Items Similar to Contemporary British Abstract Painting Light Open Field Mountain Landscape
Want more images or videos?
Request additional images or videos from the seller
1 of 10
20th Century French SchoolContemporary British Abstract Painting Light Open Field Mountain Landscape
About the Item
Artist/ School: Kathleen Crow (British, contemporary), signed with monogram
Title: Mountain Landscape
Medium: oil on canvas, unframed
Canvas : 16 x 16 inches
Provenance: private collection, England
- Creator:20th Century French School
- Dimensions:Height: 16 in (40.64 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cirencester, GB
- Reference Number:1stDibs: LU509311012542
undefined
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1989
1stDibs seller since 2016
3,540 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Cirencester, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The Red Tulip Path To The Secret Garden, signed original paintingLocated in Cirencester, GloucestershireArtist/ School: Kathleen Crow (British, contemporary), signed with monogram Title: The Secret Garden Path Medium: oil on canvas, unframed Canvas : 20...Category
19th Century Victorian Landscape Paintings
MaterialsOil
- Sunset Fishing Landscape Laying Nets Large Traditional English Oil PaintingBy Andrew Grant KurtisLocated in Cirencester, GloucestershireLaying the Nets by Andrew Grant Kurtis (British contemporary) signed oil painting on canvas, framed framed: 24 x 35 inches canvas: 20 x 30 inches provenance: from a UK collection co...Category
Early 2000s Victorian Landscape Paintings
MaterialsOil
- 1950's FRENCH PORTRAIT OF YOUNG LADY SMELLING A RED ROSE - OIL ON PANELLocated in Cirencester, Gloucestershire"The Red Rose" French School, Mid 20th Century oil painting on octagonal shaped wooden panel, unframed panel: 25 x 21.25 inches Beautifully spontaneous painting depicting this por...Category
Late 20th Century Victorian Abstract Paintings
MaterialsOil
- MID CENTURY FRENCH SIGNED OIL - FISHING BOATS MEDITERRANEAN HARBOUR TOWNLocated in Cirencester, Gloucestershire"The Old Harbour" French School, mid 20th century painting on board, unframed measurements: 15 x 21.5 inches Vibrant Post-Impressionist 1950's French summer painting of an old Fre...Category
Late 20th Century Victorian Abstract Paintings
MaterialsOil
- STEPS IN PROVENCAL OLD TOWN VILLAGE STREET - SIGNED ENGLISH OIL PAINTINGLocated in Cirencester, Gloucestershire"Steps" by Roy Merrington, British contemporary oil painting on canvas, unframed canvas: 24 x 18 inches This work really transports the viewer to the South of France...where the hill top villages all look a bit like this old back street with its climbing steps lined with old shops...Category
Late 20th Century Victorian Abstract Paintings
MaterialsOil
- Very Large 20th Century French Expressionist Abstract Oil Painting on CanvasLocated in Cirencester, GloucestershireArtist/ School: French Expressionist painter, circa 1970 Title: abstract expressionist composition Medium: oil painting on canvas, unframed canvas: 39.25 x 25.5 inches Provenance...Category
20th Century Abstract Expressionist Landscape Paintings
MaterialsOil, Canvas
You May Also Like
- DivideBy Doug FreedLocated in Tulsa, OKDivide by artist Doug Freed is a deep blue contemporary abstract landscape oil on canvas painting that measures 72 x 96 and is priced at $18,000. Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the gray area between traditional landscape painting and its abstraction into color fields. Artist Statement For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes. I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger. I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The compositions are about ambiguities of form and void, foreground and background and surface and deep space. My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity. My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition. SELECTED PUBLIC COLLECTIONS K.U. Medical Center, Wichita, KS Museum of Art & Archeology University of Missouri, Columbia, Missouri Hoecht Marion Roussel (Commission), Kansas City, Missouri FBL Financial Group, Des Moines, IA Kemper Museum of Contemporary Art, Kansas City, Missouri Wichita Center for the Arts, Wichita, Kansas Daum Museum of Contemporary Art, Sedalia, Missouri The Newark Museum, Newark, New Jersey St. Louis Art Museum, St. Louis, Missouri Springfield Art Museum, Springfield, Missouri Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri Arkansas Art Center, Little Rock, Arkansas College of Architecture and Design, Kansas State University, Manhattan, Kansas Fort Hays, Kansas State University, Hays, Kansas Memorial Union Collection, University of Missouri, Columbia, Missouri Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas Hutchinson Community College, Hutchinson, Kansas Johnson County Community College, Overland Park, Kansas Lincoln College, Lincoln, Illinois State Fair Community College, Sedalia, Missouri Hallmark Cards Inc., Kansas City, Missouri Sprint Corporation, Kansas City, Missouri MacGraw Hill Publishing Co., New York City, New York Pioneer Hybrid, Des Moines, Iowa Pella Corporation, Pella, Iowa Fort Smith Public Library (Commission), Fort Smith, Arkansas Deloitte & Touche (Commission), St. Louis, Missouri Publishing Enterprises, Inc. (Commission), Sedalia, Missouri Parks & Recreation Department, Columbia, Missouri United Telephone Systems, Inc., Kansas City, Missouri American Family Doctors, National Headquarters, Kansas City, Missouri DST Corporation, Kansas City, Missouri Crown Center, Hallmark Art Collection, Kansas City, Missouri Hewlett Packard Corporation, St. Louis, Missouri Emerson Electric (Commission), St. Louis, Missouri Mark Twain Bank, Creve Coeur, Missouri Boone County Bank, Columbia, Missouri Landmark Bank, Madill, Oklahoma Septagon Industries (Commission), Sedalia, Missouri KEO Building Corporation (Commission), Sedalia, Missouri D & W Leasing, Sedalia, Missouri 1st National Bank, Rockford, Illinois Mark Twain Bank Shares, Ladue, Missouri Bank of Olathe, Olathe, Kansas Blue Cross/Blue Shield of Missouri, St. Louis, Missouri Cessna Aircraft...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Magnolias (diptych)By Carlyle Wolfe LeeLocated in Atlanta, GA"Magnolias (diptych)" is a large scale nature-inspired abstract painting featuring hues of cool grey. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natura...Category
2010s Abstract Abstract Paintings
MaterialsOil, Panel
- Beach GrassBy Kristen GarneauLocated in Mill Valley, CAoil on canvas Kristen Garneau lives in Northern California and has spent a lifetime with the inspiration that comes from ever-changing beautiful landscape – forest, mountain and ocea...Category
2010s Contemporary Landscape Paintings
MaterialsCanvas, Oil
- Solent No.25, Oil, painting, Musician, Dire straits, British, abstract, aerialLocated in Knowle Lane, CranleighSolent No.25 is an oil on canvas showing a section of the landscape, painted from an aerial perspective by Artist & Musician John Illsley. The artwork comes signed and framed. As th...Category
2010s Abstract Geometric Landscape Paintings
MaterialsOil
- Heather, Hillside, Wild FlowersLocated in Manchester, GBMatthew Bourne derives his work from his passion for metaphysical concepts such as sight, sound, and emotion. As a result, Bourne argues that his abstra...Category
2010s Abstract Abstract Paintings
MaterialsOil
- Abstract English Impressionist landscape with sunlight river and trees by a bankBy Charles Bertie HallLocated in Woodbury, CTAn English landscape painting of a riverside scene in sunlight with an abstracted river effect. Whilst painted mostly in the UK and America Hall also painted throughout Europe and o...Category
2010s Abstract Landscape Paintings
MaterialsOil
Recently Viewed
View AllMore Ways To Browse
Contemporary Antique
Light Field
Antique Art Light
French Artist 19th Century
Open Field
French 19th Century Painting
19th Century French Painting
19th Century French Paintings
Antique Contemporary Art
Antique Open Sign
French Field Painting
Antique British Landscape
19th Century French Landscapes
British School Landscape
Antique Oil Light
British School Landscape Paintings
British 19th Century Painting
Antique French Landscape Oil Painting