Items Similar to 18th Century sporting horse portrait oil painting of a race horse and groom
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Francis Sartorius18th Century sporting horse portrait oil painting of a race horse and groom C1780
C1780
About the Item
Francis Sartorius
British, (1734-1804)
Bay Hunter & Groom
Oil on canvas, signed
Image size: 24.25 inches x 29.25 inches
Size including frame: 32 inches x 37 inches
A wonderful sporting horse portrait of a bay hunter with a groom by Francis Sartorius. The horse is depicted with the groom standing in an open landscape, allowing the fine proportions of the thoroughbred mare to be seen to the best advantage. The portrait was most likely commissioned by its owner to commemorate a win.
Francis Sartorius was born in 1834, the son of John Sartorius (c1700-c1780) a German born animal painter. His father was the first of four generations of the Sartorius family of artists who came to England sometime during the 1720’s and most likely taught his son to paint.
Sartorius married Frances Lynn on 24 October, 1757 at St James’s Westminster and one of their sons John Nost Sartorius also became an artist. After the death of his first wife, he went on to marry Martha Croker on 23 July, 1765. In 1773, he began exhibiting at the Society of Artists and Free Society of Artists. Two years later in 1775, he made his debut at the Royal Academy with ‘A Favourite Horse’ from an address at 10 Meard’s Court, Dean Street, Soho. He became known for his sporting portraits of horses, attracting the patronage of figures such as the Duke of Grafton, Duke of Cumberland and the Marquis of Rockingham. Some of his portraits of famous racehorses included Snap (foaled 1750) Herod (foaled 1758), Antinous, foaled in 1758 and Eclipse (foaled 1764). He also painted a number of portraits of dogs and other animals but was perhaps best known for his horses.
From 1784, Sartorius lived at 17, Gerrard Street, Soho before moving to 1 Macclesfield Street, Gerrard-Street in Soho around 1791. From his base in London he travelled around working on commissions and also visited Ireland. As well as continuing to exhibit he also contributed works to the Sporting Magazine which were reproduced as engravings. He was married a total five times, surviving all of his wives until his own death on 5 March, 1804. He was buried on 11 March, 1804 at St Martin in the Fields.
Examples of his work are held by the Government Art Collection, National Library of Wales, National Trust, Stevenage Museum, The Tate, University of Oxford and the Yale Center for British Art.
Presentation: The painting is housed in a period gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
- Creator:Francis Sartorius (1734 - 1804)
- Creation Year:C1780
- Dimensions:Height: 32 in (81.28 cm)Width: 37 in (93.98 cm)Depth: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Nr Broadway, GB
- Reference Number:1stDibs: LU156213636652
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1972
1stDibs seller since 2015
273 sales on 1stDibs
Typical response time: <1 hour
Associations
The British Antique Dealers' AssociationLAPADA - The Association of Arts & Antiques DealersInternational Confederation of Art and Antique Dealers' Associations
- ShippingRetrieving quote...Ships From: Nr Broadway, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- 19th Century landscape oil painting of sheep in a Sussex laneBy William Luker Sr.Located in Nr Broadway, WorcestershireWilliam Luker Snr British, (1828-1905) Sheep in a Sussex Lane with Pevensey Bay in the distance Oil on canvas, signed & dated 1875 Image size: 17.25 inches x 25.25 inches Size including frame: 23.25 inches x 31.25 inches A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond. William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition. By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution. He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905. Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th Century Highland landscape oil painting of sheep near Loch AweLocated in Nr Broadway, WorcestershireWilliam Watson Jnr British, (1847-1921) On the Mountains, Loch Awe Oil on canvas, signed & dated 1892, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 18.5 inches x 24.5 inches A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th Century landscape oil painting of cattle near Canterbury CathedralBy William Sidney CooperLocated in Nr Broadway, WorcestershireWilliam Sidney Cooper British, (1854-1927) Cattle Watering near Canterbury Cathedral Oil on canvas, signed & dated 1923 Image size: 15.5 inches x ...Category
