Photograph taken of the artist (hand signed by David Hockney)

ca. 1981

Michael Childers Andy Warhol in New York, 1976, 2007 Photographic print Signed and numbered 8/60 on the front in black felt tip marker Frame included ...

Richard Corman Madonna NYC '83 (hand signed and numbered 1/1 by the photographer on the front and the back), 2010 Black and white photographic print on archival pigment paper Hand signed, titled and numbered 1/1 on the front as well as the back (signed twice) Frame included: framed in a museum quality black wood frame with UV plexiglass Madonna '83 is a 36 square inch photograph on archival pigment paper, numbered 1 of 1 by the legendary photographer Richard Corman, who began his career as Richard Avedon's apprentice. The work is signed, titled and numbered 1/1 (unique) on both the front of the photograph, as well as the back of the frame. It is elegantly framed in a museum quality black wood frame with UV plexiglass. Measurements: Frame: 37.5 x 37.5 x 2 inches Photograph: 35.5 x 35.5 inches This photograph was taken during Richard Corman's historic photoshoot with Madonna in the early 1980s, and it was reprinted in 2010. Richard Corman's famous photographs of Madonna during that period have been reproduced in books, magazines, tv clips and newspapers - and are considered the most iconic images ever taken of Madonna. We are incredibly honored to be exclusively offering this iconic photograph for the very first time -- in honor of Madonna's 65th birthday. Here, Madonna is just a natural beauty, youthful, confident, vulnerable, natural, and extraordinarily poised. The photograph was taken while she was on the cusp of superstardom, but still anxious, striving, going on casting calls, and waiting for her big break. As Richard Corman explains, she is shown sitting amidst the rubble of the back yard of her Lower East side apartment. In his own words, photographer Richard Corman describes how this famous sitting came about: My mother was Cis Corman, a renowned casting director in New York City. In the summer of 1982 she was casting The Last Temptation of Christ for Martin Scorsese and called me to say they had just tested a girl for the part of the Virgin Mary. She said, “You must meet this girl — she’s an original.” I was 28 and had just finished an apprenticeship with Richard Avedon and was looking for interesting people to shoot. So I got this girl’s number and called. It was Madonna. At the time she was living in Alphabet City [Lower East Side of Manhattan], and she suggested I go to her apartment and chat about what I wanted to do. I had to call her from a phone booth across the street, because the neighborhood was full of drug dealers, and they didn’t let people just walk in and out. There was a group of kids outside the building, on the stoop, in the hallways, and when I said I was there for Madonna the seas parted. I looked up the staircase, and I saw this girl leaning over the edge of the banister, and even from three stories below I could see these catlike eyes just looking down. I knew at that moment that she had something special — I really did. She had her best friend and neighbor, Martin, with her — he later died of AIDS—and we sat and talked. She served me a cup of coffee on a silver tray with three pieces...

Michael Childers Andy Warhol in Paris with Sitting Bird 1976, 2007 Photographic print hand signed in black felt tip pen lower right front; the back be...

Michael Childers Andy Warhol in his studio, 1987, 2007 Photographic print Hand Signed on the lower right front in black felt tip marker Frame Included This is one of a series of port...

Sabine Weiss Alberto Giacometti dans son Atelier, 1954 (Giacometti in his studio), ca. 1970 Gelatin silver print mounted on paper Signed in graphite by Sabine Weiss on the mount directly underneath the photograph Frame Included This now iconic photograph of Alberto Giacometti in his studio was taken in 1954 by the celebrated photographer Sabine Weiss, who at the time, had unparalleled access to the artist. It was printed ca. 1970 and signed on the mount directly underneath the photograph in a limited edition of an undisclosed size. Highly collectible. Elegantly matted and framed in a museum quality wood frame with UV plexiglass. Measurements: Framed 18 x 14.5 x 1.25 inches Photograph 12.5 x 8.75 inches Sabine Weiss biography: For over sixty years, Sabine Weiss’s name has been synonymous with the seminal era of French Humanist photography. A living legend, Weiss’s images from 1950s Paris speak of a postwar time when a feeling of hope and joie de vivre could be felt in the people populating the city’s cafes, squares, streets, and in all corners throughout Paris. Weiss would photograph individuals going about their daily lives capturing their emotions and creating a style that combined spontaneity and informality, backed by photographer’s intuition and knack for seeing and celebrating the simple joys of life. As she said, “I take photographs to hold on to the ephemeral, capture chance, keep an image of something that will disappear: gestures, attitudes, objects that are reminders of our brief lives. The camera picks them up and freezes them at the very moment that they disappear. I love this constant dialogue between myself, my camera and my subject, which is what differentiates me from certain other photographers, who don’t seek this dialogue and prefer to distance themselves from their subject.” Originally from Switzerland, Weiss moved to Paris in 1946 where she first assisted fashion photographer Willy...

Richard Corman Jean-Michel Basquiat VI: A Portrait, 1984, 2018 Gelatin silver print Signed, titled, dated and numbered 4/30 by Richard Corman in marker on the reverse 20 × 16 inches...

Black and white original photography by Cyrille Druart. Edition: I/V Dimensions: 90 x 120 cm Cyrille Druart is a French photograph and architect, a book about his new series w...

Frank Sinatra, 1965 - Bob Willoughby (Portrait Photography) Archival pigment print Printed on 20 x 24 inch paper From an edition of 25 Also available in alternative sizes Bob Wi...

From creator of poetic images to compelling storyteller, Jerry Schatzberg has, over the past three decades, excelled in both the realms of photography and filmmaking. Published in Vo...

Potsdam conference meeting depicting Josef Stalin, Winston Churchill and Harry Truman (not visible) at the conference table, gelatin silver print, date of printing unknown, 16-1/2" x 22-3/4" sheet, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy. Samariy Gurariy (1916 - 1998) was a Soviet Union photojournalist and photographer. He was born to a Jewish family in Kremenchug Poltavs'ka moving to Moscow in 1921. He began his career in 1934, photographing for the illustration department of the Moscow newspaper Izvestia. He also did work for Pravda, Tass and Gaz. He became the favorite photo correspondent of Stalin and was present and working at many of the most historic events of Stalin's career, such as the Yalta and Potsdam Conferences as well as covering the Soviet-Nazi front during the Second World War. According to writer George Alexander...

John Conn New York City Subway photographs. These limited edition fine art photographs were originally taken between 1975 and 1982. Each black and white photograph is signed and numbered. Edition of 15. 20x30 image printed on 24x36 archival paper. This is framed in a black frame to 28x38. In this series, Conn captured the graffiti and one of the most crime ridden periods in New York. According to one source “In the 1980s, over 250 felonies were committed every week in the system, making the New York subway the most dangerous mass transit system in the world.” One image captures an Irish...

Victor Arimondi (1942-2001). Portrait of Tom Petchlsig, ca. 1975. Period print measures 8 x 10 inches; 16 x 20 inches frames. Artist studio stamp on ve...