Emma Summerton

Alexandra, Lisa & Katlin – Emma Summerton, Model, Black and White, Legs, Tights

2014

EMMA SUMMERTON (*1970, Australia) Hydrea #013 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #009 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #006 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #003 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Amanda in Red & Pink, 2016 Archival pigment print on Hahnemühle paper Sheet 160 x 120 cm (63 x 47 1/4 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 print only Emma Summerton (*1970 Australia) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner while starting her career as a photographer. Her breakthrough as a professional photographer came with the collaboration with Terry de Havilland in 2004/2005, from which her first solo exhibition, titled Landed at the Christophe Guye Galerie shows from August 29 to November 23 2019 a large selection of the most important works. Since then Summerton has established herself as one of the most talented photographers to emerge in the mid 2000's. Her in-depth technical knowledge coupled with her eye for detail and love for fashion have made her images not only unique but very distinctive, setting her apart from other photographers working in the industry today. Summerton's work revolves around the themes of fashion, love, desire and intimacy. Her Polaroid works are part of a project Summerton started in 1999 as a series of Self Portraits, firstly as visual love letters to her then partner and also in an attempt to re-find her voice with photography. ‘My mother was a dressmaker, and in school, she would make me dresses to wear to dances based on drawings I made,’ she says. Back then, costumes were an access point to unleash Summerton’s imagination. In her ‘Polaroid experiments’, as she calls them, costumes again became a vehicle for her to express her inner life. Summerton’s Editorial Clients include: Italian, British, American, German, Australian, Spanish, Japanese and Chinese Vogue’s, i-D, Self Service, Dazed & Confused, The Last magazine,10 and Big Magazine. Info: Amanda Seyfried, Givenchy by Ricardo Tisci (clothing), Van Cleef, Arpels & Martin Katz...

EMMA SUMMERTON (*1970, Australia) Dree for Stern #2, 2018 Archival pigment print on Hahnemühle paper Sheet 160 x 120 cm (63 x 47 1/4 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 print o...

This multi-exposure photograph in what Art called "wrassling" shows all angles of the sport of wrestling. The photograph is signed on the back and matted with a heavy white mat and ...

Wrestling action is captured in this multi-framed photography by Art Shay. Five frames show the take down and the referee's decision. The photo is matted with a heavy white mat, si...

Kneeling Woman, limited edition archival pigment ink print, signed and numbered Ghostland is an exploration of the flora, fauna, and folklore of swamplands in the American South. ...

Modern Art Etc presents this series of abstract classical forms in balck and white archival pigment prints. The photographer was trained at the Central...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. 'The Lodge at Vail' centers around the famous model Alessandra Ambrosio standing next to a 1956 Mercedes Benz 300 SL Gullwing. A wolf is sticking its head out the car's door. The Model is wearing a 70s-inspired fur coat and boots and holding a ski set. An ode to the lodge's beginnings is in the background. The Lodge at Vail was the first proper hotel to operate in a resort that arrived at the Colorado ski party exceptionally late. The first stones of Vail were laid in 1962, making it the new kid on the block...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...