Alan J. Shields
Lonely Night, screenprint and pochoir with collage

Name: Lonely Night, screenprint and pochoir with collage
Brand: Alan J. Shields
Price: 2000 USD
Availability: InStock

About the Item

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media collage multiple, pencil signed, dated and numbered from the limited edition of only 100. Rare 1960s mixed media multiple. Alan Shields pushes the boundaries of what defines a print. He came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. Shields died in 2005 and has since been ripe for rediscovery. In recent years, Shields' work has been exhibited by Van Doren Waxter, and he was the subject of a major exhibition at the Parrish Art Museum. In 2013, Paula Cooper Gallery inaugurated her 10th Avenue exhibition space with a major Alan Shields exhibition. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. More about Alan Shields: Born in Herington, Kansas (1944). Attended Kansas State University (1963-66). In college studied civil engineering and studio art. Studied the work of Buckminster Fuller. Participated in Summer Theater Workshops at the University of Maine (1966-67). Moved to New York City (1968). Showed with Paula Cooper Gallery (1968- 1991). Begins three-dimensional, two-sided paintings (1970). Purchased a house on Shelter Island, but kept studio in New York City (1971). Took up permanent residence on Shelter Island (1972). Focused on print and papermaking and made over thirty editions between 1971 – 1974. Received Guggenheim Fellowship and traveled in South America for three months (1973). Went to the Ahmadabad retreat in India (1980). Died in Shelter Island, NY (2005). Museum exhibitions include: Alan Shields: Common Threads, Parrish Art Museum, Water Mill, NY (2018); Alan Shields: A Different Kind of Painting, Beeler Gallery at Columbus College of Art & Design, Columbus, OH (2017); Alan Shields: Protracted Simplicity (1966-1985), Aspen Art Museum, Aspen, CO (2016), Alan Shields: In Motion, Parrish Art Museum, Water Mill, NY (2015), Into the Maze, SITE Santa Fe, NM (2014), Stirring Up the Waters, Parrish Art Museum, Southampton, NY (2007); Alan Shields: A Survey, The Beach Museum of Art, Kansas State University, Manhattan, KS (1999); 1968 – 1983: The Work of Alan Shields, Memphis Brooks Museum of Art, Memphis, TN (1983), traveled to Lowe Art Museum, Coral Gables, FL and Nelson-Atkins Museum of Art, Kansas City, MO; Alan Shields: Paintings and Prints, Williams College Museum of Art, Williamstown, MA (1981). Included in museum collections such as the Metropolitan Museum of Art, New York, NY, Museum of Modern Art, New York, NY, National Gallery of Art, Washington, D.C., The Solomon R. Guggenheim Museum, New York, NY, Tate Collection, London, UK, Walker Art Center, Minneapolis, MN, and the Whitney Museum of American Art, New York, NY. -Courtesy of Van Doren Waxter

Creator:

Alan J. Shields (1944-2005, American)

Dimensions:

Height: 18.8 in (47.76 cm)Width: 18 in (45.72 cm)

Medium:

Mixed Media,Screen

Movement & Style:

Abstract Geometric

Period:

1960-1969

Condition:

very good condition with no apparent issues.