Joseph Milner Kite

Large abstract in mixed-media on canvas by listed artist Joseph Stabilito (American b.1936-). Signed and dated lower left.

Antique Joseph Henry Hatfield Stream in a Landscape Oil Painting

Joseph Henderson (Scottish, 1832-1908) oil on canvas Oil on canvas from xix century signed J Henderson with original frame. Painted on canvas under glass....

Midcentury framed oil painting on board by Joseph Tilleux of Antwerp (1896-1978) Born in the Belgium city of Antwerp, Tilleux worked briefly, after his formal schooling as a draftsman but chose to pursue a more artistic career. After his studies and apprenticeship at the Academy of Antwerp, he settled in the picturesque Flemish artists' village of Lier, Belgium. There he found an abundance of inspiration in the historic town and neiboring countryside, rivers and countless charming villages. He was fortunate to study under of Franz Courtens, Frans Hens...

This Antique Framed oil painting on canvas by Henri Joseph Pauwels (1903-1983) was composed on a wintry day, while still being a quaint European Country landscape scene in the post-i...

Antique framed impressionist oil painting on canvas by Joseph Lagasse (1878-1962) is another splendid work by the artist in ...

In good condition From a private collection Free international shipping Joseph Lagasse (1878-1962) Signed Belgian Landscape Oil Painting

Set of Three Vintage Framed Oil Paintings on Panel by Joseph Zabeau (1901-1978) are wonderful representations of the exquisite countryside around the storied region of Liege, with on...

In good condition From a private collection Free international shipping Joseph Dierickx (Belgian 1865-1959) Huge Oil Painting 19thC

A colorful abstract oil painting by celebrated Pennsylvania-based artist R. Monti, framed and signed by artist. Please confirm item location with seller (NY/NJ).

Joseph Mazzuloni (Italy, b. 1868) "The Broken Jug" original oil painting circa 1890s Fine antique oil painting by Italian artist Joseph Mazzuloni. Titled "The Broken Jug". A...

An oil painting of two rustic dogs fighting over a piece of food. It is painted on an oak panel. Signed top left. The signature is a bit faded, it's a monogram J.S. by Joseph Stevens. He often signed with a monogram. In a gilded frame frame with gesso moldings. Dimensions frame: 41 x 47 cm Dimensions painting: 17 x 23 cm. Joseph Stevens is the older brother of the very well-known artist Alfred Stevens. In the book 'The Belgian Art Book' by J. de Geest, it is written that Joseph Stevens has given a new dimension to painting animals. Joseph Stevens is an early representative of realism and social art. While Eugene Verboeckhoven has royal dogs pose on a beautifully embroidered cushion, Joseph Stevens already has an eye for the dark side of animal existence: exploitation by man, who in turn is a victim of society. His first successful painting, Brussels in the morning, shows how miserable dogs and poor people suffer the same fate. In the Sandman, Stevens shows a joint effort of man and dog, in which the viewer cannot ignore the social conditions: exhausting labor at dawn in some suburb. The gray sky and monochromy of the suburb add to the sinister atmosphere. Joseph Stevens was one of the first artists to take the urban proletariat as his subject. Stevens enjoys a very high reputation in his Parisian years. His brother Alfred writes: 'I am of this time, but you, Joseph, you are of the race, and thus you are of all times.' French critics agree. Stevens' works are a source of inspiration for the literature of the time. For example, Beaudelaire writes a poem about Stevens' dogs. Joseph Edouard STEVENS. Belgium, 1819-1892 Stevens was a painter, etcher and engraver. Brother of the gifted painter Afred Stevens. Education at the Academy in Brussels (1834-1835). Debuted at the Salon in Brussels in 1842. Continued his career in Paris in 1852. He was primarily the painter of canvases depicting domestic animals (dogs, monkeys, horses), sometimes in curious, even idiosyncratic situations, and far from romanticism. This realism, of which he was one of the pioneers, earned him the interest of critics and intellectuals. His approach was defined by this contemporary realism that eschewed idealized depictions of animals as heroic emblems of nobility. Rather, Stevens emphasized the ordinary animals of everyday life, with a particular focus on working dogs, stray dogs and all of the mutts that wandered the streets of Brussels. Museums and public collections, including' Royal Museum of Fine Arts Brussels, Ghent, Hamburg, Paris, Musée du Louvre, Rouen, Musee des Beaux-Arts. Stuttgart, State Gallery. King Leopold...