Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Vincenzo Campana
Pompeian Style Wall Fresco - Etching by Vincenzo Campana - 18th Century

Late 18th Century

About the Item

Pompeian Style Wall Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia Stamperia, and copies were delivered to selected recipients across Europe. Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici. The Bourbon King Carlo appointed fifteen scholars creating a new “Herculaneum Academy” to study the artifacts and publish the results of the archaeological excavations of the sites. The engravings are of high quality and the accompanying text shows a large scholarship. They were realized by 25 prominent artists involved by the King to prepare drawings and engravings on the finds, among which we can find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli, and Giovanni Battista Casanova. The “Antiquities” was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research., following and increasing the interest of 18th-century society for the classical culture and Art in particular. Through the exaltation of the classical concept of proportions and harmony, the book was of inspiration to the neoclassical movement in Europe, giving artists and decorators access to a huge shop of Hellenistic motifs.
  • Creator:
  • Creation Year:
    Late 18th Century
  • Dimensions:
    Height: 4.34 in (11 cm)Width: 9.45 in (24 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1370901stDibs: LU650311643332
More From This SellerView All
  • Noble Coats of Arms- Etching By Jacques Callot - 17th Century
    By Jacques Callot
    Located in Roma, IT
    Noble Coats of Arms is an original etching, interesting impression in the late edition of noble coats of arms, engraved by Jacques Callot and publis...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Etching

  • The Sacrifice - Original Etching by F. Cecchini After A. Tofanelli - 1821
    By Francesco Cecchini
    Located in Roma, IT
    “Sagrifizio Trionfale” is a beautiful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Agostino Tofanelli (Lucca 177...
    Category

    1820s Old Masters Figurative Prints

    Materials

    Etching

  • Testa Quasi Colossale di Marco Aurelio - Etching by P. Fontana
    By Francesco Cecchini
    Located in Roma, IT
    “Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...
    Category

    1820s Old Masters Figurative Prints

    Materials

    Etching

  • Map of Meissen - Etching by George Braun - Late 16th Century
    By Franz Hogenberg
    Located in Roma, IT
    This map of Meissen is an original etching realized by George Braun and Franz Hogenberg as part of the famous Atlas "Civitates Orbis Terrarum". The s...
    Category

    16th Century Old Masters Figurative Prints

    Materials

    Etching

  • Map of Antwerp - Etching by G.Braun and F. Hogenberg -Late 16th century
    By Franz Hogenberg
    Located in Roma, IT
    This Map of Anverpia is an original etching hand colored realized by George Braun and Franz Hogenberg as part of the famous Atlas "Civitates Orbis Ter...
    Category

    16th Century Old Masters Figurative Prints

    Materials

    Etching

  • The Temple of Peace - Etching by Giuseppe Vasi - Mid-18th Century
    By Giuseppe Vasi
    Located in Roma, IT
    The Temple of Peace is an original black and white etching realized by Giuseppe Vasi. Good conditions except for the trace of being fold at the middle. Sheet dimention:42 x 56 The...
    Category

    Mid-18th Century Old Masters Figurative Prints

    Materials

    Etching

You May Also Like
  • Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
    Category

    Early 18th Century Old Masters Figurative Prints

    Materials

    Etching

  • Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    "Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
    Category

    1760s Old Masters Figurative Prints

    Materials

    Etching

  • Market Day
    By Marius Bauer
    Located in Storrs, CT
    Market Day. 1889. Etching and drypoint. Wisselingh 42. 7 5/8 x 5 13/16 (sheet 8 3/8 x 6 3/8). Edition 100. Printed on cream laid paper. Mat burn and toning ...
    Category

    Late 19th Century Old Masters Figurative Prints

    Materials

    Etching

  • The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
    By Michael Burghers
    Located in Saint Augustine, FL
    Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...
    Category

    1680s Old Masters Figurative Prints

    Materials

    Watercolor, Engraving, Etching, Laid Paper, Intaglio

  • OBSEQUIO á el MAESTRO (‘A gift for the master’)
    By Francisco Goya
    Located in Santa Monica, CA
    FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
    Category

    1790s Old Masters Figurative Prints

    Materials

    Etching, Aquatint

  • Cavalcade.
    By Marius Bauer
    Located in Storrs, CT
    A Cavalcade. 1888. Etching. Wisselingh 107. 4 5/8 x 4 (sheet 11 5/8 x 8 3/4). Edition 100, #46. A richly inked impression printed on Strasbourg cream laid paper. Printed on the ful...
    Category

    Late 19th Century Old Masters Figurative Prints

    Materials

    Etching

Recently Viewed

View All