Mitchell Funk

Chicago Garage

2009

Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed, Printed on Hahnemühle Fine Art paper

Vestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...

Blue Bus. Red Hat. It's a portrait but is more about the interaction of primary colors, shape and precise composition. Signed, dated lower right and numbere...

Women in from of Basquiat like wall . This was shot in New York City Signed , dated lower right and numbered verso 3 /15, Unframed, Other sizes available. printed later, Printed on ...

Delicious ice-cold, Coca-Cola. Have a Coke and a Smile. Signature: Signed , dated lower right and numbered verso 2 /10, Unframed, Other sizes available. This work is printed on fi...

Can a photograph capture spirituality? Can a photography in itself be spiritual? The pure essence of spiritual energy transforms a Manhattan skyscraper into a 50 story deity of glowi...

‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she considered them to be wilted. About the series: " 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. Florist, 2020 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 60 x 60 cm / Framed: 62 x 62 cm/ 24.5 x 24.5 inches approx. Edition of 8 + 2AP About the Artist George McLeod...

Triptych Arcana 04, 05 and 06, 2023 by Monika Bravo From The Series Arcana Archival digital print Overall size: 16 in. H x 72 in. W Individual size: 16 in. H x 24 in. W "Arcana" stems as a series of unique studies for an upcoming commissioned glass/metal wall at the Interdisciplinary Engineering building at the University of Washington in Seattle. Whimsical elements in vibrant colors interact with geometric silhouettes, inspired by Oskar Schlemmer's Triad ballet and Josef Albers' pedagogical experiments from the Bauhaus era; they also incorporate historical engineering tools. ______________________ Bravo uses multiple treatments of the image, that the artist relates to a specific place, this correspondence between space and transformation has led her practice to focus on the analysis of the places where she lives physically and emotionally, as a result, the works dwell between the document and the anecdotal. Monika Bravo examines the notion of perception by questioning whether the world we live in, is but a mental construction; her artistic practice is used as a tool to decipher the laws that govern the world she lives in. Through this survey, she creates objects by incorporating still, moving, audio and interactive images to generate situations where she can materialize and communicate her emotional state. She wants to challenge the audience’s own perception of what they consider real by generating a platform where they are induced to connect by exploring, interacting, and at times by focusing on an object-place- scene for a duration of time in a manner that is both meditative and investigative. Monika Bravo is a multi-disciplinary artist born in Bogotá, Colombia, who lives and works in Miami. In 1982, Bravo left Bogotá, moving to Rome to study fashion design, which she continued in Paris at Esmod, before traveling to London to study photography. In 1994 she moved to New York. Her work has received acclaim including a 1999 New York Times review which called her piece Synchronicity (from a group exhibition at El Museo del Barrio) a "standout...small, beautifully blurry video images of boats plowing through New York Harbor..." Recent exhibitions: Rubin Museum, the power of intention, 56th Venice Biennale representing the Vatican City-State, at the Pavilion of the Holy See. TESSERAE curated by Octavio Zaya is shown at Flora Ars Natura, Bogota, and Johannes Vogt, NYC, Saro Leon, Gran Canaria. Everyday Alchemy, curated by Andrea Hinteregger De Mayo at Von Bartha Gallery, Base; WOVEN Xaviera Simmons...

