Shimon Attie

Vintage Silver Gelatin Photograph Surrealist Fake Limb Prosthetic Factory Photo

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

Baril, Tom (American, b. 1952) Large format silver gelatin print still life of flowers photo. hand signed and dated 1997 by Baril in pencil below image. black and white photograph. image measures 24.5" x 19.5"w, framed measurements are 37"h x 32"w. Tom Baril is a contemporary American photographer best known for his Polaroid and wet-collodion prints of flowers, landscapes, and architectural studies of buildings and bridges. Born in Putnam, CT in 1952, he received his BFA in photography from the School of Visual Arts in 1980. In his last year at school, Baril began printing for the famed photographer Robert Mapplethorpe, where he learned a number of important techniques. Baril's botanical images more closely resemble those of Karl Blossfeldt, a photographer in Weimar Germany. Baril shoots most of his extreme floral closeups with a pinhole camera. But unlike Virginia-based pinhole photographer Beth Beck, Baril uses his camera for resolute directness. Baril's photographs, like his former employer's, often carry a sexual charge, though their eroticism is typically sublimated. Notably, the sexiest flower around, the orchid, is nowhere to be seen. Rather, the translucence of Brugmansia (1998) immediately—and vividly—brings to mind those famous '30s glamour shots of Greta Garbo. And the vibe in Baril's creamy Calla Lily (1998) owes less to Georgia O'Keeffe's sexually explicit floral paintings of the species than to Irving Penn's sinuous fashion photography. The works in the New York series look timeless, betraying not even the stray clue that they were made after 1950. Baril's images of bridge spans, old skyscrapers, and marble columns could easily have been shot by Lewis Hine or Alvin Langdon Coburn...

ROBERT MAPPLETHORPE, 1946-1989 'TIGER LILY', 1987 Silver gelatin print bearing the photographer's copyright stamp on the reverse this is not hand signed and there is no edition number. this might be a proof print. Image 48.7 x 48.7 cm 19⅛x 19⅛in.); sheet 60.5 x 50.5 cm (24 x 20in.) Robert Mapplethorpe 1946 – 1989, was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nude photos...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

Samuel Field's still life of an Olivetti Typewriter, is given depth in the orthochromatic process he has used. Isolated in monochrome you appreciat...

Samuel Field's still life of an Olivetti Typewriter, is given depth in the orthochromatic process he has used. Isolated in monochrome you appreciate the details of this vintage utili...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

Face mounted Plexi. Aluminum Braced. Archival Print. Humorous, conceptual subject matter. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the...

Marilyn Monroe In A Bikini (1951) - Silver Gelatin Fibre Print (Photo by Bob D'Olivo/The Enthusiast Network via Getty Images/Getty Images) UNITED STATES - MAY 01: 1957 Ford Thunderbird...

Mauretania - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Additional I...