Antonio Jacobsen"The Bransford" Antonio Jacobsen, Marine Ship Portrait, Great Lakes Seascape1903
1903
About the Item
- Creator:Antonio Jacobsen (1850 - 1921, American)
- Creation Year:1903
- Dimensions:Height: 29.5 in (74.93 cm)Width: 57.5 in (146.05 cm)
- Medium:
- Period:
- Condition:Craquelure throughout. Lined canvas.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841211635042
Antonio Jacobsen
Antonio Jacobsen was a Danish-born American maritime artist known as the Audubon of Steam Vessels. Jacobsen's Painted Ships on Painted Oceans, includes some 100 color pictures of the artist's ship paintings. The public rooms of The Griswold Inn in Essex, Connecticut, the oldest continuously run tavern in the United States, features the largest privately held collection of Jacobsen's paintings. John McMullen, a naval architect and marine engineer, had a collection that included 75 paintings by Jacobsen, the first two of which were found in the 1940s in the offices of the family ship repair business. On February 19, 2006, Fetching The Mark, an unsigned painting of the racing yacht Dreadnought attributed to Jacobsen, was sold at auction for $281,000, more than triple the highest price previously paid for one of Jacobsen's works. The piece had been brought to an Antiques RoadShow event in Tampa, Florida, and had originally been thought to be a work of Jacobsen's contemporary James E. Buttersworth, until further research led to a conclusion that it was by Jacobsen.
- ShippingRetrieving quote...Ships From: Larchmont, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- "Canal Pinelli, Venise" Paul Désiré Trouillebert, Venetian Scene in ItalyBy Paul Desire TrouillebertLocated in New York, NYPaul Désiré Trouillebert Canal Pinelli, Venise Signed lower left Oil on canvas 18 3/4 x 12 3/8 inches Provenance: Artist's studio sale, 1887, no. 4 With M. Newmann London Sale, Christie's, London, Save the Children Fund, May 16, 1961 (according to an inscription on the reverse) Private Collection, United Kingdom Literature: Marumo et al, Paul Désiré Trouillebert: Catalogue Raisonné de l'œuvre peint, Stuttgart, 2004, cat. no. 0362 p. 336, illustrated. Paul Désiré Trouillebert was born in Paris in 1829 and died in the city June 28, 1900. He is considered a portrait, genre and landscape painter from the French Barbizon School. He was a student of Ernest Hébert [1817-1908] and Charles-François Jalabert [1819-1901], and made his debut at the Salon of 1865, exhibiting a portrait. At the Paris Salon of 1869, Trouillebert exhibited “Au bois Rossignolet”, which was a lyrical Fontainebleau landscape that received great critical acclaim. Trouillebert concentrated on portraits until about 1881, when he began to focus on atmospheric silvery landscapes steeping in cool damp color. In 1882, he exhibited a large landscape titled “Baignneuses” which was well received and helped him gain a reputation as a landscape painter. Another noted work was commissioned by Edmé Piot, a public works contractor. The painting, “Travaux de relèvement du chemin de fer de ceinture: le pont du Cours de Vincennes” (Cleveland Museum) was of a railway project initiated in 1851, after Napoleon III came to power. The commission included four related views of the Paris railway construction, which was completed in February 1889. After the 1860’s, the misty Barbizon landscapes by Jean-Baptist- Camille Corot’s [1796-1875] had become astonishingly vogue, which brought about a trove of imitators. His followers and students; Henri Joseph Constant Dutilleux [1807-1865], George Devillers, Achille François Oudinot [1820-1901], Edouard Brandon [1831-1887] and Trouillebert were not trying to mislead the public, he was their idol. However, the greatest confusion has always been over works by Corot and Trouillebert because both artists painted river landscapes at dawn or dusk with a very similar approach, palette and style. Like Corot, Trouillebert painted a wide variety of subjects, including genre scenes, portraits and nudes. Trouillebert would receive the most attention as a result of an 1883 court case involving one of his paintings. The painting “La Fontaine des Gabourets” had been sold by one of Paris’ more prominent dealers George Petit to writer Alexandre Dumas fils. Trouillebert’s signature and been removed and resigned Corot. The fake was discovered by Robaut and Bernheim-Jeune and returned to the original seller, Tedesco. Trouillebert, who had nothing to do with the fraud, brought legal action against the guilty parties to regain his reputation and clear his name. The trial made all of the papers and Trouillebert won his case. George Pettit...Category
19th Century Landscape Paintings
MaterialsCanvas, Oil
- "Tree, Trunk, and Roots, New York" Joseph Stella, American ModernismBy Joseph StellaLocated in New York, NYJoseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...Category
1920s American Modern Landscape Paintings
MaterialsCanvas, Oil
