Jim Reitz

Contemporary Black and White Street Photograph of a Couple with an Obama Mural

2008

Edited photo of a young girl in sepia tones with 3 and a half stars written across her forehead. Artist Biography: Born in Guatemala in 1957, he lives and...

Black and white contemporary photograph by Houston, TX artist Delilah Montoya. This conceptual photograph captures a young child with long, dark, curly hair, resembling that of Christ's, also wearing a white dress with a thick, patterned lining. The young subject also holds what appears to be a heart figure, also replicated as a graffiti on the wall. Signed and labeled at the back. Framed and matted in a black wooden frame. Dimensions Without Frame: H 23 in. x W 18 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Black and white silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a broken crucifix sculpture found on the ground. Signed by artis...

Black and white silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a man pushing a bike in a parking lot with the Houston city skyl...

Black and white contemporary photograph by Houston, TX artist, Jim Reitz. This photograph depicts a wig shop that is stocked to the brim with inventory. Curr...

Black and white silver gelatin portrait photograph of Igor Stravinsky by well-renowned 20th Century photographer Yousuf Karsh. Matted and framed in sil...

Artist: Jim Dine, American (1935 - ) and Lee Friedlander, American (1934 - ) Title: Photographs and Etchings Year: 1969 Medium: Portfolio of 16 Diptychs of Gelatin Silver Prints and ...

Palm Springs Pool Side, photography from Richard Heeps Dream in Colour series, taken at the Ballantines Movie Colony. This artwork captures the ...

Backstage at the Electric Factory, Philadelphia, February 1970. Chosen by Neil for his After The Gold Rush album cover gatefold.

New York Firearms Store by Fernando Natalici: Vintage original sepia toned photo taken in Manhattan featuring the silhouette of a gun with a sign that reads "firearms & police equipm...

New York City Street by Fernando Natalici: Manhattan 1984. The simplicity & grace of a metal sign featuring a cowboy boot sways in the wind. The trees twist and bend around the boots...

Gelatin-silver print An elderly lady standing outside the barricade on the street, waiting for HM Queen Elizabeth II to visit New York City in October 1957. Available Sizes: 12" x ...