Patricia A. Pearce

Black Mesh and Red Ribbon Collotype Abstract Triptych

circa 1990s

Unusual and stunning vertical collotype and hand-painted triptych (3 panels) abstract composition titled "Mutable Green" of subtle gold and silver gilding evoking Frank Loyd Wright b...

Ode to Roundel abstract acrylic painting. Embellished with added texture and machine sewn gold thread patterns throughout the gouache. Signed "Morgan" and titled "Ode to Roundel" low...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Unique and stunning collotype triptych (3 panels) abstract composition of fabric and red ribbons draped over rods by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as pa...

Beautiful textural abstract by Sasha Rogers (Canadian, 20th/21st Century). Signed "Sasha S. Rogers '91", titled "Minoan" on verso. Two identifying labels on verso. Displayed in a sla...

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

"Coral Sculpture" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptura...