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Yue MinjunIngres & I, Yue Minjun- Contemporary Art, Lithograph, Limited Edition, Chinese2009
2009
About the Item
Yue Minjun, Ingres and I
Contemporary, 21st Century, Lithograph, Limited Edition, Chinese
Lithograph
Edition of 130
80 × 120 cm (47 1/5 × 31 1/2 in)
Stamped Signature, numbered in Roman numerals
In mint condition, as acquired from the publisher
PLEASE NOTE: Edition numbers could vary from the one shown in the pictures.
The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other.
Yue Minjun's work revolves around his characteristic grinning self-image - a repeated motif throughout his oeuvre. The figures, all based on a generic self-portrait, are each rendered with an inane beaming smile - a cynical grimace that represents the artist's resignation and disdain towards the materialism and spiritual emptiness of contemporary mainland Chinese culture.
"In my work, laughter is a representation of a state of helplessness, lack of strength and participation, with the absence of our rights that society has imposed on us." — Yue Minjun
"Ingres and I" belongs to the "Snatched Ecstasy" collection, a set of 20 lithographs in a brushed aluminum case and produced in a limited edition of 130 rare books. The collection is accompanied by a set of poems by the renowned Poet Fernando Arrabal. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical inquiry and contemplation of existence. Yue Minjun has said: "At first I thought an artist always added things to a canvas but didn't remove anything, but, if a part of a picture that is familiar to everyone is changed, it produces a special feeling. You establish a contrast. And force viewers to think about the figures." Often basing his compositions on well known European masterpieces and iconic Chinese art, Yue subverts the grandiose aura of art history through his adaptation of pop aesthetics. Using both the exaggerated expressiveness of cartooning and the stylistic rendering of graphic illustration, Yue depicts his cloned doppelgangers as contorted and grotesque, all scalded pink skin and maniacal toothy cackles. Using laughter as a denotation of violence and vulnerability, Yue’s paintings balance a zeitgeist of modern-day anxiety with an Eastern philosophical ethos, positing the response to the true nature of reality as an endless cynical guffaw.
YUE MINJUN
Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner.
Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming Yuan, a village near Beijing where he began to form his style and iconography. The paintings, sculptures, and installations of Yue Minjun feature uniform laughing pink faces, which appear to be self-portraits. Through various symbols, metaphors, signs, or through depictions of daily life the artist constructs various realities against which the laughing figures are rendered.
"In my work, laughter is a representation of a state of helplessness, lack of strength and participation, with the absence of our rights that society has imposed on us." —Yue Minjun
Yue became famous after his participation in the 48th Venice Biennale in 1999, which granted him access to international art. One of the best-known paintings by Yue Minjun and an icon for modern Chinese art and the Cynical Realism movement is Execution. It was painted in 1995 and is generally regarded as a reaction to the Tiananmen Square crackdown of 1989, as it shows several laughing men in front of an execution squad. The cloned all smiling Minjun self-portraits have become known in the art world as the "Silly Man". As the preparation for his paintings, the artist uses photographs of himself being photographed in various poses. This approach reflects the self-irony of the artist. Yue Minjun is often classified as part of the Chinese "Cynical Realist" movement, however, the artist does not support such attribution. Nevertheless, Yue often challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner.
- Creator:Yue Minjun (1962, Chinese)
- Creation Year:2009
- Dimensions:Height: 31.5 in (80 cm)Width: 47.25 in (120 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zug, CH
- Reference Number:1stDibs: LU1562211091322
Yue Minjun
YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner.
Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming Yuan, a village near Beijing where he began to form his style and iconography. The paintings, sculptures, and installations of Yue Minjun feature uniform laughing pink faces, which appear to be self-portraits. Through various symbols, metaphors, signs, or through depictions of daily life the artist constructs various realities against which the laughing figures are rendered. "In my work, laughter is a representation of a state of helplessness, lack of strength and participation, with the absence of our rights that society has imposed on us." —Yue Minjun Yue became famous after his participation in the 48th Venice Biennale in 1999, which granted him access to international art. One of the best-known paintings by Yue Minjun and an icon for modern Chinese art and the Cynical Realism movement is Execution. It was painted in 1995 and is generally regarded as a reaction to the Tiananmen Square crackdown of 1989, as it shows several laughing men in front of an execution squad. The cloned all smiling Minjun self-portraits have become known in the art world as the "Silly Man". As the preparation for his paintings, the artist uses photographs of himself being photographed in various poses. This approach reflects the self-irony of the artist. Yue Minjun is often classified as part of the Chinese "Cynical Realist" movement, however, the artist does not support such attribution. Nevertheless, Yue often challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner.
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