Terry Evans

Vintage Color Abstract Art Landscape Photography Large C Print Photo Terry Evans

1990

TERRY EVANS (American b. 1944) "Terraced Plowing," September 4, 1990, Color photograph (chromogenic print, C Print) on photo paper, dated and hand signed...

Franco Fontana (Italian, born 1933) Title: Landscape 1987 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 27.5. Sight 12 x 20. Provenance: Monique Goldstrom Gallery Franc...

Franco Fontana (Italian, born 1933) Title: Varsavia, (Warsaw, Poland streetscape with buildings) 1977 Medium: dye-transfer Dimensions: Frame 28.5 x 20.5. Sight 20 x 13. Provenance: M...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldst...

Lorie Novak is an artist and Professor of Photography & Imaging at NYU Tisch School of the Arts and Associate Faculty at the Hemispheric Institute of Performance and Politics. She us...

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark...

Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...

alternative photo - done on assignment in Cape Hatteras Signed lower right, numbered, 3/15 dated

'Hotel Il San Pietro' Slim Aarons Estate Edition Guests at the Hotel Il San Pietro in Positano, Italy, August 1979. In his words, he photographed 'be...

'Dark Wave I' by Stuart Möller Beautiful capture of a single wave at dusk. Seascape, abstract landscape. An exquisite SIGNED Limited Edition C Print. * Edition Size 10 only this ...

'Dark Wave I' by Stuart Möller Beautiful capture of a single wave at dusk. Seascape, abstract landscape. An exquisite SIGNED Limited Edition C Print. * Edition Size 25 only this ...

This is a series of photography of California, USA, from various photographers, which we constantly add to. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...