William August Hoffman

The picture is painted with oil paint on canvas. Origin : Poland Author : x Dimensions: Frame: height 87 cm / width 117 cm Image: height 68 cm / depth 98 cm

Featuring a bouquet of roses and peonies in a rich color palette to complement various styles of décor. Incorporates nicely with Tuscan, shabby chic, or French country themes, accent...

An excellent and very stylish impasto oil on board of Ranunculus flowers in an urn vase. The expressionist impasto paint application is fascinating. Clearly the work of a competent colourist. It really evokes the texture of Ranunculas flowers, their weight and the vibrancy of their colour. Unsigned, dating from the 1960s. The style is Expressionist. It reminds us of the work of William Dobell...

William Heytman Oil on Canvas - Still Life. It was rare for Heytman to do a Still Life. 70 x 50 cm Image only It would not be too far fetched to say that painting is in William...

American School Circa 1940's "Still Life" Oil on board 11 ¾ by 24 in w/frame 12 ½ by 24 ¾ in.

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...

Cubist still-life painting of flowers on a nightstand in a very sturdy rustic wooden frame. This piece is unsigned.       

This stunning still life oil painting is a great way to add a bit of brightness to the walls of your kitchen or dining space. Fruit and vegetables have ...

Robert Waltsak (American, b. 1944). Impressionist still, fruit. A popular New Jersey artist, Waltsak studied at the Newark School of Fine and Industrial...

Colorful oil on canvas painting: Le "Poisson" by René Arnoux (1928-2009). Born in Tunisia in 1928 Arnoux moved to Paris in 1956. He also exhibited extensively Canada, the U.S.A. a...

Antique Victorian pastel on paper of a fine quality still life with game by American Artist, William Henry Chandler (1854-1928). Chandler was a ...

An exceptionally fine quality example of a pair of framed Still Life of fruits Oil Paintings on Artists board by well documented English Artist William Hughes, third quarter of the Nineteenth Century. Complete with good giltwood frames, one is signed lower left W. Hughes and dated 1863  Both paintings with similar views depicting Still Life of fruits to include Apples, Pears and Black Grapes  Condition: Good condition recently professionally cleaned and ready to hang. Old trade label CHAS H WEST Framemakers in Primrose Hill, London.  Height: (entire including frame) 13.75" (35cm). Width: (entire including frame) 17.5” (44.5cm).   Location: Dublin City, Ireland.  Affordable fixed charge Worldwide Store to door shipping offered.  Provenance: Burling Paintings Art Gallery, Burlington Gardens, Mayfair, London.   William Hughes (1842-1901) was a still life painter, father of Sir Herbert Hughes-Stanton. He was a pupil of George Lance and W.H. Hunt.  Hughes exhibited at the Royal Academy between 1866 and 1901 as well as at the British Institute, Suffolk Street and the Grosvenor Gallery.   Titles at the R.A. include “The Baron’s Dessert” and “For the Feast of the Tournament”. A major work, a set of large bird paintings...