- "Mount Rockwell, Glacier National Park, Montana, " Mountain Lake Landscape ViewBy Charles Warren EatonLocated in New York, NYCharles Warren Eaton (1857 – 1937) The Shadow of Mount Rockwell, Glacier National Park, Montana, 1921 Oil on canvas 20 x 24 inches Signed lower right: CHAS WARREN EATON. Provenance: The artist The Macbeth Gallery, New York Private Collection Sotheby's New York, American Art, April 14, 1989 ConocoPhillips, Houston Simpson Galleries, Houston, Fine Art & Antiques, May 18, 2019, Lot 447 Exhibited: New York, The Macbeth Gallery, Paintings of Glacier National Park by Charles Warren Eaton, December 13, 1921 - January 2, 1922, no. 2. Literature: "Two Exhibitions at Macbeth's," American Art News, New York, Vol. XX, No. 10, December 17, 1921. A contemporary critic wrote that the paintings of Charles Warren Eaton appeal to “the dreamers who find in them the undiscovered scenes in which their fancy long has dwelt.” Eaton’s contemplative landscapes exude a spiritual quality that moves the observer into a similar frame of mind. He loved to depict the ethereal light of dawn and dusk in late autumn or winter, usually without any reference to human or animal figures or buildings. These Tonalist paintings, with their subdued palette and relatively intimate scale, marked a definite break with the fading popularity of the panoramic and romantic views of the Hudson River School painters. Charles Warren Eaton was born in Albany, New York to a family of limited means. He began painting while working in a dry-goods store. At age 22, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League. By 1886, he was successful enough to quit his day job and make a living as a landscape painter. That year, he traveled to Europe with fellow Tonalist painters Leonard Ochtman and Ben Foster. In France, Eaton visited popular artist’s spots such as Paris, Fontainebleau and Grez-sur-Loing, and fell in love with the loose brushwork and moody style of French Barbizon painting. Returning to the United States, Eaton fell under the spell of George Inness, the foremost exponent of Barbizon style in the United States. In 1888, Eaton settled near Inness in Bloomfield, New Jersey, where Eaton lived until his death in 1937. In this period, he painted shadowy and ambiguous landscapes inspired by rural scenery in the northeastern United States. His signature theme was a cropped view of the branches, trunks, and foliage of a pine grove silhouetted against a delicately illuminated sunset or moonlit sky. He painted this vision so often between 1900 and 1910 that he picked up the sobriquet ‘‘The Pine Tree Painter.” After 1910, Eaton responded to the popularity of Impressionism by using brighter colors and painting sunlit daytime scenes. In 1921, he was hired to paint Glacier Lake, in Glacier National Park by the Great Northern Railroad Company as part of their ‘See America First’ campaign. He produced more than 20 paintings, among the artist's last works, that now poignantly remind viewers of the vast disappearing glaciers. Eaton tended to approach this mountain scenery from an oblique vantage point; he liked to capture small episodes, showing mountaintops nearly obscured by dramatically attenuated screens of fir trees. Eaton, like many Tonalist artists of his generation such as Henry Ward Ranger, John Francis Murphy, and Charles Melville Dewey...Category
1920s Tonalist Landscape Paintings
MaterialsCanvas, Paint, Oil
- "Off Route #5, Guilford, Vermont" Wolf Kahn, New England Landscape with BarnBy Wolf KahnLocated in New York, NYWolf Kahn Off Route #5, Guilford, Vermont, 1975 Signed lower right; dated and inscribed "#63" on the reverse Oil on canvas 24 x 34 inches An important member of the second generatio...Category
1970s Landscape Paintings
MaterialsOil, Canvas
- "View from the Docks on the East River, New York" Bela de Tirefort, CityscapeBy Bela de TirefortLocated in New York, NYBela de Tirefort View from the Docks on the East River, New York, 1958 Signed and dated lower right Oil on canvas 16 x 20 inches Bela de Tirefort was born in Eastern Europe, painted...Category
1950s Modern Landscape Paintings
MaterialsOil, Canvas
- "Boats at Dock, Montauk" Nicolai Cikovsky, Long Island FishingBy Nicolai CikovskyLocated in New York, NYNicolai Cikovsky Boats at Dock, Montauk Signed lower right Oil on canvasboard 20 x 24 inches The well known and highly regarded landscape and figure painter Nicolai S. Cikovsky was born in Russia in 1894. He studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...Category
Mid-20th Century Modern Landscape Paintings
MaterialsOil, Canvas
- Paul Manes - Tagus, Painting 2006By Paul ManesLocated in Greenwich, CTPaul Manes was born May 4, 1948 in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and hi...Category
2010s Contemporary Landscape Paintings
MaterialsCanvas, Paint, Oil
- Paul Manes - Untitled - Logs, Painting 2021By Paul ManesLocated in Greenwich, CTPaul Manes was born May 4, 1948 in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and hi...Category
2010s Contemporary Landscape Paintings
MaterialsCanvas, Oil
- House on the Water, Oil Painting by Jacques PergelLocated in Long Island City, NYArtist: Jacques Pergel, French Title: House on the Water Year: 1968 Medium: Oil on Canvas, signed and dated lower right Size: 24 x 36 in. (60.96 x 91.44...Category
1960s Modern Landscape Paintings
MaterialsOil, Canvas
- Lori Eubanks, "Sunny", Pink Flower Garden Path Oil Painting on CanvasBy Lori EubanksLocated in Saratoga Springs, NYLori Eubanks' "Sunny" is a 20x20 oil painting on canvas of a flower garden path featuring large bushes filled with pink blooms and a lighter yellow shaded background. Lori Eubanks i...Category
2010s Paintings
MaterialsCanvas, Oil
- TwilightBy Daisy ClarkeLocated in Deddington, GBDaisy Clarke Twilight Original Painting Oil on Canvas Canvas Size: H 30cm x W 40cm Signed Sold Unframed Please note that insitu images are purely an indication as to how a piece may...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil
- Fix MeBy Daisy ClarkeLocated in Deddington, GBDaisy Clarke Fix Me oil on canvas, inspired by the musician Becks song Fix me. Size: H:60 cm x W:78 cmCategory
2010s Contemporary Figurative Paintings
MaterialsOil, Canvas