Early 20th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th Century landscape oil painting of the river Lledr near Bettws-y-coedBy Henry H. ParkerLocated in Nr Broadway, WorcestershireHenry H Parker British, (1858-1930) The River Lledr, Bettws-y-coed Oil on canvas, signed, further signed & inscribed verso Image size: 19.5 inches x 29.5 inc...Category
19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th Century landscape oil painting of sheep near a five bar gateBy Charles Jones (b.1836)Located in Nr Broadway, WorcestershireCharles Jones British, (1836-1892) Sheep by a Five Bar Gate Oil on panel, signed with monogram & dated (18)90, further inscribed verso Image size: 11.5 inches x 19 inches Size includ...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th Century Scottish landscape oil painting of Highland sheep at Glen CoeBy William WatsonLocated in Nr Broadway, WorcestershireWilliam Watson Jnr British, (1847-1921) Morning, Head of Glen Coe Oil on canvas, signed & dated 1897, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 19.75 inches x 25.75 inches A superb Scottish landscape painting of Highland Sheep at the head of Glen Coe by William Watson. The sheep and their lambs are depicted grazing in the morning light with the dramatic mountains beyond. Glen Coe is a valley located in the Highlands to the North of the county of Argyll and close to the province of Lochaber. The area, which became infamous for the Massacre of Glencoe is one of Scotland’s most scenic Highland glens. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
You May Also Like
- Huge late 17th early 18th century Italian floral oil - Peacock doves and a duckLocated in Antwerp, BEHuge late 17th, early 18th century Italian Old master - A peacock doves and a duck holding flowers in a park landscape at sunset, attr. Angelo Maria Crivelli In a peaceful park land...Category
17th Century Old Masters Animal Paintings
MaterialsOil, Canvas
- A Highland Water LandscapeBy Marmaduke CradockLocated in London, GBDepicting a peacock, a pheasant, a turkey and various other birds in a whimsical highland scene. Bearing an indistinct signature, In a later, egg and dart moulded giltwood frame. 59c...Category
17th Century Old Masters Animal Paintings
MaterialsCanvas, Oil
- Fine 17th Century Dutch Old Master Oil Military Encampment Figures on HorsebackLocated in Cirencester, GloucestershireThe Military Encampment Dutch School, 17th century circle of Philips Wouwermans (Dutch 1619-1668) oil painting on canvas, in 18th century gilt frame canvas measures: 19.5 x 17 inches...Category
17th Century Old Masters Landscape Paintings
MaterialsCanvas, Oil
- Huge 1800's English Oil Painting Man with Horses Resting Panoramic Country ViewBy Thomas Barker of BathLocated in Cirencester, GloucestershirePausing for a Rest English School, circa 1800 the painting is very close to the works of Thomas Barker of Bath (English 1769-1847) oil on canvas, framed framed: 29 x 39 inches canvas...Category
Early 19th Century Old Masters Landscape Paintings
MaterialsCanvas, Oil
- Shepherd with Sheep, Cows and a Goat in a Landscape by Jan Frans SoolmakerLocated in Stockholm, SEJan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep, Cows and a Goat in a Landscape oil on relined canvas canvas size 56 x 53 cm frame i...Category
17th Century Old Masters Animal Paintings
MaterialsOil, Canvas
- A WolfLocated in New York, NYProvenance: The Marchesi Strozzi, Palazzo Strozzi, Florence Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...Category
17th Century Old Masters Animal Paintings
MaterialsPaper, Canvas, Oil
Recently Viewed
View AllMore Ways To Browse
Father And Son Paintings
Horse Painting In Frame
Antique Horse Art
Framed Horse Oil
Framed Horse Oil Painting
Oil Painting Of A Library
Old Horses
Horse Oil Paintings With Frame
Francis First
Francis The First
Four Horse
London Soho
Horse Painting Old
The Groom
Old Paintings 17 Century
Antique Sporting
Oxford Oil Painting
Gilt Horse