Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Anton Schutz
'Spirit of Buffalo' — 1920s Realism

c. 1927

About the Item

Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering and architecture. His interests then turned to art, and he attended the Academy of Fine Arts in Munich. After completing his artistic studies, Schutz came to the United States in 1924, where he met Joseph Pennell. He assisted Pennell in his classes at the Art Students League, New York, and became his professional associate. Schutz was commissioned by The New York Times to make etchings of New York and other American cities. He completed a series of illustrations for the magazine section, traveling as far west as San Francisco. Schutz then traveled to Japan, Russia, and China in 1928 and 1929, creating etchings published by The New York Times and the New York Herald Tribune. The United States Chamber of Commerce commissioned him to create a series of twelve etchings on American cities, later reproduced in Nation’s Business Magazine. Other of his etchings featuring European and American cities were included in publications of the Encyclopaedia Britannica. Schutz also served as the president of the New York Graphic Society and the Louis Icart Society. Anton Schutz's works are represented in numerous museum collections, including the Library of Congress, the New York Public Library, the Brooklyn Museum, the Chicago Art Institute, the Cleveland Museum of Arts, the British Museum, the Bibliotheque Nationale de Paris, and the Uffizi Galleries in Florence.
  • Creator:
    Anton Schutz (1894-1977, American)
  • Creation Year:
    c. 1927
  • Dimensions:
    Height: 8.88 in (22.56 cm)Width: 11.88 in (30.18 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1039911stDibs: LU53237660172
More From This SellerView All
  • New York Skyline
    By John Taylor Arms
    Located in Myrtle Beach, SC
    A superb impression in warm black ink, on cream, laid paper; the full sheet with margins (1 5/8 to 2 3/4 inches); original brown paper hinges on the top sheet edge recto, in excellen...
    Category

    1920s American Realist Landscape Prints

    Materials

    Etching

  • 'Philadelphia, Broad Street' — 1920s Realism
    By Anton Schutz
    Located in Myrtle Beach, SC
    Anton Schutz, 'Philadelphia – Broad Street', etching, edition not stated, circa 1927. Signed in pencil. Annotated 'Philadelphia Broad St. Showing City Hall', in another hand, in the ...
    Category

    1920s American Realist Landscape Prints

    Materials

    Etching

  • 'U.S. Chamber of Commerce' — 1920s Realism, Washington D.C.
    By Anton Schutz
    Located in Myrtle Beach, SC
    Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin...
    Category

    1920s American Realist Landscape Prints

    Materials

    Etching

  • 'Cleveland Public Square' — 1920s Urban Realism
    By Anton Schutz
    Located in Myrtle Beach, SC
    Anton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches. ABOUT THIS IMAGE 'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square. Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975. Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...
    Category

    1920s American Realist Landscape Prints

    Materials

    Etching

  • 'The White House' — 1920s Realism, Washington D.C.
    By Anton Schutz
    Located in Myrtle Beach, SC
    Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper...
    Category

    1920s American Realist Landscape Prints

    Materials

    Etching

  • 'Heart of San Francisco' — Vintage 1920s Realism
    By Anton Schutz
    Located in Myrtle Beach, SC
    Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...
    Category

    1920s American Realist Landscape Prints

    Materials

    Etching

You May Also Like
  • The Burning Tower, American Modernist Abstract Landscape Etching
    By Robert A. Birmelin
    Located in Surfside, FL
    Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
    Category

    20th Century American Realist Landscape Prints

    Materials

    Etching

  • 4 Animals, American Modernist Abstract Etching
    By Robert A. Birmelin
    Located in Surfside, FL
    Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
    Category

    20th Century American Realist Landscape Prints

    Materials

    Etching

  • REFLECTIONS OF GLOUCESTER
    By Joseph Margulies
    Located in Santa Monica, CA
    JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
    Category

    1940s American Realist Landscape Prints

    Materials

    Aquatint

  • MANHATTAN
    By Anton Schutz
    Located in Santa Monica, CA
    ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
    Category

    1940s American Realist Landscape Prints

    Materials

    Etching

  • Beach and Willows
    By Frederick Garrison Hall
    Located in New York, NY
    Frederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...
    Category

    1920s American Realist Landscape Prints

    Materials

    Etching

  • Pennsylvania Rail Road Loco Waiting to be Junked
    By Reginald Marsh
    Located in New York, NY
    Reginald Marsh (1896-1954), Pennsylvania Rail Road Loco Waiting to be Junked, 1932, etching, signed in pencil lower right and numbered “12” lower left. Reference: Sasowsky 130, fift...
    Category

    1930s American Realist Landscape Prints

    Materials

    Etching

Recently Viewed

View All