Where did Picasso live in France?

Color lithograph on Arches paper , edited in 1960 Limited edition of 300 not numbered copies Hand signed by Pablo Picasso in red crayon in the lower right margin , with lithographed text on verso Image size: 64.1 cm x 50.2 cm ( 25 1/4 in x 19 3/4 in ) paper size: : 76.2 x 57.5 cm ( 30 in x 22 5/8 in ) Framed size: 96 x 80,5 cm excellent conditions with strong deep colors Editions Paul Rosenberg, Paris Printed by Mourlot, Paris Publications / Catalogue Raisonnée : This print is fully documented and referenced in the official Catalogue Raisonnée - Orozco no. 234 (illustrated) No 73 pag 57 A copy of publication of the reference catalogue Framed to museum standards in a handmade frame , the background is made ph neutral for proper preservation of the work over the years , to avoid oxidation. We offer professional packaging and tracked shipping with DHL Express courier , ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...

The year 1958 marked a significant moment in the artistic journey of Pablo Picasso, one of the most influential figures in 20th-century art. This was the year when Picasso, renowned ...

Pablo Picasso, a name synonymous with artistic innovation, left an indelible mark on the world of visual arts. Among his extensive body of work, "Still Life with Black Bust...

Pablo Picasso 1881-1973 Spanish Guitare sur un guéridon (Guitar on a pedestal) Gouache on Western wove paper laid on board Signed “Picasso” (upper left) Picasso’s prolific career has been marked by many grand love affairs, both romantic, intellectual and creative. Beyond his lovers like Olga Khoklova and Dora Maar and his intellectual muses like Georges Braques and Gertrude Stein, Picasso’s greatest love and inspiration was perhaps a humble instrument: the guitar. Whether it be the Old Guitarist from his early blue period, his groundbreaking series of three-dimensional guitar sculptures from his nascent explorations in Cubism, or his Mandolin and Guitar composition’s grander explorations with color and biomorphic shapes, the guitar is an elusive calling card for modern art’s greatest genius. In Guitare sur un guéridon, Picasso intertwines his signature guitar and a bowl of fruit. These two elements are playfully brought together and skillfully anchored on the tabletop by a square positioned at the center of the composition. The result is a captivating and harmonious arrangement that showcases Picasso's artistic ingenuity in blending these everyday objects into a visually striking and cohesive composition. This rare gouache was created during the pivotal summer of 1920. During this time, Picasso lived in Juan-les-Pins, a small coastal resort town in the South of France away from the confines of the city and the fallout of World War I. With this newfound freedom, Picasso entered an exciting and innovative creative period and began to interrogate the connections between Neoclassicism and Cubism. Picasso created a series of gouache paintings characterized by their flat, geometric nature, sinuous contours and strikingly vivid colors. Though not a complete departure from his previous Cubist works, this series showcased the influence of the Surrealists, especially the biomorphic subconscious explorations of Joan Miró, upon Picasso’s oeuvre. While the breadth of his creativity grew, he returned back to a familiar motif — the guitar — with a renewed sense of vigor and excitement. Guitare sur un guéridon’s undulating lines and biomorphic appeal bring Picasso's preoccupation with the guitar into deeper focus. The sinuous lines of guitar mirror...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Reitre raptando a una mujer por encargo de un caballero', 1968 aquatint, etching on paper 9.9 x 13 in. (25.1 x 32.8 cm.) Unframed ID: PIC2001-006 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...

Pablo Picasso - Original Lithograph Title: Painter and his Model From the illustrated book "Regards sur Paris" (Paris: André Sauret, 1962) Edition of 180 Individual prints were not s...