Marchand, Composition, pierre ã feu provence noire (after)

1945

Original Edition Lithograph on wove paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, 24 Drawings by Henry Strater, 1958. Publ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Divertissement, 1943. Published by Tériade, éditeur, Édit...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Divertissement, 1943. Published by Tériade, éditeur, Éditions de la Revue Verve, Paris; printed by Draeger Frères, Paris, February 1943. Excerpted from the folio (translated from French), This Manuscript entirely painted by Georges Rouault was engraved by the Master Printers, Draeger Frères and finished printing by them in February 1943 under the direction of Tériade for the Éditions de la Revue Verve. It was taken from this volume: XL examples on papier de Chine ancien with suite, numbered from I to XL, MCC examples on vélin d'Arches made especially for this volume numbered from XLI to MCCXL and XXX examples on Arches marked from I to XXX. GEORGES ROUAULT (1871-1958) French painter, printmaker, ceramicist, and maker of stained glass who, drawing inspiration from French medieval masters, united religious and secular traditions divorced since the Renaissance. Rouault was born in a cellar in Paris during a bombardment of the city by the forces opposed to the Commune. His father was a cabinetmaker. A grandfather took an interest in art and owned a collection of Honoré Daumier’s lithographs...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

A well dressed woman takes leave of a gentleman. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905, where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm, and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, Bauer had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and his significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, Bauer founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...

From the artist’s iconic, Men in the Cities series, Robert Longo created Gretchen & Eric in 1985, each as an original lithograph measuring 72 x 35 7/8 in. (182.9 x 91.1 cm), unframed...

Portrait of Alfredo Tennyson is a modern artwork realized by an Anonymous artist in the 19th Century. Lithograph print on paper. Titled on the lower. Good condition.

Ancient African Customs is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Africa" and subtitle "Fun...

Ancient African Customs is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Africa" and subtitle "Sig...

Ancient African Costumes is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Africa" and subtitle "Ab...