Robert Capa

Watching the horse races with binoculars, Deauville, France

1950/2002

Photograph of Wallis Simpson, Duchess of Windsor (born Bessie Wallis Warfield, later Spencer and then Simpson; June 19, 1896 – April 24, 1986), was an American socialite and wife of ...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to c...

Larry Fink (American, born 1941). "Lovers in Doorway" - late 20th century, silver gelatin photograph print, signed "Larry Fink" to lower right and numbered ...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to c...

Hand printed Archival Pigment Print Available in larger sizes, please inquire Ships from Switzerland or Italy (EU) Born in Switzerland, Shari Yantra Marcacci is a visual artist. Her work explores themes of loss, trauma, intimacy and self-discovery with a focus on personal storytelling centered around self and family. Her background in dance and filmmaking informs her directorial and documentary skills giving her a sensitivity and insight into universal human traits, their characters and psychology. Shari has worked, wearing different hats in the realm of film and theater. Her work as been shown in the official selection of various film festivals, has received several awards and has been released theatrically. Some of these festivals include the Sundance Film Festival 2011 and a nomination for the Independent Spirit Awards 2012. Her work has been exhibited in several group and juried exhibitions at institutions such as The Center of Fine Art Photography, Fort Collins, Colorado, the Los Angeles Center of Photography, the Dark Room Gallery and PhotoPlace Gallery, Vermont, the Houston Center for Photography, Think Tank Gallery, Los Angeles, the Black Box Gallery, Portland, Oregon, Netanya Artists Association, Israel, Alta Vista Arts...

Hand printed Archival Pigment Print Available in larger sizes, please inquire Ships from Switzerland or Italy (EU) Born in Switzerland, Shari Yantra Marcacci is a visual artist. Her work explores themes of loss, trauma, intimacy and self-discovery with a focus on personal storytelling centered around self and family. Her background in dance and filmmaking informs her directorial and documentary skills giving her a sensitivity and insight into universal human traits, their characters and psychology. Shari has worked, wearing different hats in the realm of film and theater. Her work as been shown in the official selection of various film festivals, has received several awards and has been released theatrically. Some of these festivals include the Sundance Film Festival 2011 and a nomination for the Independent Spirit Awards 2012. Her work has been exhibited in several group and juried exhibitions at institutions such as The Center of Fine Art Photography, Fort Collins, Colorado, the Los Angeles Center of Photography, the Dark Room Gallery and PhotoPlace Gallery, Vermont, the Houston Center for Photography, Think Tank Gallery, Los Angeles, the Black Box Gallery, Portland, Oregon, Netanya Artists Association, Israel, Alta Vista Arts...

A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 20 x 24" p...

Young Competitors (1925) - Silver Gelatin Fibre Print (Photo by MacGregor/Topical Press Agency/Getty Images) 11th August 1925 Three young competitors arriving at the courts for th...

' The Wet Set ' Oversize Limited Edition Print 1963 - Victoria and Albert Museum, London By John French The Wet Set, John French (1907-66), London, 1963 © Victoria and Albert Museu...

'Strapless Shrimp' V & A Portfolio Limited Edition print Jean Shrimpton modelling jewellery for ‘Voice & Vision’, John French (1907-66), London, 1963 © Victoria and Alber...