Sunol Alvar

Sur La Table, Lithograph by Sunol Alvar

circa 1985

Artist: Horst Antes, German (1936 - ) Title: Figure with Ladder Medium: Lithograph, signed and numbered in pencil Edition: 199/200 Image: 24 x 18.5 inches Size: 25.5 x 19.5 in. (64....

"Inspiration" is an original lithograph by Marc Chagall published in the "Lithographs of Marc Chagall vol. II". The book was published in a limited edition of 6000. Size: 12.5 x 9.5...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme au Corset Tesant un Livre". The original painting was completed in 1918. In the 1970's...

Artist: George Deem Title: Composition in Red and Black Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: AP 40 Image Size: 26 x 18 inches Paper Size: 30 i...

Artist: Marcel Mouly, French (1918 - 2008) Title: Artiste dans l'Studio Year: circa 1977 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 220 Size: 25 x 35 in. (6...

Artist: George Deem Title: Hands of Mayakovsky Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 17 inches Paper Size: 25.5 in. x 21 ...

Pencil signed and dated, Russian Soviet Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His...

Interior of the Odeum of Pericles is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa. Nachshon began to paint in early childhood, and developed his relationship to art and to artists throu...

Interior of the Parthenon is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Abstract Composition, Coffee Grinder Hand signed in Hebrew Lower right. limited edition. Dimensions: H 18.5" x 24.9" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggadah, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...

Vibrant lithograph by Israeli master JOSSI STERN. on paper mounted to board. Sefardic Rabbi studying with son Torah. 23 x 21 framed 13.5 x 19.5 Hungary, b. 1923, d. 1992 Jossi (Yossi) Stern, son of David and Katerina, was born in the Bakon Hills of Hungary, in 1923. He was already drawing when at the age of ten he moved with his family from the Bakon Hill region to the considerably more cosmopolitan Budapest. Recognizing the looming threat of Hitler and the pending Nazi invasion of Hungary, in 1940, at the age of seventeen, the young artist made his way to Palestine aboard the Sakaria, an old ship heavily crowded with 2,300 other refugees. Before reaching the shores of Palestine, then under the British Mandate, the British Navy intercepted the ship and declared Stern and all those aboard illegal immigrants. Stern was sent to a prison camp where he remained incarcerated by the British for six months. In 1943, having spent a few years doing agricultural work, Stern was encouraged by close friends who recognized his artistic talent to enroll in the prestigious Bezalel School of the Arts in Jerusalem. An outstanding student, he eventually became a highly respected teacher of Graphic Arts at Bezalel. Stern is recognized in Israel as having been one of the country's premier artists. His drawings are exhibited and appear in many publications and museums worldwide. Stern was the recipient of numerous awards including the Jerusalem Medal as well as both the UNESCO and Herzl Prize. He was included in the exhibition New Bezalel Artists' House, Jerusalem Tel Aviv Museum, along with Artists: Ludwig Wolpert, Joseph Budko, Gershon Knispel, Gershon Avigdor Arikha, Maryan, Jacob Steinhardt, Ruth Schloss...