Omar Rayo

We have managed to get 4 late 18th early 19th century book plates and this one is of intaglio's. Great quality plate with no major faults and a great look. Framed recently in a blue ...

A wonderfully composed woodblock print by famed Japanese printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most important, contemporary Japanese printmakers of the 20th century. This print is of a temple guardian of Tofuku-Ji which is one of the Kyoto Gozan or Five Great Zen Temples in Kyoto The print is signed and stamped, titled (Tofuku-Ji, Kyoto (A), dated (1961), and numbered (12/200) by the artist. Would be a great addition to any modern Japanese print...

Friedensreich Hundertwasser, offset printing with foil embossing on laid paper, plate-signed and stamp numbered editon 3000 pieces. Print size 10x15cm  

A beautifully composed woodblock print by famed Japanese Sosaku Hanga printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most important, contem...

Pedro Friedeberg original silkscreen "El vuelo de Mozart”. Signed by the artist. Edition of 30. Includes signature Pedro Friedeberg. The price does not include the frame for a cheape...

Antique hand colored engraving of “Blind Man’s Buff.” featuring a large game of hide and seek. Original painted by Sir David Wilkie 1812. Engraved by ...

Original signed Serigraph "Les Fleurs No.3" by Lyn Howley. Produced in the USA, circa 1950s. Lyn Howley's work was produced by Van Amstel Co. Studio Editi...

Arne Brandtman (1925-2010), Swedish artist. Color print on paper. Abstract composition. Hand-signed in pencil and dated 67. In perfect condition. Image dimensions: 43.5 cm x 6.5 cm....

This impressive vintage largescale art print depicts the profile of a Spanish Conquistador in perfect mid-century color palette and set in a textu...

Set of eight engravings by Giovanni Battista Galestruzzi of Roman intaglio from Leonardo Agostini's book "Le gemme antiche figurate". The first Itali...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing finds the entire constellation shifting into its reverse.” Gerald Nordland, in his essay for the “White Embossings on Gray” catalogue For sale, one print from Albers’ late in life exploration of color and perception, the “White Embossings on Gray” Series. For this series, renowned California print...

A framed Alberto Giacometti double lithograph from the May 1961 edition of the French art periodical “Derriere Le Miroir." Giacometti’s studio was located in Paris at 46 rue Hippolyt...