Triptych Arcana 01, 02 and 03, 2023 by Monika Bravo From The Series Arcana Archival digital print Overall size: 13 in. H x 57 in. W Individual size: 13 in. H x 19 in. W "Arcana" stems as a series of unique studies for an upcoming commissioned glass/metal wall at the Interdisciplinary Engineering building at the University of Washington in Seattle. Whimsical elements in vibrant colors interact with geometric silhouettes, inspired by Oskar Schlemmer's Triad ballet and Josef Albers' pedagogical experiments from the Bauhaus era; they also incorporate historical engineering tools. ______________________ Bravo uses multiple treatments of the image, that the artist relates to a specific place, this correspondence between space and transformation has led her practice to focus on the analysis of the places where she lives physically and emotionally, as a result, the works dwell between the document and the anecdotal. Monika Bravo examines the notion of perception by questioning whether the world we live in, is but a mental construction; her artistic practice is used as a tool to decipher the laws that govern the world she lives in. Through this survey, she creates objects by incorporating still, moving, audio and interactive images to generate situations where she can materialize and communicate her emotional state. She wants to challenge the audience’s own perception of what they consider real by generating a platform where they are induced to connect by exploring, interacting, and at times by focusing on an object-place- scene for a duration of time in a manner that is both meditative and investigative. Monika Bravo is a multi-disciplinary artist born in Bogotá, Colombia, who lives and works in Miami. In 1982, Bravo left Bogotá, moving to Rome to study fashion design, which she continued in Paris at Esmod, before traveling to London to study photography. In 1994 she moved to New York. Her work has received acclaim including a 1999 New York Times review which called her piece Synchronicity (from a group exhibition at El Museo del Barrio) a "standout...small, beautifully blurry video images of boats plowing through New York Harbor..." Recent exhibitions: Rubin Museum, the power of intention, 56th Venice Biennale representing the Vatican City-State, at the Pavilion of the Holy See. TESSERAE curated by Octavio Zaya is shown at Flora Ars Natura, Bogota, and Johannes Vogt, NYC, Saro Leon, Gran Canaria. Everyday Alchemy, curated by Andrea Hinteregger De Mayo at Von Bartha Gallery, Base; WOVEN Xaviera Simmons...

Triptych Arcana 07, 08 and 09, 2023 by Monika Bravo From The Series Arcana Archival digital print Overall size: 24 in. H x 108 in. W Individual size: 24 in. H x 36 in. W "Arcana" stems as a series of unique studies for an upcoming commissioned glass/metal wall at the Interdisciplinary Engineering building at the University of Washington in Seattle. Whimsical elements in vibrant colors interact with geometric silhouettes, inspired by Oskar Schlemmer's Triad ballet and Josef Albers' pedagogical experiments from the Bauhaus era; they also incorporate historical engineering tools. ______________________ Bravo uses multiple treatments of the image, that the artist relates to a specific place, this correspondence between space and transformation has led her practice to focus on the analysis of the places where she lives physically and emotionally, as a result, the works dwell between the document and the anecdotal. Monika Bravo examines the notion of perception by questioning whether the world we live in, is but a mental construction; her artistic practice is used as a tool to decipher the laws that govern the world she lives in. Through this survey, she creates objects by incorporating still, moving, audio and interactive images to generate situations where she can materialize and communicate her emotional state. She wants to challenge the audience’s own perception of what they consider real by generating a platform where they are induced to connect by exploring, interacting, and at times by focusing on an object-place- scene for a duration of time in a manner that is both meditative and investigative. Monika Bravo is a multi-disciplinary artist born in Bogotá, Colombia, who lives and works in Miami. In 1982, Bravo left Bogotá, moving to Rome to study fashion design, which she continued in Paris at Esmod, before traveling to London to study photography. In 1994 she moved to New York. Her work has received acclaim including a 1999 New York Times review which called her piece Synchronicity (from a group exhibition at El Museo del Barrio) a "standout...small, beautifully blurry video images of boats plowing through New York Harbor..." Recent exhibitions: Rubin Museum, the power of intention, 56th Venice Biennale representing the Vatican City-State, at the Pavilion of the Holy See. TESSERAE curated by Octavio Zaya is shown at Flora Ars Natura, Bogota, and Johannes Vogt, NYC, Saro Leon, Gran Canaria. Everyday Alchemy, curated by Andrea Hinteregger De Mayo at Von Bartha Gallery, Base; WOVEN Xaviera Simmons...

Arcana 15, 2023 by Monika Bravo From The Series Arcana Archival digital print Size: 19 in. H x 13 in. W "Arcana" stems as a series of unique studies for an upcoming commissioned glass...

Arcana 06, 2023 by Monika Bravo From The Series Arcana Archival digital print Size: 13 in. H x 19 in. W "Arcana" stems as a series of unique studies for an upcoming commissioned gla...