Richard Prince

Angie Dickenson (Angie from Untitled Portfolio), from the estate of Vera G. List

1986

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and hand signed and annotated by 104 renowned artists, with official signed COA, 1985 Large olor silkscreen on velin Arches 300 gsm paper with publishers' blind stamp and COA Signed and annotated in various inks and pencil by all 104 artists listed in the official publishers' COA affixed to the back of the frame; numbered 215/500 Publisher Coriander Studio, United Kingdom Frame included: Floated and framed in a wood frame under UV acrylic glazing Measurements: Framed: 59.5 inches (vertical) by 39 inches (horizontal) by .75 inches (depth) Artwork: 48 inches (vertical) by 36 inches (horizontal) Some of the 104 renowned visual artists who signed and annotated this print in pencil are: Bridget Riley, David Hockney, Peter Blake, Allen Jones, Eduardo Paolozzi, Elisabeth Frink, R.B. Kitaj, Richard Hamilton, Howard Hodgkin, Joe Tilson, Patrick Heron, Paula Rego, Terry Frost, Patrick Caulfield, Craigie Aitchison...

Robert Longo Three Strikes, You're Out (Triptych), 1990 Silkscreen and Color Photograph (C-Print) on Aluminum and Lead Plates 9 4/5 × 23 3/5 inches Edition 120/200 Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's and publishers printed name & copyright Unframed Three Strikes You're Out was created in 1990 by Robert Longo exclusively for the mixed-media box-edition Contemporary Archeology, Pandora Part Three. The works were executed by jennifer Cox for Publishing House Bebert in an edition of 200, numbered and signed copies. This work is assembled as triptych and consists of two aluminium plates. Both aluminium plates show a color photograph of a cloud with silkscreened red X, the lead plate only showing the red X Total size is: 9.8 inches by 23.6 inches Individual Metal Plate Sizes: 9.8 x 9.1 in (2) / 9.8 x 5.1 (1) Unframed Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's printed name and copyright mark, along with the publisher - Publishing House Bebert, Rotterdam. Robert Longo Biography: Robert Longo was born in 1953 in Brooklyn and grew up in Long Island, New York. He graduated high school in 1970, weeks after the Ohio National Guard massacred several students at Kent State University who were protesting the U.S. invasion of Cambodia. One of those killed was a former classmate of Longo’s, and his body was shown in a Pulitzer Prize-winning photograph that was seen across the world. The event shocked Longo, triggering his interest in political activism and media imagery. In 1972, Longo received a grant to study restoration and art history in Florence. While touring the museums of Europe, he realized he wanted to make, rather than restore art. In 1973, Longo enrolled at Buffalo State College, where he worked for artists Paul Sharits and Hollis Frampton, who introduced him to structuralist filmmaking. Along with Charles Clough, Longo also co-founded Hallwalls (1974–ongoing), an alternative non-profit art exhibition space where he organized shows and talks with artists such as John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra. At Buffalo State, Longo started a friendship–that still exists to this day–with Cindy Sherman, and in 1977 the two moved to New York together, where Longo began working as a studio assistant to Vito Acconci and Dennis Oppenheim. That year he was included in the exhibition Pictures at Artist’s Space, curated by Douglas Crimp, which showcased work by a group of five young artists who were engaged with the politics of image-making, drawing from advertisements, newspapers, film, and television. The “Pictures Generation,” as they became known, included artists such as Cindy Sherman, Richard Prince, Louise Lawler, David Salle, and drew from semiotics and poststructuralist theory to investigate the way meaning is made and circulated in modern society. Their work often critiqued the anaesthetizing power of consumer capitalism and the indoctrinating effects of mass media. At his first solo show at Metro Pictures in 1981, Longo presented his charcoal and graphite Men in the Cities drawings, which instantly became icons of the “Pictures Generation,” and some of the most recognizable artworks of the 1980s. Longo performed in New York rock clubs with the band Menthol Wars with Richard Prince, throughout the 1980s. During that period, he also designed numerous album covers, including Glenn Branca’s The Ascension (1981) and The Replacements’ Tim (1985). In 1986, he directed his first music video for New Order’s chart-topping song Bizarre Love Triangle, and the following year directed The One I Love, a video for R.E.M.’s first hit single. Longo began working with diverse materials at increasingly ambitious scales. His Combines series, first exhibited in 1983, incorporated materials such as paint, graphite, wood, plaster, cast bronze, and steel in works that were part-painting, part-sculptural reliefs. Using Sergei Eisenstein...

Tracey Emin Svart katt / Black cat (2008), from the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021 Offset lithograph promotional card (hand signed by Tracey Emin) Boldly signed in black marker on the front Frame included This offset lithograph promotional card was produced by the Royal Academy in London in a limited edition of an unknown quanity on the occasion of the exhibition TRACEY EMIN/EDVARD MUNCH EXHIBITION: THE LONELINESS OF THE SOUL, 2021. The card depicts Emin's 2008 work "Svart katt / Black cat". It was issued unsigned; however, exceptionally, Tracey Emin hand...

Anish Kapoor Tall Tree and the Eye at the Royal Academy (hand signed by Anish Kapoor), 2009 Off-set lithograph poster (hand signed by Anish Kapoor) Signed in black marker lower right...

Tracey Emin It - didnt stop - I didnt stop, 2019, from the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021 Offset lithograph promotional card (hand signed by Tracey Emin) Signed in black marker on the front Frame included Signed in black marker by Tracey Emin on the front This offset lithograph promotional card was produced by the Royal Academy in London in a limited edition of an unknown quanity on the occasion of the exhibition TRACEY EMIN/EDVARD MUNCH EXHIBITION: THE LONELINESS OF THE SOUL, 2021. The card depicts Emin's 2019 acrylic on canvas painting: , It - didnt stop - I didnt stop, featured in the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021. The card was issued unsigned; however, exceptionally, Tracey Emin hand signed...

John Chamberlain (Hand Signed), 1988 Offset Lithograph Poster (Hand Signed by John Chamberlain) 30 × 20 inches Boldly signed on the recto in white grease marker by the artist in his ...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

an epic scale photograph of mesmerizing texture details of sunny lemon yellow haute couture fashion fabric TULLE by Christian Stoll (2014) 64 x 48 inches / 163cm x 122cm signed ed...

a triptych of epic scale photographs of mesmerizing tactile textile details TULLE (2014) by Christian Stoll photographic triptych 3 individual photos (64 x 48 inches / 163cm x 122...

large format abstract photographs of urban color palette and palimpsest textures captured in Italy reflecting the iconic tricolore flag, Italy's national colors Tricolore by Frank S...

Large scale abstract photographic sections of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Japan's famous Arashiyama Bamboo Grove Bamboo...