John Bates Noel

English Victorian Antique landscape, Figures gathering Primroses

circa 1924

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocative portrayal of a bygone era, captur...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocative portrayal of a bygone era, captur...

Wonderful and outstanding example by one of England's known and much-loved 18th and 19th-century painters. Morland was an English painter who became one of the most popular artists o...

19th century China Trade Tea Clipper at Sea in Full Sail. Owning in a 19th-century China Trade portrait of a tea clipper at full mast at sea off...

Early 20th Century English Autumn river landscape with a Norman Church. Abraham Hulk Junior was born in the Netherlands in 1851 to renowned Dutch ...

Wonderful and very unique English Victorian Village scene, with figures, animals, a Pub, and lots more . John Holland Senior was a painter of landscapes and coastal scenes who was bo...

David Bates British, (1840-1921) The Plough Team, Bredon’s Norton Oil on canvas, signed & dated 1908, further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inches x 29.5 inches A lovely landscape painting of a plough team on a country track near Bredon’s Norton by David Bates. Bredon’s Norton is a village located in the Cotswolds, on the slopes of Bredon Hill in South Worcestershire. The America women’s rights activist Victoria Woodhull Martin moved to the village in 1901 and by 1908 had set up an agricultural school for women at her Norton’s Park estate. The Antarctic explore Raymond Priestley also lived there. Although Bates was living in Surrey at the time of this painting, he would have been familiar with the area after having lived and worked in Worcestershire for some considerable time. He would have also most likely been aware of Victoria Woodhull Martin and the school. David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

William Bromley British, (1816-1890) Gone Fishing Oil on canvas, signed Image size: 13.5 inches x 17.5 inches Size including frame: 18.75 inches x 22.75 inches A picturesque genr...

William Stephen Coleman British, (1829-1904) By the Fish Pond Oil on canvas, signed & dated 1898 Image size: 23 inches x 35 inches Size including frame: 30.25 inches x 42.25 inches A beautiful painting by William Stephen Coleman of a woman with two girls in a semi classical style by a Mediterranean pond. The woman is depicted resting on a terrace with her young daughter asleep on her lap, whilst another child catches goldfish in a bowl. This tour de force would have most likely been painted by Coleman as an exhibition piece. William Stephen Coleman was a figurative painter who was born in Horsham in 1829. He was one of 12 children born to a physician named William Thomas Coleman and his wife Henrietta (née Dendy). Three of his siblings Rebecca Coleman (b1837), Helen Cordelia Angell (1847–1884) and George Coleman also became artists, inheriting their artistic talent from their mother’s side of the family. Coleman developed an interest in nature from an early age, producing drawings as a hobby. Despite his ability, he initially followed in his father’s footsteps and trained as a surgeon. However, this proved unsuccessful and by the age of 21 he had turned back to art, later gaining employment with the Dalziel Brothers, a firm of wood engravers who specialised in natural history illustrations. Sometime during the late 1850’s he moved to London where he married his first wife Henrietta Augusta Boultbee in 1858. Around the same time, he began producing illustrations for books; the first of which was entitled ‘Common Objects of the Country’ and published in 1858. He subsequently published two of his own books ‘Our Woodlands. Heaths, and Hedges’ in 1859 and ‘British Butterflies’ in 1860. After the death of his wife in 1860, his sister Rebecca and brother George went to live with him in Garway Road, Paddington. Rebecca would often assist him with the wood blocks for his illustrations. As well as working as an engraver, he also began producing classically influenced paintings featuring figures in landscapes. Initially these were executed in watercolours but later extended to oil paintings. He began exhibiting at the Dudley Gallery in 1865 and was one of the original committee members. He continued to exhibit there until 1879 and was a committee member up until 1881. By 1869, he had also begun to work on pottery decoration and in 1871 was asked by Minton’s to establish an Art Pottery Studio at Kensington Gore. Whilst at Minton’s, he produced figure designs for their ceramic ware. His sister Rebecca also worked at Minton’s and they moved to Belle Vue in Chelsea to be closer to the studio. From 1881, he lived at 3 St John’s Wood Studios, Queens Terrace in Paddington and in 1888 moved to 43 Broadhurst Gardens in Hampstead. In 1893 one of his classically inspired works ‘The Gold Fish Bowl...

William Shayer British, (1787-1879) Fisher Folk on the Beach Oil on canvas, signed & dated 1839 Image size: 27.25 inches x 35.25 inches Size including frame: 37.25 inches x 45.25 in...

Fine 19th century oil painting of bustling Austria/Germanic village with horse, rider and various figures outside an Inn, attributed to Arthur Georg Ramberg (1819-1879), well known for figurative paintings. The rider is apparently bringing news to the people; men sitting by the table drinking, women with children, people in the Inn doorway, one looking out the window. There is a great deal of detail in the scene, tree and Inn house...

Georgina Lara British, (fl. 1862-1871) A Busy Village Oil on canvas Image size: 11.25 inches x 19.25 inches Size including frame: 16.25 inches x 24.25 inches Provenance: Cooling Galleries, Bond Street, London Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...