Gustav Mezey

Schleichendes Gift (Creeping Poison) by Gustav Mezey, Snake film poster, 1946

1946

Lucian Bernhard was an award-winning graphic, interior, and typography designer and highly influential to the world of 20th century graphic and poster ...

A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect. “The modern poster as we know it- large, colorful ...

Lithograph of Auguste Donnay’s Cercle des Beaux-Arts de Liege Exposition Annuelle, published by Imprimerie Chaix, the printing house known for publishing the ...

Lithographic propaganda poster “Acquire the people’s gas mask”, c. 1942. “Protection against possible attacks with chemical warfare agents played an important role in air defense f...

Jules Chéret’s poster advertising the Théâtre Optique (Optical Theatre) immortalized a momentous convergence of technology, culture, history, and art with the 1892 debut of Emile Reynaud’s praxinoscope at the Musée Grévin in Paris. Reynaud presented his Pantomimes Lumineuses, the world’s first animated films, using his innovative system which projected light through moving pictures to offer illuminated pantomimes. Among the three short films Reynaud screened through his praxinoscope was Pauvre Pierrot (Poor Pierrot), a story of Pierrot courting Columbine based on the timeless archetypal love triangle featured in many Commedia dell’arte pantomimes. As a member of the Cercle Funambulesque (roughly “Friends of the Tightrope-walkers”), a French society which championed the contemporary creation of Commedia dell-arte-inspired pantomimes, Jules Chéret was often inspired by Pierrot and produced a large number of works depicting him, often with his beloved Columbine. Cheret’s involvement with the Cercle, combined with the immense popularity of these archetypes in the late 19th century, meant that they appeared frequently in his works. This work comes from the extremely scarce edition of 25 strikes on Imperial Japon paper, a mulberry bark-based stock inspired by the smooth-surfaced papers used in Japanese printmaking. This world-class example of lithography captures superior resolution and color-richness to that of its large-format counterpart. The use of marbled Imperial Japon paper allows inks to rest upon its surface rather than being absorbed by a more porous paper stock. An extremely scarce fraction of the edition of 25 are estimated to have survived to date. Stone lithograph of Jules Chéret’s Musée Grévin...

Original collotype lithograph of Gustav Kilmt’s Seated nude, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild...

CITY LIGHTS by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free. CITY LIGHTS is a modern Art Deco style city couple portrait of a sophisticated pair elegantly dressed to go out for the evening holding bubbling champagne glasses, both with pouty lips, staring at the viewer with one-eyed gazes. Ms. Morris utilizes her characteristic Art Deco stylized drawing in creating a portrayal of a modern couple - the woman with her flowing strawberry blonde hair, red blushed cheeks, dramatic long white pearl necklace and red evening gown; her male companion sporting a black with yellow satin band boater hat and formal grey tweed suit with big squared shoulders, white shirt, and red bow tie. A deep, dark blue moonlit evening sky in the background, tall gray city buildings with light yellow glowing windows, and black and white checkered floor...

SLAVE TO FASHION by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on a...

The 1932 original poster by Paul Iribe, titled "Baptêmes Champagne," encapsulates the spirit of celebration and luxury associated with the world of champagne. Created during the gold...

Crafted in 1932, the advertising poster for "Biscotti di gran Lusso - Lazzaroni" epitomizes the golden age of Italian graphic design and culinary excellence. Created to promote the l...

The 1932 original poster by Paul Iribe, titled "Fierté Française Champagne" exudes the essence of French pride and elegance. Crafted during the height of the Art Deco movement, this poster epitomizes the sophistication and refinement associated with French culture...

RIVALS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. RIVALS is an amusing portrait of two dapper moustached men dressed in black tuxedos both vying for a mysterious red haired woman wearing an elegant, sleek green evening gown and long purple gloves...