Items Similar to 50 Collages by Schwitters
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Kurt Schwitters50 Collages by Schwitters1962
1962
About the Item
Kurt Schwitters
50 Collages by Schwitters, 1962
Lithograph and Silkscreen
22 × 17 inches
Unframed
Extremely rare and desirable lithographed exhibition poster published on the occasion of Schwitters 1962 exhibition at Sidney Janis. (50 Collages by Schwitters, , April 2-May 5, 1962, Sidney Janis Gallery.) Considered a collectors item. Rarely seen on the market.
- Creator:Kurt Schwitters (1887 - 1948, German)
- Creation Year:1962
- Dimensions:Height: 22 in (55.88 cm)Width: 17 in (43.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212788832
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
306 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Grey tinted Rainbow (Geometric Abstraction) dazzling Op Art framed assemblageBy Richard AnuszkiewiczLocated in New York, NYRICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Edition of 40 Pencil signed and numbered 11/40 on the front Frame included: elegantl...Category
1990s Op Art Abstract Prints
MaterialsLithograph, Screen, Mixed Media, Pencil
- Abstract Expressionist monotype (signed & inscribed) Intimate Lighting UniqueBy Robert NatkinLocated in New York, NYRobert Natkin Untitled, ca. 1979 Monotype with heart drawing Hand signed twice; inscribed to Dorothy and Arthur with text and heart Unique Original vintage frame included Measurement...Category
1970s Abstract Expressionist Abstract Prints
MaterialsInk, Mixed Media, Lithograph, Monoprint, Monotype, Screen
- Guggenheim Museum BilbaoBy Richard HaasLocated in New York, NYIncised signature in aluminum, annotated "Artists Proof" and titled; ink on top smudged If you've ever visited the Guggenheim Bilbao, you should get ...Category
Early 2000s Realist Figurative Prints
MaterialsMetal
- My Love We Wont - coveted, whimsical 1960s silkscreen by beloved female artistBy Niki de Saint PhalleLocated in New York, NYNiki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...Category
1960s Modern Abstract Prints
MaterialsScreen, Mixed Media, Lithograph, Pencil
- Democratic Party Human Rights Dinner (signed Pop Art print edition of only 100)By Robert RauschenbergLocated in New York, NYRobert Rauschenberg Human Rights Award, 1981 Silkscreen and Lithograph with Collage Embossing on Hodgkins Handmade Paper Pencil signed and numbered 73/100 on the front Silkscreen and Lithograph with Collage Embossing on Hodgkins Handmade Paper Published by the Democratic Party...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Screen, Pencil
- BAD (silkscreen and lithograph print) by renowned Chicago artist expressiionistBy Ed PaschkeLocated in New York, NYEd Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...Category
1990s Contemporary Abstract Prints
MaterialsMixed Media, Felt Pen, Lithograph, Screen
You May Also Like
- March LawBy Roberto JuarezLocated in New York, NYMany places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...Category
1990s Assemblage Abstract Prints
MaterialsEtching
- "Redness of Red" Lithograph Screenprint Collage Contemporary Abstract Abex 1/100By Robert MotherwellLocated in New York, NY"Redness of Red" Lithograph Screenprint Collage Contemporary Abstract Abex 1/100 Redness of Red by Robert Burns Motherwell (1915-1991) Lithograph Scree...Category
1980s Abstract Abstract Prints
MaterialsPaper, Lithograph, Screen
- Reeds, Dale ChihulyBy Dale ChihulyLocated in Fairfield, CTArtist: Dale Chihuly (1941) Title: Reeds Year: 2016 Medium: Mixed Media (Silkscreen & Lithograph) on Waterford paper Edition: 86/100, plus proofs Size: 37 x 25 inches Condition: Exce...Category
2010s Abstract Expressionist Abstract Prints
MaterialsScreen, Lithograph
- Pop Art Aspen Road Sign D'arcangelo Silkscreen Chiron Press Vintage Art PosterLocated in Surfside, FLAllan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Reflections on CrashBy Roy LichtensteinLocated in New York, NY1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower marginCategory
1990s Pop Art Abstract Prints
MaterialsPaper, Lithograph, Screen
- The Waves: SquidBy Frank StellaLocated in London, GBSilkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...Category
1980s Abstract Abstract Prints
MaterialsLithograph, Screen
Recently Viewed
View AllMore Ways To Browse
50 By 50
Screen Print And Collage
Vintage Collage Posters
Collage Vintage 2
1962 Exhibition Poster
Assemblage 5
Sidney Janis
Signed Large Abstract Silkscreens
Antoni Tapies Original
Geometric Woodcut Print
Jewish Textile
Miro 1974
Robert Rauschenberg Lithograph
Whitney Houston Prints
Vintage French Medicine
Butterfly Engraving
Rafael Garcia
American Red Cross Vintage