Walter Briski Jr.

Untitled (Man on Couch)

late-1990s

Toned gelatin silver print (Edition of 25) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Between 1998 – 2002, Anderson & Low photographed the National Danish Gymnastic Team (NDGT). Over the course of several years the athletes posed as subjects for a series of images based on the four elements. Rather than depicting the gymnasts...

Warm-tone gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York City...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. “These are not ...

Gelatin silver print 9.5 x 8 inches This artwork is offered by ClampArt, located in New York City. Price includes framing. In her Untitled Heads series, Jin Lee presents head-and-s...

Toned gelatin silver print Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Born in Vinhedo, a small town on the outskirts of Sao Paulo, Brazil, Walter Briski, Jr. began his interests in photography at the age of thirteen. He later moved to the city of Sao Paulo to pursue his passion, and after completing his studies at the Pontificia Universidade Catolica de Campinas, he began his career as a fashion photographer working with top national magazines such as “Brazilian Vogue,” “Brazilian Interview,” and “Trip.” Soon after, Briski moved to New York City in pursuit of advancing his career. In search of strengthening his art, he learned to master the technique of black-and-white printing while employed at a highly ranked film production house. There, he printed works for artists such as Bruce Weber, Annie Leibovitz, Gordon Parks, Matthew Barney, Steven Klein, Steven Meisel, Steven Sebring, and Ellen Von Unwerth. In the midst of printing images that were reproduced in magazines such as “Vogue,” “Harper’s Bazaar,” “W,” “L’Uomo Vogue,” “I.D.,” “Arena,” “The New York Times Magazine,” and “Interview,” he also began printing his own photographs. Briski has had the wonderful opportunity to work with top models and celebrities, including the Brewer twins, Carole King...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) 22 x 22 inches, image (Edition of 15) 31 x 31 inches, image (Edition of 15) This artwork is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles and David LaChapelle, James Bidgood revolutionized gay male...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

An artist who puts his life on the line for his art. Chris Burden was at the forefront of the conceptual art movement in the early 1970s. Prelude to 220, or 110 is one of his most important works where the artist puts his life on the line for his art. Burden voluntarily lays on his back. His neck and wists are have copper bands that bolt him to the floor. To his immediate left and right are two buckets of water with a 110-volt line inside. If the buckets were compromised in any way by a passerby or an unexpected event - Burden would have been electrocuted in a literal shocking performance. Art history is replete with artists who put themselves in harm's way to accomplish their art. Michelangelo risked a misstep to a certain death as he elevated himself over 60 feet to paint the ceiling of the Sistine Chapel. Francisco Goya's "The Disasters of War" may have put him at odds with a governing orthodoxy. Picasso walked a very narrow line with during the Nazi occupation. Gutzon Borglum dangled himself off the face of Mount Rushmore and War Photographer Robert Capa, landed on Omaha Beach during D-Day. But it was Chris Burden whose art spotlighted...

A black-and-white fashion portrait in nature of the famous supermodel Kate Moss in a black leather jacket. Photographed by Sante D'Orazio in Glen Cove in 1995. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. Kate Moss is one of the most famous and successful supermodels of the 1990s, and Sante D'Orazio has photographed her numerous times. This portrait depicts the model facing the camera as she sits between trees. She is wearing white pants and an oversized leather jacket...

THE STRAWBERRY BLONDE, James Cagney, having black eye applied by makeup artist Perc Westmore, on-set, 1941/ Everett Collection. 20x16 " inches paper siz...

Portrait of Giuseppe Garibaldi is a precious Silver Salt print on paper, realized by Cesare Bernieri in 1861-1864. Hand-signed and stamped on the lower. Exposed in 1867 at the Pari...

A black-and-white nude portrait of the famous Model and sex symbol Stephanie Seymour. Photographed by Sante D'Orazio for Playboy in 1995. All prints are limited edition. Available i...