Bernardino Orsetti

Disegno figurativo toscano neoclassico raffigurante un uomo barbuto

early 19th

The drawing, signed at the right Colacicchi, is a pen and pencil on paper portrait of a gloomy lady with vaporous hair. It belongs to the 1950s during the time that Colacicchi had a ...

This drawing is part of an "Accademia", that were the common studies from live happening during academic lessons. It's made using an antique sculpture...

This drawing is part of an "Accademia", that were the common studies from live happening during academic lessons. The model were either real people than work of arts.

This drawing, color pencil on paper 26 x 23 cm without frame, portrays a lady on profile, styled as the typical fashion of the time. By the way she's portrayed, she seems an audaciou...

The drawing is signed on the bottom left G. Fraschetti, a Florentine artist, pupil of Giacomo Lolli, active mostly in Tuscany in the time between the 19th and 20th century and known ...

The drawing is a self portrait of the tuscan artist Gisberto Ceracchini. Considering the age at the moment and the fact that his birth year was the 1899,...

Portrait of Man is an original Contemporary artwork realized in the half of the 20th Century. Original Drawing on paper. Red pencil. Not signed. Mint conditions. Fresh portrait ...

Bijing-Ga series XXVII (Nº 27) Title: Tomomoto Toyohina Tomimoto Toyohina was a much sought-after geisha (entertainer) who performed narrative ballads accompanied by the shamisen. She was one of several non-prostitute beauties, including teahouse waitresses, whom Utamaro depicted repeatedly in the early to mid 1790s. She appears here with a brush in hand, dressed and combed with simple elegance. This composition is from a six-print series comprising half-length portraits of famous beauties (Famous beauties of Edo). Utamaro elevated Tomimoto Toyohina to the status of one of the three most renowned beauties of her age (together with Okita and Ohisa). She was from a prominent family of musicians that provided entertainment in the Yoshiwara. Toyohina’s appeal undoubtedly was as much due to her appearance as to her skills in singing, and Utamaro’s celebration of her would have further elevated the status of an already well-known lineage. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Bijin-ga series XXI (Nº 21) Title: The courtese Hinakoto of the Hyôgorô House of Edo The courtesan Hinakoto is depicted by smoking tobacco. She takes the pipe delicately in her left hand and, in her right hand, she seems to be holding a “uchiwa” (rigid hand fan) that comes out from the bottom of the drawing, decorated with written calligraphy. Some strands of hair that fall on her temple and her scant clothing show that the painter has surprised her in a relaxed moment in which she does not lose her elegance and slenderness. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Portrait of an old woman is an original drawing realized in the late 18th Century. The artwork is a black and white pencil and pastel drawing depicting an old woman. Mint condition...

"Mrs. Snell/Figure (reverse)" are two pencil drawings on paper by Henry Snell (New Hope, Pennsylvania / Gloucester, Massachusetts 1858 - 1943). Each drawing measures 5 3/4 x 3 3/4 inches and is conservation framed and matted in black, wood frames, and put behind glass. These drawings come from an original sketchbook...

Portrait in primary blues and yellow of perhaps a Persian man. He is in profile set against a decorative yellow background with floral elements. The work...