Milly Ristvedt

Pink Zinger - large, colourful, gestural abstract, acrylic on canvas

2021

Using rich colours—blues, reds and yellows reminiscent of the old masters, Paris born Alice Teichert’s new work continues to explore the effect of light on delicately layered translucent gels. Central to this ethereal piece is a radiant yellow sphere...

Enigmatic shapes and calligraphic lines dance across a flood of turquoise beneath a sky of burnished orange in this large scale painting by Alice Teichert. The artist works with thin...

In this serene painting by one of Canada’s leading landscape artists, Pat Service deconstructs the elements of a view across a lake in summer. The form is abstracted, and the colours...

Every morning for 15 minutes, Pat Service finds peace in playing the piano—classical music she learned as a teenager. This lyrical composition was inspired by such a moment rendered ...

Matte black offers a striking background for this abstract painting by Pat Service. Bright orange and white flowers pop against the black as several other floral shapes in muted shad...

Pat Service loves trees. The dramatic BC landscape she grew up in has always influenced her work. In this abstract painting, the clean lines of three bold shapes—trees in various sta...

Artist Motivation: "By Any Means" is bold, gritty, modern, vibrant and compelling! This "Street Style" Abstract Expressionist painting is raw and captivating! "By Any Means" fits ...

Abstract expressionism traditionally idolizes individual moments. My bold abstractions tell entire stories through vivacious mixed media like acrylic and spray paint with a focus on ...

One of his last available paintings created in Hawaii and inspired by his visit to the lava fields.

An original hard edge abstraction by American artist James Koenig. This work titled "Ribbon Structure #4" is part of the Draw Near exhibition currently on view at Benjaman Gallery

Lotus, 2023 by Yunior Manino Acrylic paint on canvas Mounted on stretcher Signed back by the artist _______ Yunior Marino completed his studies at the Instituto Superior de Artes ...

This recent body of work is informed by my continuing research into the physical and metaphorical nature of archaeological artefacts and votive objects, allied to the referencing of the symbolic forms and materiality of alchemy. Central to this practical investigation has been the use of ‘gold’, and the qualities that the material, with its obvious chromatic and symbolic values, seems to possess. This has driven both the conceptual and pragmatic concerns within the evolution of this work. Gold is an alluring and complex symbol of many, often conflicting meanings, avarice, greed, wealth but also of purity and celebration, and has been used as the adornment of spiritual and religious iconography as a devotional act for millennia. The titles refer to connections I have made with the forms themselves, often when making a painting a word will emerge which acts as a form of poetic catalyst. ‘Parsival’ or Percivale/Peredur was the knight questing for the holy grail...