Mikael Pasternak Furniture

"November Composition”, 1991 by Beatrice Findlay, oil and sand on canvas diptych. Excellent condition. Measuring: 48 inches high x 72 inches wide. Exhibited: “Introductions ‘92”, The Allrich Gallery, San Francisco. Sylvia White Contemporary Art at the Seattle Art Fair, Seattle 1992. “Figures in a Landscape” An Exhibition of Paintings by Beatrice Findlay, Fordham University...

'Partita' by Anders Hegelund, Danish b. 1938. Acrylic on canvas. Measures: 23.75 x 23.75 in.without frame, 25 x 25 in. including frame, signed, dated and titled on the back. Housed i...

Very large and vibrant abstract painting and mixed media assemblage. Signed lower right. Block like elements in reds, tan, white and black. Along with black and white strings across ...

Large and beautiful cubist oil painting by Danish female artist Ebba Carstensen. Figure composition, c. 1915–25. Indistinctly signed. Oil on canv...

Bjørn Wiinblad two round compositions of mix media with offset print and hand painted gold details.  

'Movement' by Anders Hegelund, Danish b. 1938. Acrylic on canvas. Measures: 27.5 x 27.5 in. without frame, 29 x 29 in. including frame, signed, dated and titled on the back. House...

Jörgen Fogelqvist, Composition Color lithography Number 255/260 This work is signed by the artist and has an individual number (pencil) Working dimensions 66/86 The work is fra...

Composition by Rune Hagberg, Sweden. 1960s. Rune Fredrik Hagberg was a renowned Swedish artist that took much of his inspiration from Zen Buddhism spirituality and Eastern Calligraphy. He is represented at, among many others, the Modern Museum and the Norrköping Art Museum. Hagberg’s meditative informalism is placed between the concretism and expressionism of the 1950s, his art becoming simpler until he reduced it so far that only tightly closed picture...

Oil on canvas, Villa Albrizzi, Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-POOL was built on a shelf cut into the Hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...

Composition - Pierre Piget Oil on isorel signed lower left Numbered on the back 27A Size : 81x65cm 250€ Ref 2951.

Paul Ackerman (1908-1981) composition oil on canvas. Wear the stamp of the signature at the bottom left. 73 x 92 cm.

Oil on canvas, Villa Albrizzi - Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-pool was built on a shelf cut into the hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...