Items Similar to Program for Le Belle Au Bois Revant, Mariage D'Argent, Ahasvere. 12 June 1893.
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Ibels, Henri-Gabriel Program for Le Belle Au Bois Revant, Mariage D'Argent, Ahasvere. 12 June 1893. 1893
1893
About the Item
Program for Le Belle Au Bois Revant, Mariage D'Argent, Ahasvere. 12 June 1893. 9.25 x 12.5" Last Program for Le Theatre Libre season, four-color lithograph, 1890-1893.
Ref: Artists for the Avant-Garde Theatre in Paris 1887-1900; Boyer p.63 pl 23.
Ibels’ images were powerful and heavily graphic, in keeping with the movement that was a generous admixture of fine art, graphic design and advertising, as seen in the lithographs and posters for theater, cabaret, and book illustration. Ibels drew his inspiration from life on the street, cafés, the circus and boxing ring, as did Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen. His graphic style owed much to the art of Honoré Daumier, Japanese woodcuts, Paul Gauguin and the Pont-Aven School. Ibels
Theatre Libre Programs are in the permanent collections of all the major Museums, here and abroad.
- Creator:Ibels, Henri-Gabriel (1867 - 1936)
- Creation Year:1893
- Dimensions:Height: 9.25 in (23.5 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU29225541682
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2015
55 sales on 1stDibs
Typical response time: 15 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Tristesse ou Jalousie.By Paul Elie RansonLocated in New York, NYTristesse ou Jalousie. 1896. Color lithograph. One of 50 on laid Japan paper from the deluxe edition of "Le Centaure;, blind stamp lower left. Signed in ink and annotated W; in blue ...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- Hotel du Pacha Noir (before lettering).By Jules-Alexandre GrünLocated in New York, NYHotel Pachenoir, 1900. Color lithograph. On Linen 51 x36. ( Image Size: 48 x33 3/4.) Jules-Alexandre Grünwas a French post-impressionist painter, poster artist, and illustrator. ......Category
Early 1900s Art Nouveau Figurative Prints
MaterialsLithograph
- Belle JardinaireBy Eugène GrassetLocated in New York, NYGrasset, Eugene. Belle Jardinaire. Proof for the Calendar, "Belle Jardinaire",1896, on China paper produced for the month of December. 12 7/8 x 9 7/8"Category
Late 19th Century Art Nouveau Figurative Prints
MaterialsLithograph
- Belle JardinaireBy Eugène GrassetLocated in New York, NYGrasset, Eugene."Belle Jardinaire," Proof for the calendar "Belle Jardinaire" 1896. On China paper produced for the month of August, 12 7/8 x 9 7/8"Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- THE BOOKMAN CHRISTMAS NUMBER. Circa 1895.Located in New York, NYLOUIS J. RHEAD (1858-1926) THE BOOKMAN / CHRISTMAS NUMBER. Circa 1895. 19x11 1/2 inches, Dodd, Mead & Company, New York. Color Lithograph. Good condition. No rips or tears or folds. Good color. Framed. Ref: Das Plakat...Category
1890s Art Nouveau Prints and Multiples
MaterialsLithograph
- Au Cirque (At the Circus; also called Circus Ring).By Henri Gabriel IbelsLocated in New York, NY4 Color lithograph. 19 3/8 x 10 5/16; 23 x 16 5/16". HG Ibels lower right on stone; No.86 lower left margin, pencil. Blind Stamp (upside down) upper left margin. Published by L...Category
19th Century Art Nouveau Figurative Prints
MaterialsLithograph
You May Also Like
- "On Earth as it is in Heaven" Original 1899 Lithograph by Alphonse MuchaBy Alphonse MuchaLocated in Chicago, ILAlphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "On Earth as it is in Heaven" Original 1899 Color Lithograph by Alphonse MuchaBy Alphonse MuchaLocated in Chicago, ILAlphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Lead Us Not Into Temptation" Original 1899 Color Lithograph by Alphonse MuchaBy Alphonse MuchaLocated in Chicago, ILAlphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Our Father Who Art in Heaven" Original 1899 Color Lithograph by Alphonse MuchaBy Alphonse MuchaLocated in Chicago, ILAlphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Amen" Original 1899 Art Nouveau Color Lithograph by Alphonse MuchaBy Alphonse MuchaLocated in Chicago, ILAlphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- Paris sans finBy Alberto GiacomettiLocated in London, GBFirst edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...Category
1960s Art Nouveau Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Henri Nouveau
Grays Antique Rings
Antique Program
Cafe Poster
1893 Poster
Antique Japanese Book Prints
Antique Theatre Poster
Antique Theatre Posters
Pont Aven
Toulouse Lautrec Circus
Circus Ring
Japanese Graphic Design Poster
Art Nouveau Boy
Toulouse Lautrec Lithograph Circus
Lithograph Four Seasons
P Gauguin
Theophile Steinlen
Henri Lautrec Circus