Items Similar to Pineapple and Leaf Shadows #9
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Daniel GordonPineapple and Leaf Shadows #92018
2018
About the Item
Listing includes framing, free shipping in the US and Europe, and a 14-day return policy.
Pineapple and Leaf Shadows #9 (2018) by Daniel Gordon.
Image Size: 19 x 17 inches
Signed on verso
Unique Print
This is a unique signed print owned by the gallery. The work is currently framed ($350 value). We can also sell the print unframed for a reduced price if interested.
Artist Biography -
From Art21 - Daniel Gordon was born in 1980 in Boston, Massachusetts, was raised in San Francisco, California, and lives and works in New York. Described in a 2014 New Yorker review as an artist who “makes Matisse look like a minimalist,” Gordon creates works that dissolve distinctions between collage, photography, and sculpture.
His practice involves culling images from the Internet, digitally altering them, and using them to construct tableaus, which he then photographs. Propelled by intuition and Photoshop, Gordon expands the traditional visual repertoire to include the World Wide Web. His ability to integrate digital and analog images creates a joyful disorientation in which fiction and truth are indistinguishable from each other.
- Creator:Daniel Gordon (1980, American)
- Creation Year:2018
- Dimensions:Height: 25 in (63.5 cm)Width: 22 in (55.88 cm)Depth: 2 in (5.08 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU155928963402
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1989
1stDibs seller since 2021
11 sales on 1stDibs
Associations
Art Dealers Association of AmericaAssociation of International Photography Art Dealers
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Homage to Wilson A. Bentley #4By Yuji ObataLocated in New York, NYListing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...Category
Early 2000s Black and White Photography
MaterialsDigital, Photographic Paper, Pigment, Archival Pigment, Digital Pigment
- Peony (Festiva Maxima)Located in New York, NYAfter establishing his photography career in his native Tokyo, Japan; Kenji Toma arrived in New York in 1990. Since then he has been recognized as one of the leading photographers in Still Life with his unique mysterious style and detail oriented vision. Concurrently, he is working on personal projects and The Most Beautiful Flowers is his most representative work. His first monograph of the same title was published from KEHRER Verlag (Germany) in 2017. Currently, his studio is based in the Brooklyn Navy Yard...Category
2010s Contemporary Color Photography
MaterialsColor, Archival Pigment, Photographic Paper
- Homage to Wilson A. Bentley #19By Yuji ObataLocated in New York, NYListing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...Category
Early 2000s Black and White Photography
MaterialsDigital, Photographic Paper, Pigment, Archival Pigment, Digital Pigment
- Sweet Peas, 1907Located in New York, NYListing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Sweet Peas, 1907 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...Category
Early 1900s Other Art Style Black and White Photography
MaterialsSilver Gelatin
- Epic Western No. 9By Jim KrantzLocated in New York, NYListing includes framing with UV plexiglas and a 14 day return policy. This is the last edition available for this print. Available for local pick up at our Los Angeles gallery. Continental shipping is charged at a 40%+ discounted rate with a white glove delivery service. Jim Krantz Epic Western No. 9, 2010 40 x 60 inch c-print Edition 7 of 7 Signed on artist certificate Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...Category
2010s Color Photography
MaterialsPhotographic Paper, Archival Pigment
- Epic Western IIIBy Jim KrantzLocated in New York, NYListing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 3 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...Category
2010s Color Photography
MaterialsPhotographic Paper, Archival Pigment
You May Also Like
- ScarfaceLocated in New York, NYInspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...Category
2010s Contemporary Black and White Photography
MaterialsPhotographic Film, Photographic Paper, Pigment, Archival Pigment, Digita...
- Star Wars C-3PO still life photograph of the original iconicBy Tom SchierlitzLocated in San Francisco, CAStar Wars (C-3PO) by Tom Schierlitz still life photograph of the original iconic golden Star Wars humanoid robot 60 x 48 inches (152 x 122cm) edition of 7 signed 40 x 32 inches (1...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
- Pyramids with Terracotta Magenta Art Deco HeadBy Robert FunkLocated in Miami, FLThe timelessness of pyramids is punctuated with a dreamy terracotta classcial head. Signed, dated, numbered lower right, recto 4/15, unframed, other sizes available Printed on Hah...Category
2010s Abstract Geometric Color Photography
MaterialsPhotographic Paper, Inkjet, Archival Pigment
- Poppy IILocated in New York, NYLimited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP About the Artist: Pascal Goet, a French artist and photographer, devotes his art t...Category
2010s Other Art Style Color Photography
MaterialsBoard, Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment
- Le Marais-Signed limited edition fine art print, Black white architecture, ParisBy Ian SandersonLocated in Barcelona, BarcelonaLe Marais - Signed limited edition archival pigment print, 2005 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...Category
Early 2000s Contemporary Black and White Photography
MaterialsPhotographic Paper, Archival Paper, Black and White, Giclée, Archival Pi...
- Dark Flora Autumn Weald in Floral arrangement of wild flowers and plants, FramedLocated in London, GBDark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs. Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Print size: 75 x 54 cm Framed: 80 x 60 cm approx. Inspired by Victorian era taxidermy dioramas...Category
2010s Victorian Still-life Photography
MaterialsArchival Pigment, Glass, Wood, Oak, Photographic Paper, Color
Recently Viewed
View AllMore Ways To Browse
Art Pineapple
Pineapple Print
Pineapple Sculpture
Pineapple Sculpture Black
Folder Vintage
Prints And Multiples Horse
Vintage Les Paul
Impression Portrait
Make Art Not War
Art Attack
Art Deco Vintage Prints
Framed Chinese Prints
One Million Years
Roman Fine Art
Set Of Four Paintings
Set Of Multiple Prints French
Vintage Art Deco Prints Art Prints
Air France Vintage