Items Similar to OLIVE TREES, CAPRI
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Clarence Holbrook CarterOLIVE TREES, CAPRI1932
1932
About the Item
Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plate), 17 x 13 1/2 (sheet). In excellent condition.
- Creator:Clarence Holbrook Carter (1904-2000, American)
- Creation Year:1932
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Portland, ME
- Reference Number:
Clarence Holbrook Carter
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers, scores of awards and solo exhibits, and streams of praise flowing from pens of the top art critics. Over the course of his 60+ year career Carter evolved from an exceptionally fine American Scene painter capable of evoking deep reservoirs of mood, into an abstractionist with a strongly surrealist bent. While his two bodies of work seem at first to be worlds apart, owing to their different formal vocabularies, they, in fact, explore virtually the same subject: the nexus between life and death and the transition from earth to spirit. The early work finds its expressive power through specific people, events, and landscapes—most of which are drawn from his experiences growing up in the river town of Portsmouth, Ohio—while the later work from the 1960s on evokes potent states of being through pure flat shape, color and form that read as universals. As his primary form he adopted the ovoid or egg shape, endowing it with varying degrees of transparency. Alone or in multiples, the egg moves through Carter’s landscapes and architectural settings like a sentient spirit on a restless quest. Born and raised in southern Ohio along the banks of the mercurial Ohio River and its treacherous floods, Carter developed a love of drawing as a child, and was encouraged by both his parents. He was self-directed, found inspiration all around him, and was strongly encouraged by the fact that his teenage work consistently captured art prizes in county and state fairs. Carter studied at the Cleveland School of Art from 1923-27, where he trained under painters Henry Keller, Frank Wilcox and Paul Travis. Returning to Cleveland in 1929, Carter had his first solo show, and through Milliken taught studio classes at the Cleveland Museum of Art from 1930-37. In 1938, he moved to Pittsburgh to teach at the Carnegie Institute of Technology until 1944. Carter’s American Scene paintings of the ’30s and ’40s, which launched his artistic star, are the works for which the artist remains best known. During and immediately after World War II, Clarence Carter realized his attraction to bold pattern, dramatic perspective and eye-catching hard-edged design was a poor fit with the prevailing style of Abstract Expressionism. Fortunately, these same hallmarks of his style were prized within the realm of commercial art. Around 1964 Carter acknowledged a need to break from the confines of representational painting. Once Carter had found a potent symbol in the egg, he used it to create an astounding body of imagery for the rest of his life. Among the most ambitious of all his later paintings were his Transections, a theological term meaning to cross, specifically between life and death.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1966
1stDibs seller since 2016
301 sales on 1stDibs
Typical response time: 2 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Portland, ME
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- DOWNTOWN, NEW YORKBy John Taylor ArmsLocated in Portland, MEArms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...Category
1920s Landscape Prints
MaterialsEtching, Aquatint
- MAXWELL STREETBy William SharpLocated in Portland, MESharp, William (American, 1900-1961). MAXWELL STREET. Etching and aquatint, not dated, but circa 1940. Edition of 25, titled and signed in pencil and numbered 9/25. 8 5/8 x 10 3/4 in...Category
1940s American Realist Landscape Prints
MaterialsAquatint, Etching
- UNTITLEDBy April GornikLocated in Portland, MEGornik, April. UNTITLED. Aquatint, 1994. Edition of 75, from the Portfolio "Six Couples - Twelve Prints" published by Parasol Press, Portland, Oregon, 1996. Numbered 27/75, and sign...Category
1990s Landscape Prints
MaterialsAquatint
- UNE JETEE EN ANGLETERREBy Félix Hilaire BuhotLocated in Portland, MEBuhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...Category
1870s Landscape Prints
MaterialsEtching, Aquatint, Drypoint
- GLOUCESTERLocated in Portland, MEJohnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...Category
Mid-20th Century Landscape Prints
MaterialsEtching, Aquatint
- VALLEY OF THE TIBERBy Albany E. HowarthLocated in Portland, MEHowarth, Albany. VALLEY OF THE TIBER. Etching, not dated. Edition size not known. Signed in pencil lower right. 13 3/4 x 10 1/2 inches (plate), 19 5/8 x 14 3/4 inches (sheet). In ex...Category
Early 20th Century Landscape Prints
MaterialsEtching
You May Also Like
- Bridge in Merida, Aquatint Etching by Diana Gonzalez GandolfiLocated in Long Island City, NYAn Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.Category
1980s Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint
- Bridge, Abstract Aquatint Etching by Lawrence HeymanLocated in Long Island City, NYLawrence Heyman, American (1932) Date: circa 1965 Etching with Aquatint, signed and numbered in pencil Edition of 5/100 Image Size: 15.5 x 19.5 inches ...Category
1960s Modern Landscape Prints
MaterialsEtching, Aquatint
- 1804 St George's Chapel Windsor Castle printBy Frederick NashLocated in London, GBFrom a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...Category
Early 1800s Realist Landscape Prints
MaterialsAquatint, Etching
- 1804 St George's Chapel Windsor Castle printBy Frederick NashLocated in London, GBFrom a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some other...Category
Early 1800s Realist Landscape Prints
MaterialsAquatint, Etching
- Guadalmar, by Christian BozonBy Christian BozonLocated in Palm Springs, CASigned, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsEtching, Aquatint
- SeascapeBy Kaiko MotiLocated in San Francisco, CAThis artwork "Seascape" c.1965 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXVII/LXXV in pencil by the a...Category
Mid-20th Century Impressionist Landscape Prints
MaterialsAquatint
Recently Viewed
View AllMore Ways To Browse
Tree Plate
Olive Tree
Olive Tree Prints
Vintage American Flag Fabric
16th Century Colored Engraving
Carl Alexander
English Lucas Art
Piranesi Veduta
Thomas Hart Benton Original
Claude Etching Lorrain
Loggan Print Of Eton College
Piranesi Views Of Rome
Antique Currier Ives Prints
De Micheli
Del Ponte
Topiary Art
Antique Currier And Ives Prints
Christo Gates