Adam Gondek

TWO COLLAGE DRAWINGS Pink Ad & Gold Ad

2013

"My art is based on a sustained exploration of new dimensions and applications of the technique of “fumage”, that is, painting with fire. The focus of my subjects, projects and colle...

Penny Sign Of The Times (Gold) 15/15 Hand-Cut Stencil and Spray Paint on Genuine Banknote 3 x 6 in Gold leaf

Dorothy Hood Untitled, 1982-1997 Collage on Mat 30 x 20 Following a 1981 trip to Egypt, hood collected printed papers which influenced her collage series for approximately a decade.

Dorothy Hood Untitled II, 1982-1997 Collage on Mat 30 x 20 Following a 1981 trip to Egypt, hood collected printed papers which influenced her collage series for approximately a decade.

Dorothy Hood A Taste Of Moonlight, 1982-1997 Collage on Mat 30 x 20 Following a 1981 trip to Egypt, hood collected printed papers which influenced her collage series for approximate...

Unsigned Archival Pigment Print on Hahnemuhle 210gsm 50% rag watercolor paper 13″x19″ paper size  Hand-numbered edition of 250  Embossed with the Heliotrope Foundation logo Ernest...

LA VITA is one of several experimental shoe sculptures that Eleanor Aldrich created as part of a series for her exhibition "That Feeling When" at Channel to Channel...

A work by Carl Andre. "Five Hundred Terms for Charles A. Lindbergh" is an ink on paper on board and a classic text piece from the early 1960's by Post War artist Carl Andre. Andre’s poem "500 Terms for Charles A Lindbergh" is typical of his works which are composed by selecting individual words from source texts, and then ordering them on the page according to simple and self-evident criteria, which, in this case, is by alphabetical listing. Signed verso, "Five Hundred Terms for Charles Lindberg (Carbon) 1962 Carl Andre." Provenance: Collection of Hollis Frampton...

Charcoal, ink and ink wash, and collage on paper, signed and dated (lower right), 70cm x 51cm (78cm x 59cm framed). The picture is floated within the frame, behind non-reflective UV glass. Renowned as Australia’s foremost surrealist painter and poet, James Gleeson...

Presenting an extraordinary and commanding work of art, an extra-large metal assemblage in post-war style which truly makes a statement. The patinated metal objects create a rich, darkened and golden metallic nuances that are deep and saturated. The physical three-dimensionality arising from the of the metal assemblage further enriches the overall depth, creating an intensely dramatic and captivating visual experience. Due to its size and volume this piece is both remarkable and rare, and will without a doubt stand out in any interior. Within the assemblage, a diverse array of scrap metal objects and plates of varying sizes and forms coexist alongside intriguing remnants, including a leather sole, large leather straps, fragments of a robe, and vintage nails...

Visage dans un ovale, Multiple, Picasso, 1950's, Portrait, Abstract, Design Visage dans un ovale Ed. 100 pcs 08.04.1955 White earthenware clay, engobe ground engraved by knife under...

Petits visages no.57, Picasso, 1960's, Postwar, Naif, Faces, Plate, Design Petits visages no.57 Ed. 50/150 pcs 1963 White earthenware clay, decoration in engobes and enamel under partial brushed glaze D. 27 cm Numbered and inscribed on the back: No.57, Edition Picasso, 50/150, Madoura Picasso : Catalogue of the edited ceramic works 1947-1971, by Alain Ramié, Editions Madoura, 1988, illustrated under no.468, p.244. Literature : Céramique de Picasso...