Michael Dweck

Wave 2 (After the Storm)

2009

Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic c...

"Dering Harbor Sunset" is a contemporary blue & purple seascape with sailboats. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was c...

"Orange Clouds" is an American Modern contemporary seascape with sailboat, evening. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works w...

A mixed media painting showing a seated man with tattoos. In “Illustrated Man” we see a single figure, covered in tattoos; portraits, designs, and patterns coat the man's skin from torso to fingertips. His face remains pure, unscathed from any ink marks; clear-headed and gazing forward. Behind him, Miller presents an obscure tapestry of civilization, an empire of sandy structures under a lapis lazuli night sky. Winding roads lead to city walls, while shadows and foundation-lines melt into creatures; a toothy alligator appears out of a stone façade...

"Sliced Bread" is an oil painting, and mixed media collage on canvas. It is a still life on a table top of a piece of bread with a knife in it sitting on a napkin, an old metal pitcher with a spoon resting on it and a spoon on the table between the pitcher and the bread. Behind these objects in the foreground is a mysterious object. It is complied of many colorful rectangles, and the top of it is a dark neutral grey. It could be a piece of cake that has just been cut, bursting with flavor, or it could be a tiled or woven box with a peaked lid, possibly a bread box? Behind the table against an off white wall are 20 rectangles. Some of these are solid blocks of color, others are drawings on paper of landscapes and people that bring to mind postcards pinned up on a wall. Overlapping some the these is a larger charcoal drawing...

"The Lone Boat" is a contemporary seascape and sailboat with green and blue tones. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works wa...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

NYC 1939 World's Fair 5 - 8 x 10 photographs Mid 20th Century WPA Architectural Underwood and Underwood 1939 World’s Fair Photographs 8 x 10 inches each All five prints are stamped...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Vintage hand signed and stamp signed with the photographer's stamp and numbered photo of starflower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American arch...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Case Study House #22 The Stahl House, 1960 Architect: Pierre Koenig Silver gelatin print Print size: 24" x 30" (60.96 x 76.2 cm) Case Study House #22 The ...