Russell Lee

Project home supervisor with ribbons won at Phillips Co. Fair, Lakeview Coop.

December 1938

John Sex c. 1980s Signed and titled in ink, recto Vintage gelatin silver print 12 x 17 inches (30.5 x 43.2 cm), image 16 x 20 inches (40.6 50.8 cm), sheet ...

Toned and hand tinted/colored gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 34 x 28 inches, ov...

Toned and hand tinted/colored gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 34 x 28 inches, ov...

Gold-toned gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 34 x 28 inches, overall mat size 28 x ...

Toned and hand tinted/colored gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 34 x 28 inches, ov...

Gelatin silver print (Edition of 4) Signed and numbered, verso 14 x 11 inches, sheet 4.875 x 3.875 inches, image This photograph is offered by ClampArt, located in New York City. ...

Gelatin-silver print The Apollo Theatre on West 125th Street in Harlem New York, circa 1950s. Available Sizes: 12" x 16” Edition of 25 16” x 20” Edition of 25 20" x 24” Edition of ...

Artist: Lawrence Schiller, American (1936 - ) Title:Marilyn Monroe in Something's Got to Give - 7 Year: 1962 (printed 2007) Medium: Gelatin Silver Print, Signed in ink Edition: AP 3/...

On a beach for publicity images for the 1964 James Bond film ‘Goldfinger’, where Blackman portrayed Pussy Galore Signed and Numbered Lifetime Terry O’Neill fine-art prints from the...

Handcuffed, New York City, 1978 is a 14" x 11" black and white lifetime print by Leonard Freed. Signed verso (back of photo) by Leonard Freed, with Freed's copyright stamp also verso, the image appears in Leonard Freed's seminal book "Police Work," published in 1980. For several years in the 1970s Leonard Freed worked alongside the New York police...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Street photography was a passion of Art's and it shows in this delightful shot taken at Brookfield Zoo in 1974. The photograph is signed on the bottom right hand corner. It is matted with a heavy white mat and framed in a simple black metal frame. Art Shay Two Leopards...