists and architects he had met during his student days in Paris, among them painters J. Carroll Beckwith and Julian Alden Weir and architect Stanford White. On a painting tour to America during 1887-1888, he portrayed members of notable families from Boston and New York, including Mrs. Jacob Wendell and Elizabeth Allen...

The primitive river is a unique mixed technique, pigments and charcoal fixed on canvas painting by contemporary artist Franco Salas Borquez, dimensions are 130 × 200 cm (51.2 × 78.7 ...

Minnie Miñoso was a Cuban professional baseball player. He began his baseball career in the Negro leagues in 1946 and became an All-Star third baseman with the New York Cubans. He was signed by the Cleveland Indians of Major League Baseball (MLB) after the 1948 season as baseball's color line fell. Miñoso went on to become an All-Star left fielder with the Indians and Chicago White Sox. The first Afro-Latino in the major leagues and the first black player in White Sox history, as a 1951 rookie he was one of the first Latin Americans to play in an MLB All-Star Game. Miñoso was one of the most popular and dynamic players in White Sox franchise history. He helped the "Go-Go" White Sox become one of the premier teams of the 1950s and 1960s. A rare power threat on a team known for speed and defense, Miñoso also held the White Sox record for career home runs from 1956 to 1974. This piece is floated on a cream colored mat and framed in a simple black frame measuring 25.5h x 18.5w x 1.5d inches. Margie Lawrence Minnie Miñoso watercolor and graphite on paper 21.50h x 14w in 54.61h x 35.56w cm MAL030 Margie Lawrence b. 1957, Chicago Education School of the Art Institute of Chicago – Illustration, Printmaking, Chicago, IL University of Wisconsin-Madison – Theatre, Madison, WI Drake University, BFA – Theatre, Des Moines, IA National Theatre Institute, Waterford CT Royal Shakespeare Company, Stratford, England Exhibitions 2018 Baseball Art, Second Story Studios, Chicago, IL Baseball as Art, Cleveland County Arts Council, Shelby, NC Masterful Moxie – The Power of Art, Dank Haus, Chicago, IL Connections – Exploring the Ties that Bind, Open Walls, Chicago 2017 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2015 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2014 All Stars of Baseball Art, The Mason Civic League Gallery, Hoboken, NJ Pine Tar Portraits & Other Notables, Firecat Projects, Chicago, IL 2013 Baseball Art Show, George Krevsky Gallery...

Baobab N1 is a unique graphite on paper mounted on a wood frame drawing by contemporary artist Calo Carratalá, dimensions are 65 × 46 cm (25.6 × 18.1 in). Dimensions of the framed ar...

Graphite on paper Arches 360 gr mounted on a wood frame. Artwork sold framed with a methacrylate box, 46 cm × 65 cm. Calo Carratalá is a contemporary Spanish artist, based in Valencia, specializing in landscapes. With a passion for traveling, he has visited the Amazon, Colorado, the Alps and the Pyrenees, the forests of Norway... Always armed with sketching pad...

Conte pencil Sanguina on laminated wood. 293 cm × 295 cm // 9.6 ft x 9.7 ft. This series of drawings is inspired by the artist's travel experience in Tanzania and focuses, as the title suggests, on the baobabs, Africa's most characteristic tree. Calo Carratalá...

Artist: Byron Browne (American, 1907-1961) Title: "Seated Nude with Mirror" *Signed and dated by Browne in pencil lower right Year: 1957 Medium: Original Graphite Pencil Drawing on u...

A pencil sketch by famed American Modernist Joseph Stella, who burst on to the American scene at the epochal Armory Show of 1913 and whose work is today in the collections of every m...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 023" graphite, Conte crayon and charcoal on Arches paper 30.5 x 17.5 inches unframed Signed, lower le...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William M...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Original collage composed of realistic graphite drawing on old nautical chart of a large sailboat. Signed lower right and dated 1993. Condition is very good. The sailboat is centere...

Tammy Liu-Haller's "Ram" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a ram with majestic horns. About the artist: Tammy was born in 1975 in K...

woman. original figurative academician drawing painting.. frame Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD....

Tammy Liu-Haller's "Cougar" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a cougar. About the artist: Tammy was born in 1975 in Kingston, NY. ...

Tammy Liu-Haller's "Bison" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a buffalo in profile. About the artist: Tammy was born in 1975 in Kin...

Original collage composed of realistic graphite drawing on old nautical chart of a large rowboat. Signed lower right . Dedicated to Dr. Kerr, a Hamptons doctor. Condition is very ...

Unsigned Graphite on paper

Landscape Original Art Oil paint on canvas 65x92 cm certificate of authenticity included Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She g...

In this large abstract painting, you can feel the pulse of patriotism . This is a visual ode to the values and spirit that bind a country together, inviting viewers to contemplate t...

Geometric Landscape mixed media on canvas 40x60 cm Original Art In Marilina Marchica's work, architecture takes on a symbolic value in relation to collapses and demolitions and i...

Title: Fragment Medium: Graphite on Canson paper, 50x70 cm, mounted on white wooden frame 63x83 cm, ready to hang Description: This unique charcoal drawing by Marilina Marchica...

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

Kerry James Marshall May 15, 2001, 2003 Four color silkscreen on Arches 88 paper Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp Vintage frame incl...

Georges Noel Villa Adrienne #17, 1976 Graphite, pigment, sand, and vinyl binder on canvas Signed to verso 76 3/4 x 51 inches The Pace Gallery label to verso

Academic life drawing of male nude with charcoal and graphite by Mark Beard graphite, Conte crayon and charcoal on Arches paper 30 x 19.5 inches unframed Signed, lower left Strong f...

Raphael Soyer, Russian/American (1899 - 1987) - Nude Study. Medium: Graphite on Paper, signed in pencil lower right, Size: 12.5 x 10 in. (31.75 x 25.4 cm)

Moses Soyer, American (1899 - 1974) - Female Nude. Medium: Graphite Drawing on Paper, signed in pencil lower right, Size: 29.25 x 19.75 in. (74.3 x 50.17 cm)

Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...

Judith Bledsoe, American (1938 - 2013) - Ou est mon Qwacka Qola. Medium: Graphite on Paper (unsigned), Size: 5.5 x 37 in. (13.97 x 93.98 cm), Description: With the phrase "Ou est ...

Raphael Soyer, Russian/American (1899 - 1987) - Sleeping Woman. Medium: Graphite on Paper, signed in pencil, Size: 13.5 x 10.5 in. (34.29 x 26.67 cm)

Raphael Soyer, Russian/American (1899 - 1987) - Sitting Woman. Medium: Graphite on Paper, signed in pencil, Size: 12.5 x 10 in. (31.75 x 25.4 cm)

Raphael Soyer, Russian/American (1899 - 1987) - Nude Study II. Medium: Graphite on Paper, signed in pencil, Size: 13.5 x 10.5 in. (34.29 x 26.67 cm)

Moses Soyer, American (1899 - 1974) - Double-Sided Anatomy Drawings. Medium: Double-sided Graphite drawing on paper, signed in pencil lower right, Size: 24.25 x 18.25 in. (61.6 x 46...

Raphael Soyer, Russian/American (1899 - 1987) - Nude Figure. Medium: Watercolor and Graphite on Paper, signed in pencil, Size: 25 x 19.75 in. (63.5 x 50.17 cm)

Raphael Soyer, Russian/American (1899 - 1987) - Lounging Figure. Medium: Graphite and Pastel on Paper, signed in pencil, Size: 16.5 x 22 in. (41.91 x 55.88 cm)

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...